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Le pianiste, compositeur et artiste Jason Moran est le directeur artistique de Jazz at The Kennedy Center. Il a publié 18 enregistrements en solo chez Blue Note Records et Yes Records. Il a été commissaire de l'exposition permanente « Here to Stay » pour le nouveau Louis Armstrong Center dans le Queens, à New York, et co-commissaire de l'exposition « I've Seen the Wall : Louis Armstrong on Tour in the GDR 1965 » au Das Minsk Kunsthaus à Potsdam, en Allemagne. En 2022, il a été intronisé à l'Académie américaine des arts et des sciences et a récemment reçu le prix allemand du jazz 2023 pour le pianiste de l'année. Son dernier enregistrement, « From the Dancehall to the Battlefield », est consacré à la musique du pionnier et organisateur de jazz de la Première Guerre mondiale, James Reese Europe, le big bang du jazz. Jason Moran a collaboré avec de nombreux artistes contemporains, tels que Joan Jonas, Kara Walker, Stan Douglas, Theaster Gates et Remy Jungeman.
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Jason Moran Biography
31 year-old pianist Jason Moran has proven, after seven years on the estimable Blue Note Records, more than his brilliance as a performer. He’s established himself as a risk-taker, a seeker of new directions for jazz as a whole. Looking to the wider world of art for inspiration, Moran has found it in edgy 20th century painters like Jean-Michel Basquiat (check out “JAMO Meets SAMO” from Soundtrack to Human Motion, his 1999 debut as a leader, as well as his ongoing series of “Gangsterism” compositions), Egon Schiele (from whose painting entitled “Facing Left” Moran borrowed the title of his second album for Blue Note) and Robert Rauschenberg, whose chaotic refinement inspired Moran’s third album Black Stars, featuring the legendary Sam Rivers.
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