Sincere Deceivers

Sincere Deceivers Sincere Deceivers are Matt Glover (vocals, acoustic guitar), Tim Davies (electric guitar, vocals), and Dom Main (cello, vocals). The London based Yorkshire natives have developed a folk driven sound, rooted in the storytelling tradition, drawing on a variety of contemporary influences. In 2015 they released their first EP, Autumnal Dreams, launching it at St Pancras Old Church, and followed it with notable shows for Songwriting Magazine, Sofar Sounds and Folkroom Records. In 2019 Sincere Deceivers released two singles, 'Gladness' and 'Hot Handed', receiving local and national airplay. Ewe Earning comparisons to Yo La Tengo, Devendra Banhart, Nick Drake and Milton Nascimento. South Londoners EWE draw on folk, blues, Latin, & their heritage North African music to create their songs. In 2016 their debut release received support from BBC 6 Music, FRUK and attracted the interest of Mice Parade's Adam Pierce, who arranged dates across New York State for them, including a support show for British Sea Power splinter group Brakes. EWE returned from the USA to play a sellout show at St Pancras Old Church. The duo have gone on to play Festival No. 6, Red Rooster, Wilderness, Tandem and shows with Brakes, Low Chimes, Francobollo, Oh Sister, Ben Walker & Josienne Clarke, Sophie Jamieson and Patch & The Giant. The People Versus The People Versus are a Chamber Pop assemblage offering a new spin. Fronted by the core members of London troubadours, Five Fathoms Deep, the band re-formed in Oxford, joined by new faces and a powerhouse of harmonies. Their songs depict stories of love, loss & sea monsters. New Roots is committed to promoting events that shine a light on up and coming talent in the UK alt-folk and contemporary roots music scene. It's committed to providing artists with an environment that is sympathetic to what they do, giving musicians the respect they and their music deserve - for this reason we ask for no talking and no use of mobile phones while artists are performing. Our music policy comes from the kitchen table, the roots of public performance- intimate, acoustic based, high quality musicianship with as little interference between performer and listener as possible.