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Пётр Ильич Чайковский
Muziekgebouw aan 't IJ
Piet Heinkade 1
May 24, 2025
8:15 PM GMT+2
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About this concert
French Quatuor Ébène is known for its versatility. They are as comfortable playing film scores or Beatles arrangements as quartets from Haydn to Ravel. A few years ago, Ébène garnered jubilant reviews with the monster project Beethoven around the world: recordings of all of Beethoven’s string quartets in seven prestigious concert halls. Tonight, they play his First String Quartet. In addition, they will play Tchaikovsky’s Third (and last) String Quartet and a brand new work by composer Raphaël Merlin, who is also Ébène’s cellist. Merlin is a multi-talent. He once composed a cello concerto for internationally-acclaimed cellist Nicolas Altstaedt. This will be Merlin’s first string quartet, and for his very own group: a premiere to look forward to. Incidentally, Beethoven’s String Quartet No 1 was the second quartet he composed, as he had already finished quartet number 3 by then. It is said that for the hauntingly beautiful Adagio, Beethoven was inspired by the dramatic apotheosis at the tomb in Shakespeare’s Romeo and Juliet.
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Пётр Ильич Чайковский Biography
Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильич Чайкoвский) (7 May [O.S. 25 April] 1840 – 6 November [O.S. 25 October] 1893), was a russian composer of the romantic era.
Although not a member of the group of Russian composers usually known in English-speaking countries as 'The Five', his music has come to be known and loved for its distinctly Russian character as well as for its rich harmonies and stirring melodies. His works, however, were much more western than those of his Russian contemporaries as he effectively used international elements in addition to national folk melodies.
Read MoreAlthough not a member of the group of Russian composers usually known in English-speaking countries as 'The Five', his music has come to be known and loved for its distinctly Russian character as well as for its rich harmonies and stirring melodies. His works, however, were much more western than those of his Russian contemporaries as he effectively used international elements in addition to national folk melodies.
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