Real Music Club

Stephen EvEns highly anticipated new album Here Come the Lights is set for release on March 29th. The album, self-produced and mastered with Sean Magee (Abbey Road), will be released via Onomatopoeia (Hurtling, William D. Drake, Crayola Lectern) and comes off the back of the recent success of his limited-edition vinyl only release, Smoking Is Cool (recorded with Steve Albini). Here Come The Lights takes a step into the future, as indie-rock vignettes are interspersed with psych rock and post-punk sensibilities amidst swooping and motoric guitars, sound effects and metronomic happenings, in these textured reflections on life. The album features a whole host of Brixton Hill Studio collaborators, including former Echobelly/Curve bassist Debbie Smith, Cardiacs alumni Bob Leith and William D. Drake, plus Hurtling and My Bloody Valentine guitarist and keyboard player Jen Macro. ?A wonk fest glittered with a dirty glam sound that reminds me of Brix & The Extricated.? LTW ?new wave poetics, dry, surreal and amusing, against music that matches cheap tech with post-punk skronk,? The Arts Desk **Gagarin** Is sadly no longer able to play this show. We wish Graham the very best of health and hope we can re book int he future ** Monty Oxymoron** Monty is a Brighton music legend having played keyboards with punk heroes The Damned for close to 30 years now, starring on albums such as Grave Disorder and last years Darkedelic. Monty continues to perform with the band joining up with the classic Black Album / Strawberries line up for a worldwide tour. Monty has also played with Sumerian Kyngs, Dr Spacetoad Experience, Tim Burness Band, guested many cameo appearances and played some wonderful solo sets at the Real Music Club over the years. We are grateful to Monty for stepping in at the last minute and look forward to a set crammed full of musical ingenuity, fully flexing his improvisational skills. **Fane** Fane is a Brighton-based Gnostic wanderer and explorer of devotional sounds creating folk music from the furthest, taking inspiration from natural landscapes and local places of interest to create drones, ambient sounds and rhythmic primitive guitar driven soundscapes. Think ?Albion? primitive rather than ?American? primitive.