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Flim Tickets, Tour Dates and Concerts

Flim

Rio's Banana Cafe
109 Avenue des Frères Roustan

May 4, 2024

7:00 PM GMT+2
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SHOTGUN
About this concert
**Maetta Project F** Welcome you to Planet Rave Saturday, May 4th, 2024 Get ready to dance to Techno, acid techno, funky techno, and hard techno. The party takes place in the heart of Golfe Juan, at Port Camille Rayon. The beats kick off at 7 PM with JIAME from Morocco, followed by yours truly, FL!M. Expect a full-on rave vibe and energetic beats. Lineup: FL!M - Maetta (Thailand) JAIME - Maetta Melodic (Morocco) Come early to enjoy an aperitif with funky Techno beats by JIAME, and the beats will get harder and harder as the night goes on. We have limited capacity, book now and save. See you on the dance floor. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ **Projet Maetta F** Bienvenue sur Planet Rave Samedi 4 mai 2024 Préparez-vous à danser sur de la Techno, de la techno acid, de la techno funky et de la techno hard. La fête se déroule au cœur de Golfe Juan, au Port Camille Rayon. Les rythmes commencent à 19h avec JIAME du Maroc, suivi de moi-même, FL!M. Attendez-vous à une ambiance rave intense et des rythmes énergiques. Line-up: FL!M - Maetta (Thaïlande) JIAME - Maetta Mélodique (Maroc) Venez tôt pour profiter d'un apéritif avec les rythmes funky Techno de JIAME, et les rythmes deviendront de plus en plus forts au fil de la nuit. Nous avons une capacité limitée, réservez dès maintenant et économisez. On se voit sur la piste de danse.
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Flim Biography

"Dissonance sound"
Hailing from Thailand’s southern region, Flim has for the past twenty five years been passionately contributing to the global techno community,
bringing his high-energy performances and abstract energetic
productions to dance-floors throughout the world.

Trained originally as a rock drummer, Flim became attracted to the
tribal sounds of techno early on, and could soon be found deejaying in
venues throughout the infamous southern islands of Koh-Samui and
Koh-Panghan. His infectious and energetic performances proved
addictive, leading to residencies at Thailand’s world-renowned Full
Moon, Black Moon, and Half Moon parties. After relocating to the
epicenter of electronic music in Canada – Toronto, he founded
Blackmoon Productions, quickly making his name synonymous with
Canada’s free tekno scene thanks to his memorable squat parties and
deep talent for keeping dance-floors moving. Before long, Flim was
gracing premier electronic clubs such as Montreal’s Circus, and
Toronto’s Circa, as well as top tier Canadian festivals such as WEMF,
and the Eclipse Festival.

In the studio, Flim was also building an international fan base.
Quietly perfecting his production technique, he joined the roster of
Henry Cullen & Pattrix’s stripped down UK label Mutate to Survive, for
the release of his first EP, Killing It. Setting the tone for what has
become a signature cross-genre brand of techno, the EP mixed the best
sounds of minimal, tribal and hard-groove together into a fresh sound
not to be missed whether played in the club or on the home stereo. A
year later, Flim continued with the release of the EP, New Planet,
again on Mutate to Survive. Quickly gaining traction in the
international electronic community, New Planet was featured in
France’s renowned music magazine Tsugi, it appeared on French artists
The Hacker’s Top 10 Chart, and cracked Beatport’s the Top 50 globally.
Building on this success, Flim teamed up with Toronto’s Jane Void to
produce the unusual sounding minimal floor grinder, Press My Button.
Featuring Void’s distorted vocals, the track originally aired on
French national radio Oui FM, and has since been hitting dance-floors
worldwide.

Behind the decks, Flim has become renowned for bringing the energy,
charisma and sound that only a seasoned producer and deejay can. From dark vibes and slamming beats, to rolling climaxes and funky grooves,
Flim perfectly blends his original production tracks with other ground
breaking techno, making his international performances a must see
event that will keep people talking long after the music has stopped.
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