Kristian Bezuidenhout
Teatro Zandonai
Corso Bettini, 82
Sep 22, 2019
12:00 AM GMT+2
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About this concert
Associazione Mozart Italia SETTIMANA MOZARTIANA Rovereto 19-22 settembre, con un’anteprima il 14 settembre allo Zandonai. “Mozart e Salieri” è il leitmotiv che accompagna la Settimana Mozartiana 2019 (Rovereto, 19-22 settembre. Alla sua 28a edizione, la manifestazione conferma il suo carattere originale e il suo prestigio internazionale, quale vetrina d’eccellenza per grandi artisti e per giovani talenti emergenti. A uno dei più amati e famosi violoncellisti italiani, MARIO BRUNELLO, che suonerà con KRISTIAN BEZUIDENHOUT (uno dei migliori fortepianisti europei), è affidato il concerto di chiusura. Domenica 22 settembre 2019 ore 20.45 - Rovereto, Teatro Zandonai MARIO BRUNELLO, violoncello e violoncello piccolo KRISTIAN BEZUIDENHOUT, fortepiano Programma J.C.F. BACH - Sonata (1789) J.B. TRICKLIR – Sonata n. 4 in Re maggiore L. van BEETHOVEN - 12 Variazioni su “Se vuoi ballar” WoO 40 (1792-3) W.A. MOZART - Andantino KV 374g (Anh.46) - (1781) L. van BEETHOVEN - Variazioni su “Ein Mädchen” dal “Flauto magico” op. 66 (1798) J.-L. DUPORT - Notturno n. 3 L. van BEETHOVEN - 7 Variazioni su “Bei Männern” dal “Flauto magico” WoO 46 (1801) *** BIGLIETTI € 18.00 platea, palchi centrali e balconata € 15.00 palchi laterali € 12.00 loggione I biglietti si possono acquistare in tutte le Casse Rurali, on line sul sito PrimiallaPrima / al Teatro, un’ora prima dell’inizio del concerto I BIGLIETTI SU QUESTO SITO SI POSSONO ACQUISTARE FINO ALLE ORE 19.30 DEL GIORNO DELL'EVENTO
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Kristian Bezuidenhout Biography
Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London. After initial training as a pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. Kristian first gained international recognition at the age of 21 after winning the prestigious first prize, and audience prize in the Bruges Fortepiano Competition.
Kristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestra of the Age of Enlightenment, Orchestre des Champs Elysées, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra & the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415 and the Kammerakademie Potsdam, & Dunedin Consort (Bach St. Matthew Passion).
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
Kristian's rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart (Diapason d’Or de L’année, Preis der Deutschen Schallplattenkritik, & Caecilia Prize); Mozart Violin Sonatas with Petra Müllejans; Mendelssohn and Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Beethoven, & Mozart Lieder, and Schumann Dichterliebe with Mark Padmore (Edison Award). In 2013 he was nominated as Gramophone Magazine’s Artist of the Year. Recent releases include Volume 2 of Mozart Piano Concertos with the Freiburger Barockorchester.
In the 2017/18 season, Kristian becomes an Artistic Director of the Freiburger Barockorchester and Principal Guest Conductor with the English Concert. He play-directs programmes with both orchestras and also with Camerata Salzburg, Tafelmusik Baroque Orchestra and Zürcher Kammerorchester . As a soloist he performs with Orchestre des Champs Elysees/Herreweghe, Les Violons du Roy/Cohen and Le Concert Olympique/Caeyers. Solo recitals and chamber music take him to London, Rome, Amsterdam, Stuttgart, Munich, Cologne, Berlin, USA and Japan.
Read MoreKristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestra of the Age of Enlightenment, Orchestre des Champs Elysées, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra & the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415 and the Kammerakademie Potsdam, & Dunedin Consort (Bach St. Matthew Passion).
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
Kristian's rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart (Diapason d’Or de L’année, Preis der Deutschen Schallplattenkritik, & Caecilia Prize); Mozart Violin Sonatas with Petra Müllejans; Mendelssohn and Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Beethoven, & Mozart Lieder, and Schumann Dichterliebe with Mark Padmore (Edison Award). In 2013 he was nominated as Gramophone Magazine’s Artist of the Year. Recent releases include Volume 2 of Mozart Piano Concertos with the Freiburger Barockorchester.
In the 2017/18 season, Kristian becomes an Artistic Director of the Freiburger Barockorchester and Principal Guest Conductor with the English Concert. He play-directs programmes with both orchestras and also with Camerata Salzburg, Tafelmusik Baroque Orchestra and Zürcher Kammerorchester . As a soloist he performs with Orchestre des Champs Elysees/Herreweghe, Les Violons du Roy/Cohen and Le Concert Olympique/Caeyers. Solo recitals and chamber music take him to London, Rome, Amsterdam, Stuttgart, Munich, Cologne, Berlin, USA and Japan.
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