About this concert
Born from the fusion of West African rhythms and the vibrant sounds of London, feel the beat of the Balimaya Project in this multi-genre concert. Born to a Nigerian mother and a Senegalese father, Yahael Camara Onono grew up surrounded by the rhythms of the diaspora, while also absorbing the multi-genre lingua franca of London’s hybrid music scenes, developing what he calls a ‘London ear’ for the way the city’s jazz, grime and funky house sounds were underpinned by African and Caribbean rhythmic influence. Fuelled by a desire to redefine West African music's diasporic journey, Camara Onono assembled a 16-piece band, uniting generations and backgrounds in a celebration of cultural fusion. ‘I've always wanted to do something that is an accurate representation of how West African music is perceived in the diaspora, and how it comes into contact with other genres and something that accurately expresses my musical trajectory,’ he explains. From the grooves of Nahawa Doumbia to the beats of Vybz Kartel, Balimaya Project weaves a tapestry of influences, bridging continents and genres. Supported by Jazz Re:freshed, Balimaya Project embraces the ‘third culture’ of second-generation migrants, drawing on the talent and expertise of London-based musicians from Burkina Faso to the Gambia to engage intentionally with the musical and cultural nuances often overlooked in the discourse around music from the African continent.
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About the venue
As well as a 2,700 capacity auditorium, the Royal Festival Hall is also where you'll find The Clore Ballroom, National Poetry Library, Southbank Centre Shop, Riverside Te...
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Balimaya Project Biography
Balimaya Project was formed in 2019 by percussionist Yahael Camara Onono, a second generation Londoner whose rich West African musical heritage, coupled with his musical experiences in the UK, inspired him to bridge the gap between the diaspora and West Africa.
The word Balimaya is a word from the Maninka language that means the essence of kinship. In Mande society, the ideology of kinship is engrained in the moral fabric of its people. Family ties aren’t just limited to blood relations. The concept of extended family created by marriage, cousinage, shared history within ethnicities and deeds done for one another is complex, but shared and adhered to with great pride. This extended family model is what inspires Balimaya’s repertoire and mission.
This group is built on the foundation of forging musical and cultural ties, from a place of integrity, authenticity and inspiration. Balimaya uses the repertoire of the Mande peoples of Senegal and Mali as the bridge to bring the folkloric West African music, together with Jazz and the sounds of Black London, to create something
different.
Yahael was born in North West London to Nigerian and Senegalese parents. Despite being born in the UK and growing up in inner city London for most of his life, he had an affinity for his folkloric music from a very young age. He received his first talking drum at the age of 6 from his grandfather, and later started playing the djembe at the age of 8. Though he grew up in Harlesden, he was given the gift of an open mind through travel at an early age.
Balimaya is an accurate expression of how Yahael feels and expresses his musical journey. There is a story and meaning behind every piece, and homage is paid to his cultural roots throughout the music. In this journey, he has endeavoured to make space within the folklore to add, enrich and give new depth to the music, and to include the voices of the many communities that have guided him along the way.
Read MoreThe word Balimaya is a word from the Maninka language that means the essence of kinship. In Mande society, the ideology of kinship is engrained in the moral fabric of its people. Family ties aren’t just limited to blood relations. The concept of extended family created by marriage, cousinage, shared history within ethnicities and deeds done for one another is complex, but shared and adhered to with great pride. This extended family model is what inspires Balimaya’s repertoire and mission.
This group is built on the foundation of forging musical and cultural ties, from a place of integrity, authenticity and inspiration. Balimaya uses the repertoire of the Mande peoples of Senegal and Mali as the bridge to bring the folkloric West African music, together with Jazz and the sounds of Black London, to create something
different.
Yahael was born in North West London to Nigerian and Senegalese parents. Despite being born in the UK and growing up in inner city London for most of his life, he had an affinity for his folkloric music from a very young age. He received his first talking drum at the age of 6 from his grandfather, and later started playing the djembe at the age of 8. Though he grew up in Harlesden, he was given the gift of an open mind through travel at an early age.
Balimaya is an accurate expression of how Yahael feels and expresses his musical journey. There is a story and meaning behind every piece, and homage is paid to his cultural roots throughout the music. In this journey, he has endeavoured to make space within the folklore to add, enrich and give new depth to the music, and to include the voices of the many communities that have guided him along the way.
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