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SHOTGUN
About this concert
SONORA : HALLOWEEN EDITION
31 OCTOBRE & 1er NOVEMBRE 2025
BORDEAUX - PARC DES EXPOSITIONS
La plus grosse soirée hangar du Sud-Ouest revient pour une édition terrifiante les 31 octobre et 1er novembre au Parc des Expositions de Bordeaux. Deux soirs de Techno, Hard Techno, Trance et Techno Mélodique dans une ambiance Halloween XXL.
FORMAT SPÉCIAL
Deux hangars immenses de 12 000m² et 8 000m², 2 scènes dont une équipée 400m2 d'écran LED dont 14 monolithes LED à diffusion 360°. Une scénographie inédite et un nouveau show exceptionnel pensé pour cette édition.
CE QUI VOUS ATTEND :
• 2 immenses hangars
• Un A/V show spécial Halloween
• 400m² d’écrans LED, dont 200m² sur le dancefloor
• Un système son surpuissant
• Des lightshows impressionnants
• Une ambiance immersive et spectaculaire
PROGRAMMATION
| VENDREDI 31 OCTOBRE
I Hate Models 'Face II Face' A/V show
Basswell
C * * * * *
Odymel
Kas:st
* * * * H
Miss Bashful x DBBD
Fenrick
Teho
Nawme
Zorza
DJ Football B2B DJ Caline
DJ Kwame B2B Die Klar
| SAMEDI 1er NOVEMBRE
Astrix
Trym
Vladimir Cauchemar
* * * * * * * * * *
Rivo
Sköne
Zapravka
Le Blanc
Hysta
Eargasm God
FC Kabagar
ℹ INFOS PRATIQUES & ACCÈS
Parc des Expositions de Bordeaux
Jeudi 31 octobre : ouverture à 17h
Vendredi 1er novembre : ouverture à 18h30
Fermeture chaque soir à 04h
Événement strictement réservé aux personnes majeures
Sorties définitives
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I Hate Models Biography
I Hate Models - DJ, Producer and owner of the Label Disco Inferno
In a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
Read MoreIn a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
Techno
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