About this concert
🪩 DEMAIN, C’EST FÉRIÉ!
Mardi 7 mai 2024 // 18h-2h
Et comme toutes les veilles de jours fériés, Marseille, le BOUM et nos nuits queer s’embra(s)sent
Il va faire chaud comme l’été au BOUM. Il va faire humide comme nos luttes. Il va faire bon dans la calanque de vos désirs**.
C’est veille de jours férié, on se permet donc un conseil : de réserver vos tickets sur shotgun
🪩TIME TABLE & LINE UP
22H-2H LE MAC (@margotmacc) Dénicheuse de talent le jour pour Marsatac Agency, Dj audacieuse la nuit pour les aficionados de Techno, Le Mac est sur tous les fronts. Déterminée à sortir des sentiers battus, les sets du Mac mêlent son goût pour le Métal et pour les Rave Techno . Des sons sombres, piquants et novateurs qui ne laissent pas indemnes. Pour avoir fait ses premières classes au cœur de la scène Marseillaise, Le Mac est aussi DJ résidente et membre active du collectif marseillais La Fièvre (@lafievremarseille). Leurs évènements sont montés par et pour les lesbiennes. Prônant un lieu de fête safe où chaque personne pourra venir comme elle est, le collectif porte également une attention toute particulière à sa programmation qui se veut être une scène dédiée aux artistes de la communauté lesbienne et issu.es de minorités. Le Mac donc, c’est clairement le nom à suivre au cœur de la cité phocéenne.
00H-2H REM’S MARTINEZ (@rems_martinez)
Dark Disco
Influenced by indie pop, electroclash and new wave culture, Rem's Martinez deliberately plays a retro futuristic and multigenerational musical genre. Lover of groovy and hypnotic sets, he knows how to embark you in his universe tinged with rock, disco and techno.
https://soundcloud.com/remsmartinez
🪩 Prévente sur shotgun (5 euros + frais shotgun, lien en bio sur Instagram) // Sur place : prix fixe (5 euros, gratuit avant 22h), Tarif solidaire (1 euros)
🪩 Ouverture du bar à 18h
Happy hour de 18h à 20h
🪩 NOUVEAU AU BOUM : PLATEAU DE TAPAS POUR 2, BOL DE TORTILLAS AVEC SAUCE, BOL DE BONBONS QUI DÉBORDENT !
Vous êtes toustes les bienvenues au BOUM, quelque soit votre identité !
Pour que la fête et la soirée de toustes et de chacun*e soit réussie:
⌦ Les propos et comportements violents, racistes, misogynes, transphobes, grossophobes, putophobes, validistes, classistes, âgistes, ... ne seront pas tolérés.
⌦ Draguer, oui ! Mais draguer bien, c'est mieux. Le consentement nécessite des mots simples et une réponse claire.
⌦ Même si le BOUM est un lieu de consommation du bonheur et que nous sommes certain-es que vous savez très bien gérer vos choix de consommations toustes seul-es, il est interdit de prendre des drogues dans l'établissement.
#StaySafe : Vous trouverez dans le bar une étagère avec du matériel de réduction des risques (pailles, préservatifs, etc.) et de la documentation dédiée.
Les membres du staff sont là en cas de problème, n'hésitez pas à vous signaler !
Soyez bienveillant-es les un-es-x avec les autres, safes, respectueux-ses-x et heureux-ses-x !
Rentrez en groupe, c’est toujours mieux pour compter les un*es sur les autres en cas de mauvaise rencontre sur le trajet retour.
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Mac Biography
Mac is a rapper from New Orleans' third ward who was one of the most critically acclaimed artists on Master P's No Limit Records. In 2001 he was convicted of manslaughter charges even though he maintains his claim of innocence. He is currently serving a 30 year prison term.
He released his first album under the name Lil' Mac in 1989 at the age of 12, the "Lyrical Midget," receiving production from the then unknown producer Mannie Fresh. Mac would later join the Psychoward, a New Orleans group consisting (at the time) of more than 25 MCs. Psychoward is known (especially in the city) for having a sound that separates itself from the usual Bounce music and gangster/hustler lyrics that typifies most of the New Orleans rap scene, rather focusing on lyricism and a sound which could be described as a New Orleans Wu-Tang Clan. This made them favorites of local "hip hop heads" who often prefer this style to other local acts.
Mac's own debut on No Limit came with Shell Shocked, an album considered by many to be one of No Limit's best. Mac gained a reputation as one of the south's best lyricists. His lyrics display the somber realism and maturity that is a mainstay in much of Southern Rap as well as the lyrical dexterity of his East Coast counterparts. This album also followed the typical No Limit album formula: the deep, introspective tracks mixed in with up-tempo tracks, and a heavy presence of guest features from No Limit labelmates. His next album, World War III, came on the "downslope" of No Limit's fame. It came after Beats By the Pound, No Limit's in-house production team who are often credited with making No Limit the empire it was, left the label over purported money disputes, along with much of No Limit's roster. This may have been a blessing in disguise though, as Mac's lyrical skill was allowed to shine through on production more suited to his style. This album is also more introspective than his previous effort.
Read MoreHe released his first album under the name Lil' Mac in 1989 at the age of 12, the "Lyrical Midget," receiving production from the then unknown producer Mannie Fresh. Mac would later join the Psychoward, a New Orleans group consisting (at the time) of more than 25 MCs. Psychoward is known (especially in the city) for having a sound that separates itself from the usual Bounce music and gangster/hustler lyrics that typifies most of the New Orleans rap scene, rather focusing on lyricism and a sound which could be described as a New Orleans Wu-Tang Clan. This made them favorites of local "hip hop heads" who often prefer this style to other local acts.
Mac's own debut on No Limit came with Shell Shocked, an album considered by many to be one of No Limit's best. Mac gained a reputation as one of the south's best lyricists. His lyrics display the somber realism and maturity that is a mainstay in much of Southern Rap as well as the lyrical dexterity of his East Coast counterparts. This album also followed the typical No Limit album formula: the deep, introspective tracks mixed in with up-tempo tracks, and a heavy presence of guest features from No Limit labelmates. His next album, World War III, came on the "downslope" of No Limit's fame. It came after Beats By the Pound, No Limit's in-house production team who are often credited with making No Limit the empire it was, left the label over purported money disputes, along with much of No Limit's roster. This may have been a blessing in disguise though, as Mac's lyrical skill was allowed to shine through on production more suited to his style. This album is also more introspective than his previous effort.
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