Bill MacKay

SIX ORGANS OF ADMITTANCE have built a prolific and diverse body of work over the last 20+ years. Ben Chasny's project is an experimental amalgam of new folk, drone music, percussion and strange textures, with Chasny delivering an outpouring of eclectic releases in the early 2000s for various small labels before finding a longstanding home on Drag City. In 2003, Chasny began an association with Comets on Fire, which led to him becoming a full-time touring and recording member of the band. After recording and touring extensively with Comets on Fire in 2004, Chasny returned to the studio and issued the moving and beautiful School of the Flower on Drag City in January of 2005. Sun Awakens and Shelter from the Ash arrived in 2006 and 2007. After touring and a break in 2008, Six Organs began what would become a prolific return to force, releasing a further 18 astonishing records up to the current time. First was the release of the sonically expansive - and very electric - Luminous Night, followed by the double-disc retrospective RTZ, both of which appeared on Drag City. Chasny also plays in 200 Years alongside Elisa Ambrogio (of Magik Markers), with Donovan Quinn (Skygreen Leopards) in the project New Bums, and is also a member of tightly-wound improv unit Rangda, accompanied by Sir Richard Bishop and Chris Corsano. Chasny more recently developed a card-based creative system called a Hexadic for making music and released several related albums before resuming his primary project with new work like 2021's The Veiled Sea and the 2024 Shackleton collaboration Jinxed by Being. This year Six Organs also released a fully solo album Time Is Glass, which consists of haunted, unsettled rural folk sounds. With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spider-webs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. https://sixorgansofadmittance.bandcamp.com/ BILL MACKAY is a guitarist, improviser, composer, and singer based in Chicago. An accomplished collaborator with projects that include Katinka Kleijn (Stir, 2019), Nathan Bowles (Keys, 2021), and Ryley Walker (SpiderBeetleBee, 2017), MacKay is also a solo artist creating multi-dimensional works such as Esker (2017), Fountain Fire (2019) Scarf (2020), and Locust Land (2024), all released on Drag City Records. Bill?s music is a visceral crackling where it meets the air, and Locust Land can?t help but reflect its era more than any other in his discography. A restless energy and urgency is repeatedly felt ? in the driving momentum of ?Keeping in Time,? ?Glow Drift,? and ?When I Was Here? ? while a dogged persistence radiates from the tone colors and percussion of ?Oh, Pearl.? The sense of searching, displacement and longing in vocal tracks ?Keeping in Time,? ?Half of You,? and ?When I Was Here? speak literally to the tumult of current vibrations. Within the arrangements, there?s also departure from previous norms ? in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enriching the sound field without abandoning his signature brevity. For fans of his singing, and following in the recent tradition of Fountain Fire as well as his collaboration with Nathan Bowles, Keys, Locust Land expresses with an increased vocal presence ? and heightened engagement, with Bill?s words and melodies drawing us closer. https://billmackay.com/