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About this concert
$20 Minimum Per PersonFull Bar & Dinner MenuNO REFUNDS OR EXCHANGES.All seating is first come, first served. Bar Area seating is limited and first come first served. When all available seats are occupied, the remaining bar area is standing room only.Table Seating is all ages, Bar Area is 21+. Bar Area tickets for patrons under 21 will not be honored. Group Reservations:Groups larger than 10 must purchase a group package at groupsales@bluenote.net, or by calling 212.475.8592.Groups larger than 10 without a group package will be subject to group surcharges added to your bill. Groups arriving late or separately are not guaranteed to be seated together. All seating is first come, first served. Arrive early for best seats.Tickets for Blue Note New York shows are only available for purchase on Ticketweb. We are not affiliated with any third-party sellers. Tickets purchased on third-party sites will not be honored. The credit card used for original purchase of tickets will be required at the door upon entry.
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What fans are saying
Rob
October 22nd 2023
Fantastic show! Julius and his band mates played lights out and are ahead of the curve when it comes to infusing sophisticated jazz with a contemporary vibe. Don’t walk, run to see this band!
Tarrytown, NY@Jazz Forum
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About the venue
Since it opened in 1981, Blue Note Jazz Club has become a cultural institution in New York City and one of the premiere jazz clubs in the world. Blue Note strives to pres...
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Julius Rodriguez Biography
No matter where, Julius Rodriguez, the New York-born and Los Angeles-based multi-instrumentalist, composer, and producer electrifies any lane. By doing so, he also transcends perceived boundaries between genres and styles, redefining the music to mirror his own fluid creative inclinations and delivering a sound that’s solely his alone.
Following widespread applause from The New York Times, Vanity Fair, The FADER, and more, collaborations with everyone from Wynton Marsalis to A$AP Rocky, and tens of millions of streams, he grows in as many directions as possible on his second full-length offering, EVERGREEN [Verve Records].
“An ‘EVERGREEN’ is a plant whose foliage remains functional for all seasons. That’s similar to how I like to be; I want to be myself no matter the genre I’m playing or what’s going on around me. There are a lot of styles on this record, but it’s recognizably my voice.”
By breaking boundaries with EVERGREEN, Julius has lived up to the true spirit of jazz by ushering it towards the future freely. “I hope you hear this and forget about the whole genre labeling thing,” he leaves off. “This is just music you can dance to, feel to, and think to. It’s not about categorizing; it’s about enjoying something for what it is. EVERGREEN goes through a whole bunch of genres, but this is the world I’m seeing and hearing. This is the feeling I’m invoking. I made a statement and said, ‘The genre is just me’.”
Sharp instincts for space and phrasing, and reverence for melody elevate Julius’ expression from virtuoso to true artist. In a few short years, he has garnered peer attention and critical praise from such institutional outlets as JAZZIZ magazine, The New York Times, Paste and Vanity Fair, and has earned opportunities to perform alongside some of the music’s most distinctive artists, including Wynton Marsalis, Keyon Harrold, Victoria Canal, Ben Williams, A$AP Rocky, Meshell Ndegeocello, Macy Gray, Braxton Cook, Laurin Talese and the late and legendary Roy Hargrove.
Read MoreFollowing widespread applause from The New York Times, Vanity Fair, The FADER, and more, collaborations with everyone from Wynton Marsalis to A$AP Rocky, and tens of millions of streams, he grows in as many directions as possible on his second full-length offering, EVERGREEN [Verve Records].
“An ‘EVERGREEN’ is a plant whose foliage remains functional for all seasons. That’s similar to how I like to be; I want to be myself no matter the genre I’m playing or what’s going on around me. There are a lot of styles on this record, but it’s recognizably my voice.”
By breaking boundaries with EVERGREEN, Julius has lived up to the true spirit of jazz by ushering it towards the future freely. “I hope you hear this and forget about the whole genre labeling thing,” he leaves off. “This is just music you can dance to, feel to, and think to. It’s not about categorizing; it’s about enjoying something for what it is. EVERGREEN goes through a whole bunch of genres, but this is the world I’m seeing and hearing. This is the feeling I’m invoking. I made a statement and said, ‘The genre is just me’.”
Sharp instincts for space and phrasing, and reverence for melody elevate Julius’ expression from virtuoso to true artist. In a few short years, he has garnered peer attention and critical praise from such institutional outlets as JAZZIZ magazine, The New York Times, Paste and Vanity Fair, and has earned opportunities to perform alongside some of the music’s most distinctive artists, including Wynton Marsalis, Keyon Harrold, Victoria Canal, Ben Williams, A$AP Rocky, Meshell Ndegeocello, Macy Gray, Braxton Cook, Laurin Talese and the late and legendary Roy Hargrove.
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