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Kylee Phillips Tickets, Tour Dates and Concerts

Kylee Phillips

The Ark
316 S Main St

Jan 17, 2025

8:00 PM EST
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Kylee Phillips Tickets, Tour Dates and Concerts
About this concert
This special show will kick off both the 2025 Ann Arbor Folk Festival and The Ark's 60th Anniversary year and will feature over a dozen Michigan-based artists each performing renditions of popular songs released in 1965 - the year The Ark was founded. Featured artists include: Al Bettis, Andrew Brown & Katie Smith, Annie & Rod Capps, Chris Buhalis, Chris DuPont & Kylee Phillips, Dani Darling, Joe Reilly, Judy Banker, Ki5, Matt Watroba, Peter Madcat Ruth, The RFD Boys, Rabbitology, Kate Pillsbury, and The Daniels Family Singers: Jeff, Ben, Kathleen & Amanda!
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Event Lineup
The Crane Wives
52.9K Followers
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Rabbitology
4.03K Followers
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Jeff Daniels
2.39K Followers
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Ben Daniels Band
2K Followers
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Chris Dupont
1.67K Followers
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Annie & Rod Capps
1K Followers
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Joe Reilly
594 Followers
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Kylee Phillips
424 Followers
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Judy Banker
256 Followers
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Al Bettis Music
254 Followers
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Chris Buhalis
187 Followers
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Matt Watroba
183 Followers
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About the venue

Considered one of the top music clubs in the world, The Ark is an independent venue and Michigan’s nonprofit home for folk, roots and acoustic music. With live music over...
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Kylee Phillips Biography

Kylee Phillips is a Michigan-native vocalist and songwriter of deeply self-exposing pop music. Armed with an arresting, emotive, laser-focused voice, and an unrivaled ear for hooks and melodic contour, Phillips has garnered cult-like acclaim in the midwest and beyond since her explosive debut EP Long Time Coming. The title is strangely apt, as Phillips was a beloved hidden gem in the Detroit scene for over a decade before materializing as a fresh face and urgent new presence in the indie/pop world.

Kylee’s anthemic, sonically dense songs alchemize the sincerity of a midwest heart with the prowess and unabashed indulgence usually reserved for coastal voices. Here listeners find the body-cleansing catharsis of femme-pop luminaries like Muna and Maggie Rogers, intertwined with the heartstring-pulling, hands-raised surrender of a worship conference. Every track makes equal space for the tears and the pulse-pounding we didn’t realize we needed so badly.

In a world with no shortage of self-help sad-babe pop, Phillips weaves together a sensual, articulate, and unpretentiously therapeutic soundtrack for the lives we live but can’t always verbalize. She lends us an experiential wisdom that could only come from a massive heart that’s seen a lot of garbage and emerged transformed and immovable.
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Indie Pop
Pop
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