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Melt-Banana Tickets, Tour Dates and Concerts

Melt-Banana

Melt-Banana with The Flying Luttenbachers and BabyBaby_Explorers LIVE at Grog Shop

Grog Shop
2785 Euclid Heights Blvd

Jun 2, 2024

7:00 PM EDT
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About this concert
MELT-BANANA Some people say they are noise band, some people say they are so-called no wave band, some people say they are hardcore band, some people say their music is like roller coaster in an amusement park... It is hard to categorize their music, but basically they are rock band with a spice of punk taste. The easiest way to find out is to listen to their music and you will find out. The Flying Luttenbachers The cosmic warriors of punk jazz/no wave/free death apocalypse noise! 1991 to the present, and still crushing normalcy BabyBaby_Explorers babybaby_explores is the cited name of the providence art-rock project, “Baby; Baby: Explores the Reasons Why that Gum is Still on the Sidewalk”, created by three scrappy bffs Lids B-Day (effected Vox & sampler), Sam M-H (e. gtr.) & Ramona Cano-Daly (keys & rhythm) from the haunted clam chowder suburbia Warwick, RI. Utilizing guitar effects pedals to manipulate sounds they create dissonant and lighthearted simple structured danceable songs that pay homage to musique concrète, European underground synth punk of the late 70’s through the 80's, anthem music, dada, and the Providence DIY & noise scene. The project started out as a parody of sound, pseudo-concept project between Lids B-Day and Sam M-H in the winter of 2017. It was about turning the energy spent dealing with miso(gyni), ageism, and industry gatekeeping in the local art and music community into some kind of musically laughable, naive, & sharable whimsy. Sam and Lids grabbed the smallest, most affordable, and simplest equipment they could, lugged it across the icy used auto-lot, which was the “front-yard” of their dwelling place, and into Lid’s unheated wood panel adorned basement-bedroom (called the magic cabin) and began making songs. The setup was a painted casio keyboard, a loop pedal, a mini Squier guitar, and a microphone going through a delay pedal. The two would create and loop drum beats using the keyboard. The guitar Sam was using probably hadn’t been played in over ten years, they began writing songs in the very out of tune-tuning it had come to be in. (Every current song is still made and played in that tuning.) Lids would then add strange, beautiful and incoherent narrative melodies. In May of 2017, “Baby; Baby: Explores” played their first two shows as a duo..one was a queer porn screening at Psychic Readings (AS220), and the other at the Dirt Palace. Something like immediately following those performances, Ramona Cano-Daly entered the project––which is how it had to be. The three had been collaborating musically and breaking each other's hearts as it was since 2011. They began to play as many shows as possible, even though they only had four kind-of actual songs (Love Song, Anthem, Cheapo, and Leaf Bag). They would get together and make performance-specific songs or spontaneous sounds on the morning of an event. The more they played live, the more what initially was an experimental avant-garde noise group formed into a fully functioning improv organized and orchestrated...indie-rock band? Ramona would make a drum machine sequence or percussive loop and then the three would play at once, Lids using their voice, Sam playing guitar, and Ramona playing button bass, they would just play until some seed rendered. If the three didn’t all agree on an idea, it wouldn’t exist further. By 2019, they recorded their first collection of songs at Black Lace in Providence with Evin Huguenin. At the time the band was still under the impression that everything happened in the music industry by some uncalculated coincidence,,,so they didn’t properly release what they created, but it is available on streaming sites and Bandcamp. On March 03. 2023, they released their album called, Food Near Me, Weather Tomorrow. It was recorded by Seth Manchester at Machines with Magnets and Mastered by Heba Kadry. The music was written in 2020 while trying to find joy despite feeling really really confused and scared. It was put out by the new label run by Angus Andrews called NO GOLD. In late May 2023 the group went on a North American Tour with the iconic Japanese rock band Buffalo Daughter, completed an North Eastern Tour with indie-rock legends Matt & Kim and opened for other icons like Of Montreal and Miho Hatori. They will be releasing a new strange over the top and awkward album seperated into 3 Chapters in 2024. It will be called “I Am Not a Rock & Roll Man of the Future”. It was also written in March of 2020. It is music carved out of imagining scenes of strange hysterical scenarios and painted with hokey grandeur. The release of “Chapter 1: Questionable Personified Cheeseball” will be announced Winter 2024.
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What fans are saying

November 22nd 2023
So fun!! What a delightful discovery; glad to have seen them opening for Igorrr. Will definitely try to catch them again next time they come through Seattle.
Seattle, WA@
The Crocodile
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We strive to showcase live music 7 days a week, 365 days a year to people of all ages. The Grog Shop has played host to countless local, national, and international touri...
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Melt-Banana Biography

Melt-Banana is a Japanese noise rock group founded in 1992 by friends attending Tokyo University for Foreign Language. Their hyperactive music palette draws influences from experimental rock, grindcore, no wave, psychedelia, hardcore punk, and post-punk.

