Clutch
EPIC Event Center
2351 Holmgren Way Suite 101
Green Bay, WI 54304
Sep 28, 2024
7:00 PM CDT
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Elliot
October 15th 2024
This was one of the best Clutch performances I have ever had the pleasure of witnessing. Neil Fallon opened by saying how excited they were to be playing at the historic Ryman Auditorium. They then went on to play one of the most comprehensive set lists ever - performing songs from 11 of their first 14 albums - playing a longer set then I have seen in many years.
The Ryman Auditorium itself was the perfect venue. Our seats were in the front row up on the balcony, which provided a completely unhindered view of the entire show. Downtown Nashville also proved to be a energetic and lively nightlife scene that was clean, safe, and so much fun.
Me and a friend drove from Saint Louis to see this concert and it was worth it one thousand times over. I have seen clutch. Perform live 12 times over the past.
18 years, and this was easily in my top 3 favorite shows.
The venue provided affordable tickets and quality seating to an amazing show. You could feel the history and energy and tell that the performers could feel it too. The energy with which Clutch played closely mirrored that of them 15 years ago!
Nashville, TN@Ryman Auditorium
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Clutch Biography
Neil Fallon – vocals & guitar
Jean-Paul Gaster – drums
Dan Maines – bass
Tim Sult – guitar
CLUTCH shares more in common with The Grateful Dead, Rush, and the Allman Brothers than their heavy riffs and heady twists-of-phrase might suggest. Because like those bands, the supporters who adore CLUTCH are there for the experience, community, and authentic connection.
To love CLUTCH is to feel a sense of ownership, membership, and belonging.
Seneca Valley High School classmates Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), and Jean-Paul Gaster (drums) share an unshakeable musical and personal bond now three decades strong. Shaped by the same region which birthed Bad Brains, Minor Threat, and Rites Of Spring, CLUTCH crafts hyper-literate and libertine jams informed by hardcore fury and fuzzy, athletic, stoner rock.
A worldwide cabal of fans and critics cherish the band’s dense and diverse catalog of underground classics, released through major labels, indies, and since 2009, Clutch’s own Weathermaker imprint. Sunrise On Slaughter Beach, the band’s thirteenth studio album, is a slamming summary of everything that makes the band great and another giant leap forward into career longevity.
“There’s no question that Clutch etched themselves a name in the pantheon of great rock bands,” Lambgoat wrote in 2004. Classic Rock Magazine counted 2013’s Earth Rocker and 2015’s Psychic Warfare among the 50 Best Rock Albums of the 2010s. Rolling Stone described 2018’s Book of Bad Decisions as “bathed in the grit and liberal fuzz tone that have made their live shows legendary.”
Those live shows over the years include tours with Slayer, System Of A Down, and Marilyn Manson, and more recent co-headlining treks with Dropkick Murphys, Killswitch Engage, and Mastodon. Like Slayer or Iron Maiden, CLUTCH outlasted rock bands anchored to “hit songs” and the pressure of replicating them. The foursome from Germantown, Maryland, isn’t bound by trends. Across 13 studio albums and assorted releases since 1991, they’ve earned a reputation as one of the best around.
Read MoreJean-Paul Gaster – drums
Dan Maines – bass
Tim Sult – guitar
CLUTCH shares more in common with The Grateful Dead, Rush, and the Allman Brothers than their heavy riffs and heady twists-of-phrase might suggest. Because like those bands, the supporters who adore CLUTCH are there for the experience, community, and authentic connection.
To love CLUTCH is to feel a sense of ownership, membership, and belonging.
Seneca Valley High School classmates Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), and Jean-Paul Gaster (drums) share an unshakeable musical and personal bond now three decades strong. Shaped by the same region which birthed Bad Brains, Minor Threat, and Rites Of Spring, CLUTCH crafts hyper-literate and libertine jams informed by hardcore fury and fuzzy, athletic, stoner rock.
A worldwide cabal of fans and critics cherish the band’s dense and diverse catalog of underground classics, released through major labels, indies, and since 2009, Clutch’s own Weathermaker imprint. Sunrise On Slaughter Beach, the band’s thirteenth studio album, is a slamming summary of everything that makes the band great and another giant leap forward into career longevity.
“There’s no question that Clutch etched themselves a name in the pantheon of great rock bands,” Lambgoat wrote in 2004. Classic Rock Magazine counted 2013’s Earth Rocker and 2015’s Psychic Warfare among the 50 Best Rock Albums of the 2010s. Rolling Stone described 2018’s Book of Bad Decisions as “bathed in the grit and liberal fuzz tone that have made their live shows legendary.”
Those live shows over the years include tours with Slayer, System Of A Down, and Marilyn Manson, and more recent co-headlining treks with Dropkick Murphys, Killswitch Engage, and Mastodon. Like Slayer or Iron Maiden, CLUTCH outlasted rock bands anchored to “hit songs” and the pressure of replicating them. The foursome from Germantown, Maryland, isn’t bound by trends. Across 13 studio albums and assorted releases since 1991, they’ve earned a reputation as one of the best around.
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