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About this concert
Credits: Sinfonietta Cracovia, Kasia Tomala-Jedynak (conductor), Piotr Majoor (trumpet), Adrian Gryciuk (trombone). Sinfonietta Cracovia hails from the historic city of Kraków where the Polish kings once resided. The chamber orchestra makes its Muziekgebouw debut with American minimalist music and closely related accessible Polish music. Polish composer Hanna Kulenty, a student of Louis Andriessen in the 1980s, wrote a new work for trumpet and string orchestra. The premiere is tonight. The orchestra will perform a true classic by minimalist composer Philip Glass: his Symphony No. 3. Whereas American minimalists like Reich and Glass approach the minimalist style with conceptual rigor, the other Polish composers infuse it with a more romantic and improvisational spirit. Andrzej Panufnik and Wojciech Kilar paint landscapes in cinematic atmospheres. Kilar was a celebrated film composer and wrote the award-winning score of the film The Pianist about Władysław Szpilman. Hanna Kulenty writes what she herself calls ‘musique surrealistique’: appealing and evocative music full of repetitive, rhythmic elements reminiscent of Reich and Glass.
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Philip Glass
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Steve Reich
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Wojciech Kilar
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Andrzej Panufnik
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Muziekgebouw is Amsterdam's concert hall for contemporary and newly composed music as well as related genres such as classical, jazz, electronic and global music. More th...
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Steve Reich Biography

Stephen Michael Reich (born October 3, 1936) is an American composer. He is a pioneer of minimalism, although his music has increasingly deviated from a purely minimalist style. Reich's innovations include using tape loops to create phasing patterns (examples are his early compositions, "It's Gonna Rain" and "Come Out"), and the use of processes to create and explore musical concepts (for instance, "Pendulum Music" and ""Four Organs"). These compositions, marked by their use of repetitive figures and phasing effects, have significantly influenced contemporary music, especially that of his country.

The Guardian has described Reich as one of the few composers to have "altered the direction of musical history."

Reich often cites Pérotin, Johann Sebastian Bach, Claude Debussy and Igor Stravinsky as composers he admires, whose tradition he wished as a young composer to become part of. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists Ella Fitzgerald and Alfred Deller, whose emphasis on the artistic capabilities of the voice alone with little vibrato or other alteration was an inspiration to his earliest works. John Coltrane's style, which Reich has described as "playing a lot of notes to very few harmonies", also had an impact; of particular interest was the album "Africa/Brass", which "was basically a half-an-hour in F." Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to ghana. Other important influences are Kenny Clarke and Miles Davis, and visual artist friends such as Sol Lewitt and Richard Serra.
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