Stephanie Lambring
3rd and Lindsley
818 3rd Ave. S
Nashville, TN 37210
May 31, 2024
12:00 PM CDT
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About this concert
FREE ADMISSIONWMOT presents Finally Friday weekly at Third & Lindsley to celebrate music discovery and community. We are delighted to be returning to Third & Lindsley for the weekly lunchtime series. Shows are open to the public, and are broadcast live on WMOT, plus they can be streamed at WMOT.org and on our new WMOT App. Set times are 12:00pm, 12:45pm and 1:30pm.
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Stephanie Lambring Biography
Born and raised in Indiana, Stephanie Lambring got her start as a songwriter on Nashville’s Music Row, but after five years of composing for other artists, she walked away from the music business entirely until legendary songwriter Tom Douglas encouraged her to return to her craft, this time for herself. Lambring’s debut as an artist, 2020’s Autonomy, was a critical smash, prompting Rolling Stone to hail her “John Prine-esque observation” and NPR to declare her “one of Nashville’s most fearless young singer-songwriters.”
Lambring’s much-anticipated follow-up, Hypocrite, is an even more remarkable work of self-reflection, one that finds comfort in facing the uncomfortable head-on. The arrangements are lush and hypnotic, with Lambring’s breathy vocals floating atop a sea of dreamy synthesizers and shimmering guitars, and the writing is as raw and vulnerable as it gets, confronting everything from religion and trauma to body image and motherhood with unflinching honesty. The result is a record that lands somewhere between Phoebe Bridgers and Alanis Morrissette as it looks for the best by reckoning with the worst, an album full of love and grace and compassion that aims to remind us that imperfection and humanity go hand in hand.
Read MoreLambring’s much-anticipated follow-up, Hypocrite, is an even more remarkable work of self-reflection, one that finds comfort in facing the uncomfortable head-on. The arrangements are lush and hypnotic, with Lambring’s breathy vocals floating atop a sea of dreamy synthesizers and shimmering guitars, and the writing is as raw and vulnerable as it gets, confronting everything from religion and trauma to body image and motherhood with unflinching honesty. The result is a record that lands somewhere between Phoebe Bridgers and Alanis Morrissette as it looks for the best by reckoning with the worst, an album full of love and grace and compassion that aims to remind us that imperfection and humanity go hand in hand.
Acoustic
Americana
Folk
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