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dnalounge.com
About this concert
Performing Live:
NITZER EBB
FRONT LINE ASSEMBLY (Wax Trax! Era Set)
CLOCK DVA
LEAD INTO GOLD
Above DNA: The Industrial Break Room
Starr Noir
Impirumcrypt
The Industrial Nation 2025 Tour, featuring 3 Wax Trax! alumni and the legendary purveyors of "muscle and hate" Nitzer Ebb.
Nitzer Ebb (pronounced night-zer ebb) set out to terrorize the UK dance scene with industrial power rhythms and fierce lyrical themes. While their contemporaries tried to rule the dance floor, Nitzer Ebb wanted something more primal. Full of repetitious, strangely tuneless chants, they conjure up images of scavenging packs of pre-adolescent boys idly roaming through playgrounds in search of new victims to participate in their latest Lord of the Flies style games. Their early works were as subtle as a tank. Their brutal, disturbing, intense and experimental sounds helped define the industrial sound and has influenced countless imitators over the last four decades.
(This will also be Nitzer Ebb's first performance at DNA Lounge ever, if you can believe that. Weird, right?)
Front Line Assembly will be performing a rare set focused on early output from Wax Tax years 88-92. Since being formed in 1986 by Bill Leeb the band has gained and lost several members. However, it's still been one of the best-known bands in the electro-industrial genre. FLA's body of work ebbs and flows somewhere between industrial, dark dance music, and the apocalypse -- with so much musical history there is something for everyone.
A product of the mid-'70s England industrial music community, Clock DVA emerged in 1980 with their debut, White Souls in Black Suits, a cassette-only improvisational release fusing metallic noise with funk designs that was issued on Throbbing Gristle's Industrial label. In 1981, the group issued Thirst, which abandoned R&B accouterments in favor of edgy, abrasive electronic noise. 1983's Advantage, saw their sound transform into an intense montage of dance beats, piercing feedback, and jarring tape manipulations before Clock DVA disbanded in late 1983. Following decades of various reformed lineups and breakups, Clock DVA has returned for a limited number of performances.
Lead into Gold is a side project of American industrial musician Paul Barker, best known as the former bassist for Ministry and the Hermes Pan half of the Luxa/Pan production team. Its music is an adventurous romp through distorted and gnarly bass-driven industrial, where your greatest fears and dystopian dys-fantasies lay waiting for just a wee bit of courage.
Patreon members: Green, Blue and Gold cards will not be accepted at this event. Black Card only!
industrial. ebm.
doors @ 7pm;
show @ 7:30pm.
all ages.
$40 advance;
$53 day of show.
Buy tickets: https://www.dnalounge.com/calendar/2025/09-11.html
Watch and listen:
Nitzer Ebb: Murderous: https://youtu.be/3_2GlKk08xQ
Front Line Assembly: Arbeit: https://youtu.be/zgl2d57VvJM
ClockDVA: Sound Mirror: https://youtu.be/31BjwrVl_xk
Lead Into Gold: Faster Than Light: https://youtu.be/GmxFwHwnHzc
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Clock DVA Biography
Clock DVA is an electronic music group from Sheffield, England. Originally formed in late 1977 by founding members Adi Newton and steven turner, Clock DVA were originally known for making a form of experimental electronic music. They became associated with industrial music with the 1980 release of their album White Souls in Black Suits on Industrial Records, although in reality the early material that predates this release is a blend of extreme electronics and frequencies that was heard only by a spartan few, including Jhon Balance and other notaries. (This early archive material, which includes the Sex Works Beyond Entanglement 12" EP (1979) originally planned for release by Cherry Red with the tracks Throbbing Sweeping Obscene/Coil/The Pop Hell, is due for release with a number of other extreme pure-electronic compositions and will readdress the morphology of DVA history.) The album Thirst followed in 1981, by which time Adi Newton and Steven Judd Turner had combined musique concrète techniques with guitar, bass, and drum instrumentation, fused with Newton's unique art direction and existential lyrics and writing.
After the tragic death of Steven Judd Turner, Adi Newton formed a new version of the band in 1983. First releasing the singles Passions Still Aflame and High Holy Disco Mass on the major label Polydor under the name DVA, the group then released the album Advantage (along with several singles). During a European tour a dispute amongst the musicians occurred resulting in Adi Newton disbanding the group. However the remaining musicians attempted an abortive continuation of the tour without him, which resulted in negative reaction from DVA fans appalled by Newton's absence.
