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Little Feat Tickets, Tour Dates and Concerts

Little Feat

GRAMMY Museum at L.A. LIVE
800 W Olympic Blvd A245

Jun 10, 2024

7:30 PM PDT
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Little Feat Tickets, Tour Dates and Concerts
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About this concert
MODERATED BY SCOTT GOLDMAN The GRAMMY Museum is thrilled to welcome Little Feat to the Museum’s intimate 200-seat Clive Davis Theater for an evening including a conversation celebrating their latest album, Sam’s Place, their career, creative process, and more, with a performance to follow.  The members of Little Feat emerged from the pandemic with their sense of humor, chops, and collective joy in playing intact. Over the past three years, they’ve focused tours on their epic live album Waiting for Columbus and re-issues of their second through fourth albums (Sailin’ Shoes, Dixie Chicken, and Feats Don’t Fail Me Now. Audience response has been rapturous.  The band builds on a deep, over 50-year history. Little Feat used a combination of elite musicianship and brilliant, idiosyncratic songwriting to create a repertoire that transcends all boundaries. California rock, funk, folk, jazz, country and rockabilly mixed with New Orleans swamp boogie led to a powerful sound that has kept the audience dancing for decades. Their groove – in songs like “Dixie Chicken,” “Spanish Moon,” “Fat Man in the Bathtub,” and “Feats Don’t Fail Me Now” – was so infectious it allowed them to endure and press on even when losing their founder, Lowell George, and founding drummer, Richie Hayward. They’re in top form now with Scott Sharrard on lead/vox and Tony Leone on drums/vox, and with founder Bill Payne on keys/vox, Fred Tackett on guitars/vox, Kenny Gradney on bass, and Sam Clayton on percussion/vox. Now it’s time for something new. Their creativity has been renewed, and 2024 will see the release of the brand-new Sam’s Place, in which Feat backs their linchpin conga player, Sam Clayton, on vocals. The album features a new song, “Milk Man,” by Sam, Scott, and Fred. There’s a live version of “Got My Mojo Working.” Sam and Bonnie Raitt duet on Muddy’s “Long Distance Call.”  Sam’s Place scratches a deep itch. Sam added, “I'm very happy because I was never expecting anything like that. I mean, I have wanted to, but I just wasn't expecting it to come to the fruition. It was a long wait, but it’s satisfying.”  Member Check - In: 6:30pm Nonmember Check - In / Doors: 7:00pm Show Time: 7:30pm American Express® Card Members can purchase tickets from Thu 5/9 10:30AM through Sat 5/11 11AM.    TICKET POLICY The holder of this ticket is granted admission to the indicated facility for the purpose of viewing the specified event. This ticket is for use by the holder only and the holder is bound by this policy. This ticket is not transferable and may not be sold, otherwise conveyed or used for any other purpose, including promotion or commercial, without the prior written consent of The Recording Academy. If this ticket is sold, otherwise conveyed or used in violation of this policy, it will be deemed revoked and void, and its holder deemed a trespasser at all Recording Academy events. This ticket is a revocable license and admission may be refused by refunding the face amount of the ticket or ejection may occur for failure to comply with any facility rule. The holder agrees not to transmit or aid in transmitting any description, picture, recording or reproduction of the event. The holder acknowledges that the event may be captured and recorded by audio, audiovisual, and/or photographic means, and hereby grants permission to utilize the holder’s image and/or voice in any and all media now known or hereafter devised to further the interests and mission of the Recording Academy. It is unlawful to reproduce this ticket in any form. The Holder assumes all risks incidental to the event, whether occurring prior to, during or after the event, and releases the facility, management, all participants and each of their affiliates, employees, officers, directors, members, partners, owners, managers, sponsors, contractors and agents from any loss, damage or expense resulting from any such risk. The Recording Academy reserves all legal rights and remedies. Save money on ticketing fees next time by becoming a GRAMMY Museum member! More info at grammymuseum.org. ALL TICKETS ARE WILL-CALL ONLY AND VALID I.D IS NECESSARY FOR PICK UP. ALL SALES FINAL. NO REFUNDS. NO EXCHANGES. EVENT TIME, DATE, & DETAILS SUBJECT TO CHANGE
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Little Feat at Chicago, IL in The Vic Theatre 2023
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What fans are saying

Mark
February 18th 2024
They have a new lead man named Scott sharrad he sang for the Greg Allman band they where outstanding if your a little feet fan get tickets immediately tedesche trucks was fantastic met them at after party with dumpstaphunk at the hard rock in Atlantic City one if the best shows I've ever seen and I've been going to shows for fifty years
Atlantic City, NJ@
Hard Rock Live at Etess Arena
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Little Feat Biography

Fifty-two years of great music doesn’t squeeze down to one page very easily. “Dixie Chicken,” “Oh Atlanta,” “Willin’,” “Let it Roll,” “Spanish Moon,” and “Fat Man in the Bathtub” are just the merest hint of a repertoire that has inspired more joy and more dancing than you can imagine. Little Feat fused a broad span of styles and genres into something utterly distinctive, a mix of California rock, funk, folk, jazz, country, rockabilly, and New Orleans swamp boogie and more, all stirred into a rich gumbo that can only be Little Feat.
Their album Waiting for Columbus is a consensus contender for the finest live rock and roll album ever recorded.
Bill Payne (keyboards, vocals), Kenny Gradney (bass), Sam Clayton (percussion and vocals), Fred Tackett (guitars and vocals), Scott Sharrard (guitars and vocals), and Tony Leone (drums) are Little Feat in 2021.
Scott (Gregg Allman Band) and Tony (Olabelle, Chris Robinson Brotherhood, Midnight Ramble Band) will be new to most Feat fans. Fortunately, they’ve both crossed paths with the band many times over the past decade, and they fit as elegantly and comfortably as a perfectly broken-in pair of jeans. They were born for this.
More than fifty years in, they’ve been up and they’ve been down and they know where they belong—standing or sitting behind their instruments, playing for you. And anything’s possible, because the end is not in sight.

www.littlefeat.net
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