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Mac
Lekonature Tiers-Lieu Marseille
1 Rue des Trois Rois, 13006 Marseille, France
Sep 23, 2023
7:00 PM GMT+2
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About this concert
5…4…3...2…1…
De la vie sur mars ? Le mystère reste entier, par contre si vous doutez encore de l’existence des gouines à Marseille, on va vous ouvrir les yeux sur une évidence intergalactique.
Le , la Fièvre est de retour pour vous embarquer sur une autre planète.
Lekonature vous ouvre sa base dès 19h jusqu'à 2h, jauge limitée attention !!! on vous a concocté des changements spatio-temporels pour vous envoyer direct sur orbite (orchatte ça marche aussi) !
Pour défier avec nous les lois de la gravité, on ne sera pas seul·es ! Les vibes techno & queer des copaines de Dyketopia seront aussi du voyage
ALERTE PERTURBATIONS
Pour des raisons indépendantes de notre volonté, DYKES ON MARS est contrainte de changer de base de lancement. Mais l'équipe de pilotage reste le même même artistes
Changement de lieu : décollage à l'Ekonature - 1 rue des Trois Rois 13006
Changement de format : 19h > 2h
Changement de tarif :
Early en ligne : 5 € (sold out)
Regular en ligne : 6 € (sold out)
Derniers billets sur place : 6 € - cash only
Les personnes qui ont déjà acheté en ligne : nous vous remboursons la différence de tarif. Si cette solution ne vous convient pas, nous vous remboursons la totalité de votre billet (hors frais de commission) : écrivez nous à lafievremarseille@gmail.com.
Pour les personnes qui n'ont pas encore leur billet : rdv sur place, venez tôt, jauge limitée !
TIMETABLE
Ouverture des portes : 19h
19h30 - 20h30 : DJ Border (DJ set House / Tech house)
20h30 - 22h : El Badra (DJ set Afro-rave / Global club music / Baile funk)
22h - 00h : Le Mac B2B Taka (DJ set Ghettotech / Booty trance/ Techno)
00h - 2h : Dyketopia : HardMullet (DJ set Hardtech / Gabber / Trance)
Big up aux DJ d’avoir accepté d’être tout terrain !
POURQUOI CES CHANGEMENTS ?
Le lieu qui devait nous accueillir rencontre des problèmes administratifs et ne pourra pas ouvrir samedi soir… L’équipe de la Fièvre a tout donné pour trouver une base de repli ! Merci à toutes les personnes qui nous ont donné un coup de main ces dernières 24h <3
Forcément, on est frustrées de pas pouvoir proposer des horaires intersidéraux et une jauge galactique comme on en rêvait… Mais on est déter pour la suite et parole de lesbiennes, il y en aura d’autres !!
Un énorme merci à la nouvelle équipe de l’Ekonature pour leur accueil en dernière minute.
Et un énorme merci à vous pour votre compréhension. On est à dispo pour en parler en DM ou en direct samedi !
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Mac Biography
Mac is a rapper from New Orleans' third ward who was one of the most critically acclaimed artists on Master P's No Limit Records. In 2001 he was convicted of manslaughter charges even though he maintains his claim of innocence. He is currently serving a 30 year prison term.
He released his first album under the name Lil' Mac in 1989 at the age of 12, the "Lyrical Midget," receiving production from the then unknown producer Mannie Fresh. Mac would later join the Psychoward, a New Orleans group consisting (at the time) of more than 25 MCs. Psychoward is known (especially in the city) for having a sound that separates itself from the usual Bounce music and gangster/hustler lyrics that typifies most of the New Orleans rap scene, rather focusing on lyricism and a sound which could be described as a New Orleans Wu-Tang Clan. This made them favorites of local "hip hop heads" who often prefer this style to other local acts.
Mac's own debut on No Limit came with Shell Shocked, an album considered by many to be one of No Limit's best. Mac gained a reputation as one of the south's best lyricists. His lyrics display the somber realism and maturity that is a mainstay in much of Southern Rap as well as the lyrical dexterity of his East Coast counterparts. This album also followed the typical No Limit album formula: the deep, introspective tracks mixed in with up-tempo tracks, and a heavy presence of guest features from No Limit labelmates. His next album, World War III, came on the "downslope" of No Limit's fame. It came after Beats By the Pound, No Limit's in-house production team who are often credited with making No Limit the empire it was, left the label over purported money disputes, along with much of No Limit's roster. This may have been a blessing in disguise though, as Mac's lyrical skill was allowed to shine through on production more suited to his style. This album is also more introspective than his previous effort.
Read MoreHe released his first album under the name Lil' Mac in 1989 at the age of 12, the "Lyrical Midget," receiving production from the then unknown producer Mannie Fresh. Mac would later join the Psychoward, a New Orleans group consisting (at the time) of more than 25 MCs. Psychoward is known (especially in the city) for having a sound that separates itself from the usual Bounce music and gangster/hustler lyrics that typifies most of the New Orleans rap scene, rather focusing on lyricism and a sound which could be described as a New Orleans Wu-Tang Clan. This made them favorites of local "hip hop heads" who often prefer this style to other local acts.
Mac's own debut on No Limit came with Shell Shocked, an album considered by many to be one of No Limit's best. Mac gained a reputation as one of the south's best lyricists. His lyrics display the somber realism and maturity that is a mainstay in much of Southern Rap as well as the lyrical dexterity of his East Coast counterparts. This album also followed the typical No Limit album formula: the deep, introspective tracks mixed in with up-tempo tracks, and a heavy presence of guest features from No Limit labelmates. His next album, World War III, came on the "downslope" of No Limit's fame. It came after Beats By the Pound, No Limit's in-house production team who are often credited with making No Limit the empire it was, left the label over purported money disputes, along with much of No Limit's roster. This may have been a blessing in disguise though, as Mac's lyrical skill was allowed to shine through on production more suited to his style. This album is also more introspective than his previous effort.
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