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About this concert
FACEBOOK EVENT (RSVP + invite your mates!)Gangrene Dream, born in Melbourne's eastern suburbs, fuses 60s garage psychedelia with modern punk, dubbing their sound "shack rock".After lineup changes, they solidified in 2024, releasing three singles—Can’t Surf, Ratlicker, and 3:30—featured on Spotify playlists and PBS’s Fang It! They've headlined venues like Bergy Bandroom, Cherry Bar, and The Gaso, delivering high-energy, chaotic performances.Little Theatre began as an instrumental solo project while Eric was writing and recording music with his bands Lake Monsters and Hill Park. In early 2015, when both bands went on hiatus around the same time, Eric decided that he still had music he wanted to make. He wrote, recorded and released his first EP, Few and Far Between, by August of 2015. Since then, Eric has experimented with genres ranging from folk, to anti-pop, to indie rock, and anything you could think of in between. Little Theatre is currently working on songs with a more pop punk/indie/arena rock focus.With catchy melodies, fuzzy guitars and big walls of drums, Little Theatre is finally becoming an outlet for releasing all the teenage angst that got Eric into music in the first place.Dead Beat are a 3-piece band - a stank bucket of stoner, punk, and trashcore, spilt everywhere and wiped up with a manky towel. Smells like bin juice.
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What fans are saying
Alex
November 3rd 2022
Great show. Got to meet him before his set. Good quick chat. Would love to see him again!
Paris, France@Quai de Bourbon
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Deadbeat Biography
Though based in Montreal, Deadbeat and his ultra-textured ambient dub soundscapes made their way around the world, finding large audiences in Europe as well as in North America. Deadbeat producer Scott Monteith is a member of the same fertile Montreal scene that includes such luminaries as Akufen (Marc Leclair) and Algorithm (Jeff Milligan). Like his peers, he gained international acclaim in the early 2000s once the French-Canadian city became a hot spot for laptop techno (see the Montreal Smoked Meat compilation), thanks partly to the world-reknown Mutek festival as well as a wealth of Montreal-based record labels. Monteith debuted as Deadbeat in July 2000 with the Cesium Beam 12" for Hautec Records and has since recorded for such labels as Revolver, Intr_version, Background, Force Inc., ORAL, Scape, Cynosure, and Clitekture. In addition, he has collaborated with Steve Beaupre as Crackhaus and also with Robert Henke (Monolake) as Atlantic Waves.
Monteith moved to Montreal in 1995 and quickly became enthralled by the city's underground community of digital musicians and artists, eventually co-founding the multi-media collective Covert Ops. He began recording music as Deadbeat in early 1998 and released his first 12" in 2000. A year later fellow Montreal producer Mitchell Akiyama released the debut Deadbeat full-length, Primordia (2001), on his Intr_version label, and another year later Stefan Betke (Pole) released the follow-up, Wild Life Documentaries (2002), on his Scape label. During the intermittent time, numerous other labels released Monteith's recordings as Deadbeat; most notably, Force Inc showcased the producer's work -- both as Deadbeat and as half of Crackhaus -- on its scene-encapsulating Montreal Smoked Meat (2002) collection. In addition to his recordings, Monteith has performed live at the Mutek festival (Montreal, May 2000), the Transmediale festival (Berlin, February 2002), and the Creative Time festival (New York, October 2002), as well as elsewhere. By day he works for the Montreal-based audio software company Applied Acoustics Systems.
Read MoreMonteith moved to Montreal in 1995 and quickly became enthralled by the city's underground community of digital musicians and artists, eventually co-founding the multi-media collective Covert Ops. He began recording music as Deadbeat in early 1998 and released his first 12" in 2000. A year later fellow Montreal producer Mitchell Akiyama released the debut Deadbeat full-length, Primordia (2001), on his Intr_version label, and another year later Stefan Betke (Pole) released the follow-up, Wild Life Documentaries (2002), on his Scape label. During the intermittent time, numerous other labels released Monteith's recordings as Deadbeat; most notably, Force Inc showcased the producer's work -- both as Deadbeat and as half of Crackhaus -- on its scene-encapsulating Montreal Smoked Meat (2002) collection. In addition to his recordings, Monteith has performed live at the Mutek festival (Montreal, May 2000), the Transmediale festival (Berlin, February 2002), and the Creative Time festival (New York, October 2002), as well as elsewhere. By day he works for the Montreal-based audio software company Applied Acoustics Systems.
Dub
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