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Zombie Zombie : Véritable référence de la scène électro indé hexagonale, Zombie Zombie abreuve depuis presque 20 ans les oreilles les plus exigeantes de France et de Navarre de son krautrock chamanique, magnifié en live lors de grandes liturgies groovy dont ses trois officiants ont le secret. Le trio défendra sur scène « Funk Kraut », son second LP chez Born Bad Records à paraître le 07 mars 2025. La messe est dite !Vox Low : Vox Low sur scène, c’est une version acid-house de Jesus & Mary Chain. Le groupe est composé de Benoit Raymond et Jean-Christophe Couderc, tous les deux ex-membres du groupe Think Twice, produit par Laurent Garnier dans les années 2000, augmenté de Mathieu Autin et Jérôme Pichon. Les quatre acolytes signés chez Born Bad Records proposent une musique oscillant entre post-punk, cold wave, et techno, qui lèche les vitrines du krautrock (Can…) et picore généreusement dans les bacs des infortunés qui hésitent entre danser ou se passer la corde au cou (Joy Division, Velvet Underground, Gary Numan…). Pareille à la moiteur qui perle de la paroi d’un frigo entrouvert, telle la lumière persistant sur une rétine plongée dans le noir, la musique de Vox Low attrape le dancefloor là où il s’y attend le moins.Dame Area : Originaire de Barcelone, Dame Area a laissé le public bouche bée et sans souffle dans toute l’Europe et l’Amérique, jouant environ 300 concerts et générant un consensus : ils sont l’un des meilleurs groupes live du moment. C’est leur sens de la dynamique qui les distingue de n’importe quel groupe de la scène industrielle, car ils ont plus en commun avec le rock expérimental de Sonic Youth qu’avec n’importe quel projet électronique, tandis que les structures évoquent les innovations avant-gardistes de Coil. Ils représentent une forme éclectique et perspicace de musique industrielle contemporaine, déployant des synthés minimaux compulsifs et des polyrythmies primales, ainsi que des éléments de post-punk et d’EBM reconstruits de manière unique. Une identité artistique qui embrasse l’influence tout en évitant les compromis, changeant de saveurs, mais pas d’essence, d’une sortie à l’autre.Froid Dub : Formé par F.M. et Fa_Fane, deux producteurs basés à Paris (France), Froid Dub propose une concoction unique de digi-dub moderne à laquelle ils ajoutent une torsion inattendue en croisant wave et dub. Une équation déjà posée par le post-punk à la fin des années 70, réactualisée ici avec une touche de culture club, et de vibe personnelle. Redéfinissant une carte sonore sans frontières autour d’un axe dub central, le groupe repousse les limites du genre, en passant d’instrumentaux dub atmosphériques à des morceaux plus rythmés. Une diversité sonore qui s’adresse aux amateurs de reggae moderne, de musique expérimentale et de vibrations électroniques profondes.
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Zombie Zombie Biography
It's already been 5 years since the last Zombie Zombie album 'Rituels d’un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources? After 10 years at
Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short
time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But
I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on “Looose”, which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Read MoreVersatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short
time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But
I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on “Looose”, which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
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