After the 1983 breakup of Clock DVA, Adi Newton put in process his original concept of the multimedia arts project The Anti-Group aka T.A.G.C., which staged a number of performances directed and choreographed solely by Adi Newton. T.A.G.C. released a series of films and recordings, namely The Disscussion Anti-Theatre piece/Dual 16mm Film and Soundtrack, Ha/Zulu, ShT, Big Sex, The Ambisonic Album Digitaria, Meontological Recording Record 1, Meontological Recording Record 2 (Teste Tones), Burning Water Film/ Soundtrack, and Iso-Erotic Calibrations.
In 1987 Adi Newton, while still working within TAGC, allowed a reformation of DVA. He was at the time experimenting with computer sound sampling techniques and sequencing and had already created a blueprint for a track originally titled "Diamond Bullet," which later became "The Hacker." This reformed line-up consisted of creative director Adi Newton; vocalist, sound designer, and bass player Dean Dennis; and saxophonist/programmer Paul Browse. From this line-up came the album Buried Dreams, which draws its exceptional power from sourced sample material and concepts researched and provided by Adi Newton.
After the release of Buried Dreams and a series of singles taken from the album, a number of problems occurred. Paul Browse left to try to resolve issues with the record label in Berlin but remained in Germany and never returned. As a result, Robert Baker joined the line up, which then released the albums Man-Amplified and Digital Soundtracks. Later the working relationship with Dean Dennis deteriorated and it was decided by all that it would be better for Dennis to leave the band. The album Sign followed during a transitional period in which Adi Newton relocated to Italy, taking Clock DVA/TAGC with him as sole director and reactivating the project in a new direction.
Adi Newton and creative partner Jane Radion Newton are currently working on the remastered release of their whole back catalog, which is set to be released in the autumn by Mute records as a box set including a 120-page book. They are also working with invited guest artists on new Clock DVA/TAGC studio albums, which are scheduled for a 2009 release to coincide with a number of key European performances and installations.
The official Clock DVA myspace page is at http://www.myspace.com/clockdvaauthorized and a fan site is at: http://www.mySpace.com/ClockDVA.
Read MoreAfter the tragic death of Steven Judd Turner, Adi Newton formed a new version of the band in 1983. First releasing the singles Passions Still Aflame and High Holy Disco Mass on the major label Polydor under the name DVA, the group then released the album Advantage (along with several singles). During a European tour a dispute amongst the musicians occurred resulting in Adi Newton disbanding the group. However the remaining musicians attempted an abortive continuation of the tour without him, which resulted in negative reaction from DVA fans appalled by Newton's absence.
After the 1983 breakup of Clock DVA, Adi Newton put in process his original concept of the multimedia arts project The Anti-Group aka T.A.G.C., which staged a number of performances directed and choreographed solely by Adi Newton. T.A.G.C. released a series of films and recordings, namely The Disscussion Anti-Theatre piece/Dual 16mm Film and Soundtrack, Ha/Zulu, ShT, Big Sex, The Ambisonic Album Digitaria, Meontological Recording Record 1, Meontological Recording Record 2 (Teste Tones), Burning Water Film/ Soundtrack, and Iso-Erotic Calibrations.
In 1987 Adi Newton, while still working within TAGC, allowed a reformation of DVA. He was at the time experimenting with computer sound sampling techniques and sequencing and had already created a blueprint for a track originally titled "Diamond Bullet," which later became "The Hacker." This reformed line-up consisted of creative director Adi Newton; vocalist, sound designer, and bass player Dean Dennis; and saxophonist/programmer Paul Browse. From this line-up came the album Buried Dreams, which draws its exceptional power from sourced sample material and concepts researched and provided by Adi Newton.
After the release of Buried Dreams and a series of singles taken from the album, a number of problems occurred. Paul Browse left to try to resolve issues with the record label in Berlin but remained in Germany and never returned. As a result, Robert Baker joined the line up, which then released the albums Man-Amplified and Digital Soundtracks. Later the working relationship with Dean Dennis deteriorated and it was decided by all that it would be better for Dennis to leave the band. The album Sign followed during a transitional period in which Adi Newton relocated to Italy, taking Clock DVA/TAGC with him as sole director and reactivating the project in a new direction.
Adi Newton and creative partner Jane Radion Newton are currently working on the remastered release of their whole back catalog, which is set to be released in the autumn by Mute records as a box set including a 120-page book. They are also working with invited guest artists on new Clock DVA/TAGC studio albums, which are scheduled for a 2009 release to coincide with a number of key European performances and installations.
The official Clock DVA myspace page is at http://www.myspace.com/clockdvaauthorized and a fan site is at: http://www.mySpace.com/ClockDVA.
Industrial Rock
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