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Viking Moses! Tickets, Tour Dates and Concerts

Viking Moses!

May 4, 2023

8:30 PM GMT+1
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Viking Moses! Tickets, Tour Dates and Concerts
About this concert
9.20pm Sulka Sulka began life as the solo songwriting and recording project of Lukas Clasen. Based in Glasgow, Lukas has been putting out self-recorded music since 2017, drawing inspiration from alternative folk and grunge sounds. Hushed introspective vocals, warped lo-fi production and erratic mood changes are blended in the style of Sparklehorse, Elliott Smith and Alex G. In 2021 Sulka joined the Lost Map Records collective with his well-received LP ?Take Care?, gaining him a wider listenership and BBC radio play by the likes of Vic Galloway and Steve Lamacq. You can listen to it here https://lostmap.bandcamp.com/album/take-care Snack magazine chose the lead single 'Fear It' as one of their top Scottish singles of the year. Since then, the project has expanded to involve a four-piece band and has enlisted the help of producer Chris McCrory on their latest record 'Distractions', set for release this year. 8.30pm Viking Moses The lore of Viking Moses is a story that has transcended the music industry far and wide. Brendon Massei?s nomadic outsider lifestyle has become the stuff of legend, as well as the topic of documentary Werewolves Across America. Massei?s deeply emotive delivery, coupled with a lyricism that both challenges and moves the listener, has been a beacon of inspiration for a plethora of artists around the world. Those who?ve been brought from the living room to the world stage by touring or working with Viking Moses range from Scout Niblett (Secretly Canadian / Drag City), Deer Tick (Partisan Records) and Spenking (Marriage Records / Drag City), to Jana Hunter (Ribbon Music / Domino), George Thomas of Insect Heroes (Lost Map / Fence Records) and Nat Baldwin (Dirty Projectors). Viking Moses's latest video, Let This Trouble Pass, which you can watch here https://www.youtube.com/watch?v=85AfZUH1IA0 is a dialogue between ageing, childless partners. One is in a panic, the other seems willing to accommodate. Each may want the same outcome, but likely for different reasons. Poignant and profoundly reflective, Let This Trouble Pass captures Viking Moses? idiosyncratic view of the world; occasionally confrontational but always striving to find a place for love and humanity within a precarious emotional framework. About the Venue This show is in the music hall of The Establishment Wakefield on Westgate, turn left when you go through the main door. The Establishment is located close to Wakefield Westgate train station. The gig will finish at 10pm, giving you plenty of time to get the last train. The show will be standing, but if you would like to sit please email bodyswakefield at gmail dot com Establishment disabled access: Entrance/ exit: 1 step - no ramp. Toilets: no disabled toilets, toilets upstairs. Viewing: all one level - seating available. We will make sure everyone can see if view is obstructed. About Bodys Bodys is a gig promoter in Wakefield, run by Emily since the start of 2019. We put on shows on the first Thursday of the month in the music hall at The Establishment, as well as other one-offs at other venues around town. The gigs usually have two acts, times are always posted well in advance, and gigs finish early (10pm) when buses and trains are still running, and you can go get an early night if you want one.
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Viking Moses! Biography

Many balls-to-the-wall musicians adopt a bohemian persona to fit their music, but Viking Moses is the real deal. Living a nomadic life for nearly a decade now, Brendon Massei has released banjo and acoustic guitar albums under several names. Perpetually on tour (since 1996), he has played with Will Oldham, Cat Power, Songs: Ohia and Devendra Banhart, to name a few, yet Masseis body of work has received little commercial or critical attention. His newest full-length under the Viking Moses moniker, the story-song cycle Crosses, is by far his most accomplished work, and ranks among the best of the newest crop of American folk recordings. For anyone who has seen Massei perform live, the delicate mood of Crosses may come as a bit of a surprise. While a Viking Moses show often finds Massei on his knees wailing like a man possessed, Crosses consists of nothing more than a softly picked nylon-string acoustic guitar, a bass, and some piano flourishes, with Masseis trademark baritone rarely reaching its cathartic heights. While Massei may be accused of holding back, Crosses is actually strengthened by his reserve; otherwise, these odes to a girl named Emma could have come across a bit too earnest. Masseis simple, and thoroughly endearing lyrics complement the breezy melodies. On Little Emmas Smile he sings, I love the fishes that swim around me / God made the fishes and God made me / I love Emma, her smiles so free / God, may little Emmas smile find me against a melody that could just as well be a nursery rhyme. There is a sense of childlike wonder throughout reminiscent of another of Masseis old touring partners, Little Wings. But where Little Wings Kyle Field turns his wonderment outward towards nature, Massei is content to wonder at the ways in which love alters ones perception, as he sings on Little Arms: When you hold my little arms wrist out / you show me just how little I really am. The simplicity of the music allows Masseis lyrics, with their roughly sketched narrative, to be the albums centerpiece. In My Husbands Hand, Massei imagines himself in Emmas place, watching a group of children and feeling his/her biological clock ticking. At just a minute and a half, it epitomizes the albums precision just over 30 minutes without a single unnecessary note. While it can sound overly precious at times for the pysche-folk crowd, Crosses is a quiet piece of lamentation and joy that is hard not to embrace. by Jon Pitt, Dusted Magazine
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