About this concert
Supersonic Festival has been named as the UK’s premier experimental music festival, with rave reviews from The Independent, Arts Desk and The Quietus to name but a few, and topping The Guardian’s Guide to the best experimental music festivals in Europe.
Bringing together live performances by some of the worlds most extraordinary artists, visual art, and audience participation to create a legendary one-of-a-kind festival. It takes place alongside a year-round programme of live events, exhibitions and kids gigs which present the highest quality new work in ways you least expect.
Supersonic Festival are immensely proud to announce iconic pioneers of heavy music, Neurosis as their 2019 headliners. Showing their discontent with convention from the very beginning, Neurosis revealed what would become an instinct for transformation in sound and scope. Going beyond the remarkable, Neurosis have become unforgettable.
Please visit https://supersonicfestival.com/ for more information.
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What fans are saying
l0lli5
March 25th 2024
Great live, thanks TPO, although the acustic was not the best
Bologna, Italy@Social Center TPO
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Moor Mother Biography
ow do you engage the stunning, evocative, haunting gift that is Moor Mother’s latest album The Great Bailout? Only by following the trail of verbal and sonic poetry delivered. Only by letting Moor Mother and her co-conspiring collaborators – Lonnie Holley, Mary Lattimore, Alya Al Sultani, Kyle Kidd and more - “people who have their own path of positivity and connectedness,” be the tour guide.
Coming out on March 8, The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI- Records. Called “the poet laureate of the apocalypse,” by Pitchfork, Ayewa’s music contains multitudes of instruments, voices and cacophony that take on themes of Afrofuturism and collective memory with the forebearers of jazz, hip hop and beat poetry in mind.
So: Come! Come look! Come see! Come hear! Come see London, come see Liverpool, for the first time even if it for the millionth. Know its provenance, know its haunting. Clear the mist over your eyes and heart as if the famous London Fog has been cleared by the clarion call of Moor Mother. For this is what The Great Bailout is: a call to knowing through a sonic scene that is unafraid to look a violent legacy in the eye.
“Research is a major part of my work, and researching history - particularly African history, philosophy and time - is a major interest,” Moor Mother explained. “Europe and Africa have a very intimate and brutal relationship throughout time. I’m interested in exploring that relationship of colonialism and liberation, in this case in Great Britain.”
Read MoreComing out on March 8, The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI- Records. Called “the poet laureate of the apocalypse,” by Pitchfork, Ayewa’s music contains multitudes of instruments, voices and cacophony that take on themes of Afrofuturism and collective memory with the forebearers of jazz, hip hop and beat poetry in mind.
So: Come! Come look! Come see! Come hear! Come see London, come see Liverpool, for the first time even if it for the millionth. Know its provenance, know its haunting. Clear the mist over your eyes and heart as if the famous London Fog has been cleared by the clarion call of Moor Mother. For this is what The Great Bailout is: a call to knowing through a sonic scene that is unafraid to look a violent legacy in the eye.
“Research is a major part of my work, and researching history - particularly African history, philosophy and time - is a major interest,” Moor Mother explained. “Europe and Africa have a very intimate and brutal relationship throughout time. I’m interested in exploring that relationship of colonialism and liberation, in this case in Great Britain.”
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