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Justin Rutledge Tickets, Tour Dates and Concerts

Justin Rutledge

Mar 22, 2024

8:00 PM EDT
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Justin Rutledge Tickets, Tour Dates and Concerts
About this concert
March 22 2024 $40 8:00PM START Dinner is not included with ticket price. We have limited dinner reservations with staggered ordering times between 5:30 and 6:45. All of our guests that choose "ticket with dinner reservation" are welcome anytime after 5:30 on show nights. On show nights our regular menu is not available. Our kitchen serves our wood fired pizza's along with homemade show night specials between the times of 5:30 and 6:45 so you are welcome anytime during this timeframe. If you are interested in the back end specials it is always wise to show up at 6pm or before since they tend to sell out first. When fully booked the dinner option will not be available in the show night selection box. Guests choosing the "ticket only" option are welcome anytime after 7:00. Please contact us if you have any questions. neatmusicandcoffee@gmail.com 613-433-9960 Come have fun at Neat! JUSTIN RUTLEDGE PLAY VIDEO - HEAD FOR THE HILLS (from new album) PLAY VIDEO - GOOD MAN (Live) PLAY VIDEO - OUT OF THE WOODS Justin Rutledge Ten albums in, Justin Rutledge could easily rest on his reputation in perpetuity because he’s accumulated the sort of daunting body of work upon which one could easily coast. Instead, on "Something Easy", Justin Rutledge did the opposite. He made things exceedingly difficult for himself and decided to write, record, and produce the poised, subtly powerful set of songs by himself at home. With one, then later two, bouncing baby boys underfoot, to boot. The results speak for themselves. "Something Easy" is a serene, stately thing of beauty, a gently paced record that really rewards the patient listener with meticulous detail and unexpected instrumental happenings – a waft of trumpet in the mid-section to “Head for the Hills,” say, or the 808 drumbeat that introduces first single “Easy” – lurking in the capacious arrangements. It’s anything but Rutledge settling into a rut. It will surprise you. That Rutledge can still catch us off guard two decades into his career definitely should not come as a surprise, mind you. The man is very good at what he does. Accolades have piled up at his feet since he released his first album, "No Never Alone", via Six Shooter Records in Canada and Slowdive/Mojave 3 main man Neil Halstead’s Shady Lane Records overseas back in 2004 to rave reviews in such international publications as Uncut and NME. He’s won a Juno Award for Roots Album of the Year in 2014 for the album "Valleyheart" – which also landed him a Canadian Folk Music Award – and has since been nominated for three more Junos. He’s been longlisted twice for the critic-voted Polaris Music Prize, and has penned songs with Booker Prize-winning author of ‘The English Patient,’ Michael Ondaatje. Rutledge has also had songs included in film and television, including the Zac Efron film The Lucky One or TV shows The Blacklist, Vampire Diaries and Teen Wolf. The music gets around. The guts to tear up the rulebook as Rutledge does on "Something Easy" can only come with maturity, with growing older and gaining control of your craft. It has, thus, been interesting for the album’s author to see, in hindsight, recurring themes of youth and memory bubbling up all over the record, in the somewhat self-explanatory “Angry Young Man,” the wistful bush-party vignette “Seventeen,” the dreamy post-prom memoir “Lioness” and “London,” which flashes back to the year Rutledge spent living in London when he was 18. “All of these songs are about youth, and I hadn’t realized that,” he says. “And it’s interesting because I feel that, as a new dad, there’s this transition that’s happening where suddenly I’m realizing I’m in my 40s. And what’s happening is that our wild-and-free years are suddenly over there, and our ‘middle-aged’ years are now right here. I feel like I’m at this apex where I’m thinking a lot about my youth, But I’m not lamenting anything. I’m not old, I’m just shocked at how suddenly this new phase of life has begun.”
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What fans are saying

Ken
October 15th 2019
Fantastic show - emotional and entertaining.
Toronto, Canada@
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We welcome all in to experience the pleasures Neat has to offer. Our goal is to welcome our guests into our homelike setting, a place that would remind you of walking in...
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Justin Rutledge Biography

Justin Rutledge is every small town boy who shares his cigarettes and his flask with the paperboy’s parents on quiet evenings while waiting for the mail in a neighbourhood where Walt Whitman lives next door. He is the writer of lost hymns never bound in any book. Instead, he offers them up as the salt of the earth surrounding some old one-room cabin where he sits on the porch with his last pack of smokes, his banjo and a bottle of gin, staring at the leafless tree in the yard.

At just 26, Justin Rutledge has already come to understand the punk rockers and the classic country balladeers, the mailmen and the crossing guards of the quaint tree lined streets. He knows how to hold his guitar so that all the minor chords echo the same way his father used to play them when he used to strum out Gram Parsons songs. His music seems to be drawn out of the life of a well-traveled, wise old man who still retains the gentleness and romance that belongs only to the young and pure of heart.

His debut album, No Never Alone, is a collection of vignettes, beautifully rendered traditional songs and sensitive, impacting ballads, which seem to have come from a dozen unsent love letters. Canadian greats like Mary Margaret O’Hara and Dan Whiteley masterfully add to producer Glen Salley’s expert hand on keeping No Never Alone’s sound simple and clean, with Rutledge’s vocals in the forefront.

With his soft, sometimes quivering voice, Justin Rutledge delivers all the promises of a seasoned performer whether solo or when accompanied by the likes of David Baxter and Bazil Donovan (Blue Rodeo). And when he lets out that anguished cry in such songs as “The Suffering of Pepe O’Mally? and “Special,” your whole body tingles and your heart lurches, with the understanding that you are witnessing something truly incredible and unique.

His second album, The Devil On A Bench In Stanley Park, is a masterfully conceived, elegantly constructed tour de force: a transporting sequence of haunted and haunting songs elevated by the inspired musicianship of bassist Bazil Donovan (as well as other Blue Rodeo alumni, including Jim Cuddy, Greg Keelor and Oh Susanna), pedal and lap steel guitarist Burke Carroll, drummer Blake Manning, pianist and Hammond organist Bob Packwood, violinist John Showman, accordionist Tim Vesely, and Baxter, whose guitar work infuses this recording with grace, and a quiet and eloquent sadness.

Now magazine recently bestowed Rutledge with the title of toronto's Best Song Writer, exclaiming that "... All classic country songs spin a story that sticks with you, and man, does Justin Rutledge know how to tell 'em. The fast-rising singer/songwriter really hit his stride with this year's The Devil On A Bench In Stanley Park (Six Shooter), a collection of incredibly vivid character snapshots full of precise and resonant details."
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