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About this concert
February, 2024: The members of Little Feat emerged from the pandemic with their sense of humor, chops, and collective joy in playing intact. Over the past three years, they’ve focused tours on their epic live album Waiting for Columbus and re-issues of their second through fourth albums (Sailin’ Shoes, Dixie Chicken, and Feats Don’t Fail Me Now. Audience response has been rapturous. The band builds on a deep, over 50-year history. Little Feat used a combination of elite musicianship and brilliant, idiosyncratic songwriting to create a repertoire that transcends all boundaries. California rock, funk, folk, jazz, country and rockabilly mixed with New Orleans swamp boogie led to a powerful sound that has kept the audience dancing for decades. Their groove–in songs like “Dixie Chicken,” “Spanish Moon,” “Fat Man in the Bathtub,” and “Feats Don’t Fail Me Now”–was so infectious it allowed them to endure and press on even when losing their founder, Lowell George, and founding drummer, Richie Hayward. They’re in top form now with Scott Sharrard on lead/vox and Tony Leone on drums/vox, and with founder Bill Payne on keys/vox, Fred Tackett on guitars/vox, Kenny Gradney on bass, and Sam Clayton on percussion/vox. Now it’s time for something new. Their creativity has been renewed, and 2024 will see the release of the brand-new Sam’s Place, in which Feat backs their linchpin conga player, Sam Clayton, on vocals. The album features a new song, “Milk Man,” by Sam, Scott, and Fred. There’s a live version of “Got My Mojo Working. ”Sam and Bonnie Raitt duet on Muddy’s “Long Distance Call. ”Sam’s Place scratches a deep itch. Sam added, “I'm very happy because I was never expecting anything like that. I mean, I have wanted to, but I just wasn't expecting it to come to the fruition. It was a long wait, but it’s satisfying. Opening for Little Feat will be Cris Jacobs
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Little Feat
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Cris Jacobs
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Live Photos

Little Feat at Ft Lauderdale, FL in Lillian S. Wells Hall at The Parker 2025
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What fans are saying

SteveO
March 2nd 2025
It's been a few days since the show to collect my thoughts. First, thanks to Jim Lauderdale for his opening set and lead vocals on 'All That You Dream' it was a perfect match! Next, the Feat's new line players (Scott Sharrard, guitar, and Tony Leone, drums) did pure justice to the Feat legacy. Finally, the last song of the night 'Let It Roll (from 1988 album)' gave homage to the Craig Fuller years which the band introduced to a Tampa crowd on 11/12/88 at the Florida State Fairgrounds (I attended that show). Stellar then, and now! Don't miss them when they come you way!
Clearwater, FL@
Ruth Eckerd Hall
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About the venue

Completed in 1920, the industrial university and recreational institution was developed by Goodyear Tire and Rubber Company for the welfare of its employees. The building...
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Little Feat Biography

Fifty-two years of great music doesn’t squeeze down to one page very easily. “Dixie Chicken,” “Oh Atlanta,” “Willin’,” “Let it Roll,” “Spanish Moon,” and “Fat Man in the Bathtub” are just the merest hint of a repertoire that has inspired more joy and more dancing than you can imagine. Little Feat fused a broad span of styles and genres into something utterly distinctive, a mix of California rock, funk, folk, jazz, country, rockabilly, and New Orleans swamp boogie and more, all stirred into a rich gumbo that can only be Little Feat.
Their album Waiting for Columbus is a consensus contender for the finest live rock and roll album ever recorded.
Bill Payne (keyboards, vocals), Kenny Gradney (bass), Sam Clayton (percussion and vocals), Fred Tackett (guitars and vocals), Scott Sharrard (guitars and vocals), and Tony Leone (drums) are Little Feat in 2021.
Scott (Gregg Allman Band) and Tony (Olabelle, Chris Robinson Brotherhood, Midnight Ramble Band) will be new to most Feat fans. Fortunately, they’ve both crossed paths with the band many times over the past decade, and they fit as elegantly and comfortably as a perfectly broken-in pair of jeans. They were born for this.
More than fifty years in, they’ve been up and they’ve been down and they know where they belong—standing or sitting behind their instruments, playing for you. And anything’s possible, because the end is not in sight.

www.littlefeat.net
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