Melt-Banana has released 8 full-length albums, (Including a re-release of a very early improvised and studio tracks, and a compilation of EPs) and 23 EPs (a number of which are splits with other bands). In 1997 they created their own recording company, A-Zap, and re-issued all of their previously released albums, except Scratch or Stitch, which can be found on the noise rock record label Skin Graft Records. One month later Sudoh quit, and the band has had different drummers helping for tours and recordings since. They do massive U.S. tours yearly, do frequent European tours, and do smaller Japanese tours (traveling in Japan is quite expensive).

Melt-Banana's music falls under what many call "noise rock" or "noisecore." Both terms refer to music that blends rock, noise music, and other genres. Agata overlaps two different guitar riffs most of the time, and also belts out a seemingly spontaneously chosen selection of sound effects (or selected randomly by a computer program or even selecting snippets of tape from a black bag, but this is unlikely), almost all made through his guitar and large amount of effects pedals. Yasuko O. belts out high-pitched screams and raps, and her delivery has been described as a rabid poodle on speed. Rika mm's bass lines aren't subdued like in most bands, but are given as much overt influence as Agata's guitar work. The sounds from the bass provide a distinct dimension to the music not found in many other bands. The drums are usually quite straightforward (however, in their recent albums, they have become more complex), especially on the faster songs, where they beat almost straight through with set cymbal crashes, providing an insane amount of energy to the songs. The band describes their recent music (especially Teeny Shiny and Cell-Scape) as pop. Essentially, it could be argued that Melt Banana's output, (with special attention brought to their more recent songs) are more reminiscent of quirkier indie pop bands, with definite melodies hiding beneath the distortion, effects and sheer speed.

Live performances are where Melt Banana wins many of their devotees. While many critics perceive Melt Banana's recordings to be inaccessible, their sound translates much better live. Yasuko starts every show by yelling "We are Melt Banana from Tokyo, Japan!" Her rapid-fire delivery and Agata's frenetic guitar riffs infuse crowds with energy. Attendees often mosh or otherwise move in a frenzy during performances. Many diehard fans leave shows dripping of sweat. Yasuko O. often wears colorful and/or metallic costumes, while Rika mm' often wears just black. Both wear very high platform boots, on which Rika mm' often bounces, a la Krist Novoselic. Agata usually wears a surgical mask affixed to his face, sometimes with duct tape.

Current members:
Yasuko Onuki - Vocals, Writing
Ichirou Agata - Guitars, Effects
Rika mm' - Bass
After Sudoh left the band, many drummers have been in a steady rotation, including Dave Witte of Discordance Axis, Municipal Waste and Burnt by the Sun.

Former members:
Toshiaki Sudoh - Drums
Oshima Watchma - Satanic Hell Slaughter's drummer Oshima Watchma was the replacement for Sudoh.

Discography:

1994 Cactuses come in flocks
1994 Hedgehog
1994 Split with God Is My Co-Pilot
1994 Speak squeak creak
1995 It's in the Pillcase
1995 Split with Discordance Axis
1995 Split with Pencilneck
1996 Split with Target Shoppers
1996 Scratch or Stitch
1996 Split with Otomo Yoshihide Piano One
1997 Eleventh
1997 Split with Plainfield
1998 Charlie
1998 Dead Spex
1998 Split with Killout Trash
1998 Split with Xerobot
1999 13,000 miles@Light Velocity
2000 Teeny Shiny
2001 Split with Three Studies for a Crucifixion
2001 Split with Damien Frost
2001 Split with Dynamite Anna and the Bone Machine
2002 666
2002 Split with Big D and the Kids Table
2002 Split with The Locust
2003 Cell-Scape
2003 Peel Session
2004 Split with Narcosis
2005 13 Hedgehogs
2005 Split with Fantômas
2005 Split with Chung
2006 アイノウタ
2007 Bambi's Dilema
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