Squeeze

Squeeze and Boy George join forces for their debut at The BayCare Sound! It’s 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed ‘The New Lennon and McCartney’. Nearly 50 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK’s music scene. Their second album Cool For Cats, released in 1979, cemented their place as one of Britain’s most important young bands. Featuring the classic single Up The Junction as well as the title track, it was many listeners’ first introduction to the witty kitchen-sink lyricism and new-wave guitar music that has become the band’s trademark. Despite an official Squeeze break-up in 1999, Difford and Tilbrook continued to make music and gig with the same enthusiasm and abandon that they brought to Squeeze’s first EP. Chris Difford and Glenn Tilbrook have survived everything over the years, from the ever-changing musical landscape to their own internal reshuffles and acrimonious breakups – still going strong and still loving every moment. When Boy George first appeared on Top of the Pops with Culture Club in 1982, he instantly had people talking. The New Romantic pop sensations went on to achieve seven UK Top 10 singles, nine Top 10 singles in the USA, and nine Top 20 singles in Australia - including Karma Chameleon and Do You Really Want to Hurt Me - and sell over 100 million singles and 50 million albums worldwide. In 1984, the band picked up the GRAMMY® Award for Best New Artist, and the awards for Best British Group and Best British Single at the BRIT Awards. Culture Club became the first group since The Beatles to have three Top 10 hits in America from a debut album, and the first group in music history to have an album certified diamond in Canada. Aside from performing music, Boy George also wrote the lyrics and co-wrote the music to Taboo, a stage musical based on the New Romantic scene of the early 1980s, for which he was nominated for a Tony Award for Best Musical Score.