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About this concert
-All seats are reserved. -Everyone through the door, regardless of age, requires a ticket. -Guests who arrive late will be seated at the discretion of Management. -The Morrison Center reserves the right to search all bags. -Clutches or purses no larger than 14×14 are permitted. -Large purses, tote bags, backpacks and fanny packs are strongly discouraged and prohibited for most shows. -Outside food and drink are not allowed into the Morrison Center. Only bottled water is allowed in the main hall. -Tap, swipe or scan. Cards and digital payments only. -Event parking is included with ticket purchase. -Morrison Center is a smoke-free environment. No vaping allowed. -Please be advised that the Morrison Center facility has been designated as a guns-free environment.The full policy is at http://security.boisestate.edu/guns-on-campus/ -ALL SALES ARE FINAL. NO EXCHANGES. NO REFUNDS.
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What fans are saying

Ashley
April 7th 2025
The band was so lovely! Wish more people in the crowd had the strong urge to twirl around to music.
Washington, DC@The Atlantis
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The Weather Station Biography
The Weather Station — the project of Toronto based songwriter Tamara Lindeman — returns with new album Humanhood on January 17th via Fat Possum Records. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide.
As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and shortlisted for the Polaris Prize, her albums have made a mark both critically and conceptually.
Read MoreAs a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and shortlisted for the Polaris Prize, her albums have made a mark both critically and conceptually.
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