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SHOTGUN
About this concert
Préparez-vous pour la septième édition du Dox'Art Festival !
Tout est passé beaucoup trop vite, on en veut encore ! On vous donne rendez-vous les 27, 28, 29 & 30 juin 2024 sur la commune d'Hambye (50).
4 jours et 3 nuits / 3 scènes
• SPECIAL SHOW - Jeudi 27 juin (SOIR 1) •
Programmation à venir
• OPEN MIND STAGE •
Scène Techno - Trance
Programmation à venir
• CHAPI'TEUF •
Scène Techno - Hard
Programmation à venir
• ALTERNATIVE •
House - Deep - MicroMinimal - Darkdisco - Indie
Programmation à venir
• Animations
⎾ INFORMATIONS SUR PLACE ⏌
• Camping gratuit
• Parking camions/ camping car gratuit
• Toilettes sèches
• Douches
• Stands de prévention
• Secours
• Stands de restauration
• Bar
Vous serez libres de circuler sur le site avec des bouteilles en plastique mais aucune bouteille en verre ne sera tolérée.
⎾ ACCÈS - TRANSPORTS ⏌
Commune de Hambye (Dpt 50)
• Voiture
1h de Caen par A84
1h de Rennes par A84
3h20 de Paris par A13, puis A84
2h30 de Nantes par A84
1h15 de Cherbourg
• Train
Villedieu-les-Poêles (gare la plus proche)
Granville
Coutances
Pour des raisons écologiques, essayez de favoriser le covoiturage et/ou les transports en commun. Remplissez les voitures.
Vous trouverez un groupe Facebook de covoiturage dédié au festival.
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Carbon Biography
Carbon was originally formed as a one-man recording project to remind the metal battalions of the glorious days before "Black Metal" became a trend. A journey back to the age when "Black Metal" stood
for darkness, hate, and the destruction of Christianity. Drawing power from the pioneers of Black Metal, and feeding off a strong Australian influence reminiscent of Destroyer 666 and Gospel of the Horns, Carbon portrays a dark depiction of what is to follow.
In winter 2001, G666 was enlisted to perform session drums, and after only two brief rehearsals, a three-track promo was recorded. Unleashed upon the underground in 60 copies with the intention of reminding worthy individuals of the raw beauty of cold Black Metal, and to raise pure hatred amongst the insignificant others...
Early 2002 two more fiends were summoned to complete a live lineup. Feanor on the Bass, and Omen on Guitars. The first show was in Brisbane, followed a week later in Adelaide, then an appearance at the Bloodlust II festival. After a support for Mayhem in Brisbane, Carbons live incarnation retreated to regroup after the debut full-length album is completed.
A three track 7” EP was released through Decius Productions in the Southern Winter of 2002, this contained two re-recorded songs from the promo, and a new track “Shadows Eternal”. Also, the third song from the promo (Battle at Sarn Gebir) appears on the Decius productions ‘Barbaric Onslaught’ compilation LP, Released early 2003.
Read Morefor darkness, hate, and the destruction of Christianity. Drawing power from the pioneers of Black Metal, and feeding off a strong Australian influence reminiscent of Destroyer 666 and Gospel of the Horns, Carbon portrays a dark depiction of what is to follow.
In winter 2001, G666 was enlisted to perform session drums, and after only two brief rehearsals, a three-track promo was recorded. Unleashed upon the underground in 60 copies with the intention of reminding worthy individuals of the raw beauty of cold Black Metal, and to raise pure hatred amongst the insignificant others...
Early 2002 two more fiends were summoned to complete a live lineup. Feanor on the Bass, and Omen on Guitars. The first show was in Brisbane, followed a week later in Adelaide, then an appearance at the Bloodlust II festival. After a support for Mayhem in Brisbane, Carbons live incarnation retreated to regroup after the debut full-length album is completed.
A three track 7” EP was released through Decius Productions in the Southern Winter of 2002, this contained two re-recorded songs from the promo, and a new track “Shadows Eternal”. Also, the third song from the promo (Battle at Sarn Gebir) appears on the Decius productions ‘Barbaric Onslaught’ compilation LP, Released early 2003.
Black Metal
Rock
Metal
Pop
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