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The Point of Sale
About this concert
Après son premier album Not So Deep As A Well, qui a connu un grand succès critique en 2014, la musicienne montréalaise Myriam Gendron fait paraître
Ma délire – Songs of love, lost & found, une exploration très contemporaine des univers folkloriques de notre Amérique. Il s’agit d’un album double et bilingue de 75 minutes, paru le 1er octobre 2021chez Feeding Tube Records et Les Albums Claus.
« Un pur joyau. Mon disque de l’année toutes catégories confondues. » – Michel Faubert
« Myriam Gendron réimagine, dans une démonstration de liberté indécente, un folklore nord-américain par-dessus toutes les frontières, déterritorialisé et diablement contemporain. Ma délire est un classique pour le futur et pour le passé. » – Olivier Lamm, Libération
« Le folk est affaire de transmission et d’incarnation, de mémoire et d’amour. Et cet album, une perle rare, indestructible. »
– François Gorin, Télérama
Veuillez noter que :
• Les places ne sont pas assignées. Bien qu'il y aura des places assises, NOUS NE POUVONS GARANTIR DES SIÈGES POUR TOUS LES SPECTATEURS, IL Y AURA UNE SECTION DEBOUT.
• Les ventes en ligne se poursuivent jusqu'au milieu du spectacle. Il est possible d'acheter des billets par carte de crédit ou débit en ligne. Puisque nous devons émettre des reçus officiels pour chaque transaction, nous ne vendons plus de billets en argent comptant à la porte malheureusement. SVP achetez vos billets en ligne.
• Le bar du Cabaret Lion d’Or est ouvert. Arrivez tôt pour en profiter, nous serons très heureux de vous servir!
Bon spectacle!
***
Envie de vous offrir un bon resto le soir du spectacle? Notre restaurant aussi est ouvert, la porte juste à côté!
Au Petit Extra vous accueille du mardi au samedi de 17h à 23h.
Au Petit Extra – 1690 Ontario est – 514 527-5552
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Marisa Anderson Biography
Channeling the history of the guitar and stretching the boundaries of traditional genres, Portland based guitarist, composer and improviser Marisa Anderson possesses a unique and distinctive musical voice. Her playing is fluid, emotional, dexterous and original. Anderson’s second solo record, The Golden Hour (Mississippi Records 2011), features twelve improvisations inspired by Delta blues, West African guitar, vintage country and western, gospel, noise, rhythms, cycles, mortality, and praise.
Her upcoming record "Mercury", out on June 5 on Mississippi Records, mines new veins of hidden gems as Anderson shifts her focus from the Delta swamps to the high lonesome sounds of the Appalachian region before heading west to follow the trail from Nashville to Bakersfield and beyond. Songs like 'Mojave' and 'Embudo' are steeped in the sounds of the American West, while 'Galax' and 'Deep Gap' are tributes to the rural mountain music of the South. "Mercury" picks up where "The Golden Hour" leaves off, featuring sixteen compositions for solo guitar and lap steel, recorded live in single takes, with no overdubs,looping or electronic layering.
Anderson’s current and past projects include the Evolutionary Jass Band,the Dolly Ranchers, and the One Railroad Circus. She has toured throughout Europe and the US and has opened for Sharon Van Etten, Mt Eerie, The Devil Makes 3, and Thao & Mirah. Anderson has collaborated with musicians including Beth Ditto, Mirah, Tara Jane O’Neil, Sarah Dougher, Lori Goldston, Rachel Blumberg, and many others.
Anderson’s music has been featured on soundtracks including ‘Smokin’ Fish’, ‘For the Love of Dolly’, ‘Girls Rock’, and ‘Gift To Winter’. Recent festival appearances include Le Guess Who, Creative Music Guild Improvisation Summit, Portland Experimental Film Festival, Sound & Music Festival, NOFest, Electrogals, Festival of Endless Gratitude, Pickathon, and PICA’s TBA Festival. Her writings on music and activism have appeared in Bitch Magazine, Leaf Litter, and in Rock ‘n’ Roll Camp for Girls, the book. In 2012 Anderson was one of six artists selected for Signal Fire’s Afloat Residency. Anderson’s debut solo recording ‘Holiday Motel’ was a 2006 Outmusic nominee for Best Female Debut Recording.
Anderson spent 2003-2011 working at the Rock'n'Roll Camp for Girls. Before arriving in Portland in 1999, Marisa walked across the US, toured with Circo De Manos through southern Mexico, was a founding member of the Chaos Collective and helped create the One Railroad Circus in Santa Fe, New Mexico.
Read MoreHer upcoming record "Mercury", out on June 5 on Mississippi Records, mines new veins of hidden gems as Anderson shifts her focus from the Delta swamps to the high lonesome sounds of the Appalachian region before heading west to follow the trail from Nashville to Bakersfield and beyond. Songs like 'Mojave' and 'Embudo' are steeped in the sounds of the American West, while 'Galax' and 'Deep Gap' are tributes to the rural mountain music of the South. "Mercury" picks up where "The Golden Hour" leaves off, featuring sixteen compositions for solo guitar and lap steel, recorded live in single takes, with no overdubs,looping or electronic layering.
Anderson’s current and past projects include the Evolutionary Jass Band,the Dolly Ranchers, and the One Railroad Circus. She has toured throughout Europe and the US and has opened for Sharon Van Etten, Mt Eerie, The Devil Makes 3, and Thao & Mirah. Anderson has collaborated with musicians including Beth Ditto, Mirah, Tara Jane O’Neil, Sarah Dougher, Lori Goldston, Rachel Blumberg, and many others.
Anderson’s music has been featured on soundtracks including ‘Smokin’ Fish’, ‘For the Love of Dolly’, ‘Girls Rock’, and ‘Gift To Winter’. Recent festival appearances include Le Guess Who, Creative Music Guild Improvisation Summit, Portland Experimental Film Festival, Sound & Music Festival, NOFest, Electrogals, Festival of Endless Gratitude, Pickathon, and PICA’s TBA Festival. Her writings on music and activism have appeared in Bitch Magazine, Leaf Litter, and in Rock ‘n’ Roll Camp for Girls, the book. In 2012 Anderson was one of six artists selected for Signal Fire’s Afloat Residency. Anderson’s debut solo recording ‘Holiday Motel’ was a 2006 Outmusic nominee for Best Female Debut Recording.
Anderson spent 2003-2011 working at the Rock'n'Roll Camp for Girls. Before arriving in Portland in 1999, Marisa walked across the US, toured with Circo De Manos through southern Mexico, was a founding member of the Chaos Collective and helped create the One Railroad Circus in Santa Fe, New Mexico.
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