Smut

Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the bandvocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbehave built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens. This is undoubtedly true of the bands sixth studio album 40 oz. To Fresno, an album that has songs that span the last eight years, yet comes together to form a cohesive album that marks the next chapter of Joyce Manor. This is an interesting record because the final track Secret Sisters was actually a B-side from [2014s] Never Hungover Again and NBTSA is actually a reworked version of Secret Sisters that barely even resembles the original song, Johnson explains. Although Joyce Manor were planning on taking a break prior to the pandemic, Johnson soon began writing to keep boredom at bay and much of the remainder of 40 oz. To Fresno came out of that period of focused songwriting.Produced by Rob Schnapf (Elliott Smith, Tokyo Police Club) with Motion City Soundtracks Tony Thaxton on drums, the bulk of these songs were recorded in two separate sessions at Mant Sounds in Glassell Park, California. The whole process was just really easy and it was also fun because as a band we hadnt hung out very much lately, Johnson explains. We spent the last decade just talking, hanging out and drinking beers and then we went months without doing that for the first time in ten years. Johnson adds that after their previous drummer Pat Ware recently left the band to go to law school, having Thaxton and Schnapf in the studio with them made for a seamless transition. Tony was amazing to write with and he came up with amazing parts, Johnson says, and this was our second time working with Rob [who also produced 2016s Cody] so there was already a lot of trust when it came to his musical vision. I think he made these songs a lot better.As its title suggests, 40 oz. To Fresno is an album that indulges in the unorthodoxand correspondingly, the first track is a cover of Souvenir by Orchestral Manoeuvres In The Dark, which originally appeared on a split 7-inch with Jawbreakers Blake Schwarzenbach in 2021. Even though its technically a cover, Joyce Manor make the song their own via swirling synths, palm-muted guitars and Johnsons distinctive croon. This somewhat sonic outlier also perfectly sets the tone for what comes next such as NBTSA, which features the bands signature blend of melodic guitar leads, rock-solid bass and driving drums. However the band arent afraid to experiment on the album and Reason To Believe features chiming chords and falsetto vocals while Dont Try sees Thaxton integrating inventive drum patterns to the verses, which make the songs already infectious chorus stand out even more.