The Standard

In the summer and fall of 1999, the small crowds who caught The Standard's early performances around Portland, Oregon, knew they were hearing something different—music at once both challenging and engaging, built around surprising chord changes and abrupt shifts in tempo, moving seamlessly from lyrical keyboard passages to blistering guitar hooks, with vocals that ranged from elusive and haunting to intimate and heartbreaking. The air in those rooms was charged, electric, and no one was more surprised by the sudden surge of energy than the four members of the band itself, who'd come together accidentally, each with wildly differing musical backgrounds and influences. Drummer Rob Duncan had learned his driving punk rhythms from Portland indie bands in the mid-90s; bassist Rob Oberdorfer had recently been playing in esoteric art-rock experiments; Jay Clarke, on keyboards, had studied classical and jazz and had a fondness for ambient music; and Tim Putnam combined a rootsy, poetic songwriting style with big, catchy guitar riffs.