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DW3 is Southern California’s Hottest, R&B, old school funk, dance & Latin band. They are widely known for their remarkable vocal abilities and outstanding musicianship. DW3 continues to anchor Thursday nights and our Legendary Sunday Brunch. Visit DW3’s Website Saxophonist Steve Cole is one of the most celebrated players in contemporary jazz. The Chicago native exploded onto the scene in 1998 with the album “Stay Awhile” that was produced by fellow Chicagoan Brian Culbertson. The disc scored multiple #1 hits and earned Cole the Oasis Smooth Jazz Award for best new artist shortly before his sophomore set, “Between Us,” was released in 2000. His catchy singles made him an instant radio favorite and he cranked them out with regularity on subsequent albums “NY LA” (2003), “Spin” (2005), “True” (2006), “Moonlight” (2009), “True” (2013), “Turn It Up” (2016), “Gratitude” (2019), and his newest release “Without A Doubt” (2023). Visit Steve Cole’s Website Growing up in Copenhagen, Michael Lington remembers the precise moment he decided he needed to move to America if he was going to seriously pursue a career in music. He was still a budding musician at the time, who loved several different genres: jazz, pop, R&B and more—as a young boy he’d even met the American swing legend Benny Goodman. But it wasn’t until he was on the verge of turning 20 that Lington—now recognized as one of the most creative and successful contemporary soul and jazz saxophonists in the world—made his fateful decision. Keiko Matsui is an icon of contemporary jazz. With nearly 1.2 million units sold in the U.S. alone and packed concert halls, she is one of the most recognized artists in the genre. Her elegant piano melodies and gentle jazz grooves have enormous appeal and never disappoint her loyal fanbase which she has cultivated with over a dozen albums and stunning live shows. is an icon of contemporary jazz. With nearly 1.2 million units sold in the U.S. alone and packed concert halls, she is one of the most recognized artists in the genre. Her elegant piano melodies and gentle jazz grooves have enormous appeal and never disappoint her loyal fanbase which she has cultivated with over a dozen albums and stunning live shows.
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Hong
April 22nd 2024
It was an amazing night! I highly enjoyed it.
Dallas, TX@Bishop Arts Theatre Center
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Since opening in 1988, Spaghettini Restaurant and Jazz Lounge has hosted hundreds of world-class artists in their intimate 100-seat lounge. This allows guests to have an ...
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Keiko Matsui Biography
Keiko Matsui (松居慶子), born in Tokyo as Keiko Doi on July 26, 1961, is a Japanese smooth jazz/new age pianist and composer whose music and sophisticated elegance have propelled her to success and established a cult following among her fans. A prolific recording artist, Matsui's career spans three decades, during which time she has released twenty CDs (in addition to various compilations) and has received international acclaim.
Matsui's music is powerful and introspective, blending both western and eastern musical influences. She has a very spiritual view of composing music, feeling out each composition as though it were, in her words, "coming to me from another space, another dimension," and "catching notes from the silence and then simply placing them together". Matsui sees music as "the great gifts from the human souls from the past, for the children of the future". She believes that music has a power to bring people together and change their lives. "We are connected by music," Matsui wrote, "as the Ocean connects the continents".
A lover of nature, Matsui often makes reference to plants, animals, the elements, and other natural features and phenomena in her song titles. She shows an especial fascination with the moon as a number of her compositions refer to the moon in their titles.
Matsui's music shows signs of evolving over the years. Her American debut album A Drop of Water showed a promise of east meets west with a jazz fusion flavor. However, her recordings for MCA Records in the early 1990s lacked this appeal and, for many, sounded indistinguishable from the rest of what is now known as smooth jazz. Starting with Cherry Blossom, though, her music increased in popularity as she differentiated herself from the rest of contemporary jazz. By the time Sapphire was released in 1995, her music flirted with everything from funk music to latin and world music.
Whisper From the Mirror from 2000 showed Matsui leaving the smooth jazz style and moving towards new age with a soundscape sound. A number of her fans had a problem adapting to her new style of music (though she continued to play smooth jazz at her concerts). But many welcomed the change. Over time her post-2000 albums show a more worldbeat flavor to them. Her 2005 release Walls of Akendora, however, is a throwback to her pre-2000, smooth jazz days.
Read MoreMatsui's music is powerful and introspective, blending both western and eastern musical influences. She has a very spiritual view of composing music, feeling out each composition as though it were, in her words, "coming to me from another space, another dimension," and "catching notes from the silence and then simply placing them together". Matsui sees music as "the great gifts from the human souls from the past, for the children of the future". She believes that music has a power to bring people together and change their lives. "We are connected by music," Matsui wrote, "as the Ocean connects the continents".
A lover of nature, Matsui often makes reference to plants, animals, the elements, and other natural features and phenomena in her song titles. She shows an especial fascination with the moon as a number of her compositions refer to the moon in their titles.
Matsui's music shows signs of evolving over the years. Her American debut album A Drop of Water showed a promise of east meets west with a jazz fusion flavor. However, her recordings for MCA Records in the early 1990s lacked this appeal and, for many, sounded indistinguishable from the rest of what is now known as smooth jazz. Starting with Cherry Blossom, though, her music increased in popularity as she differentiated herself from the rest of contemporary jazz. By the time Sapphire was released in 1995, her music flirted with everything from funk music to latin and world music.
Whisper From the Mirror from 2000 showed Matsui leaving the smooth jazz style and moving towards new age with a soundscape sound. A number of her fans had a problem adapting to her new style of music (though she continued to play smooth jazz at her concerts). But many welcomed the change. Over time her post-2000 albums show a more worldbeat flavor to them. Her 2005 release Walls of Akendora, however, is a throwback to her pre-2000, smooth jazz days.
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