About this concert
PORTAMÉRICA 2019
La centenaria Carballeira de Caldas de Reis acogerá un año más los 3 días de Festival PortAmérica, que tendrá lugar entre el 4 y el 6 de julio en el marco de Cultura Quente.
3 escenarios, ShowRocking, Mercado de Talentos, Conversas y acampada se darán cita en este entorno natural y mágico dotado de una acústica inigualable.
Amaia, Monsieur Periné, Elefantes, Abel Pintos, Los Espíritus, Pablo Lesuit, El lado oscuro de la broca, Trapical Minds, La Duendeneta y la banda que resulte ganadora del concurso Sonidos Mans son las 10 nuevas confirmaciones de la 8ª edición de PortAmérica, que se suman a Madness, Andrés Calamaro, Rozalén, Carlos Sadness, Depedro, La Casa Azul, Mon Laferte, Zahara, Sidecars, Vega, Carolina Durante, Combo Viramundo, Morgan, Trending Tropics, Él mató a un policía motorizado, Cuarteto de Nos, Natalia Ferviú Dj, Miss Bolivia, Santi Araújo, Presumido, Nixon, Anarchicks y Cándida.
PortAmérica no es un festival musical al uso. Es un nuevo modelo de festival que se distingue por ofrecer una propuesta musical que tiende lazos de unión entre Europa y Latinoamérica y por inducir a una experiencia que aúna música, naturaleza y gastronomía gallega.
El evento gastronómico Showrocking - que contó con más de 30 chefs internacionales con 15 Estrellas Michelin y 29 Soles Repsol en su edición 2018, y del que pronto se darán a conocer las novedades para este 2019 - supone una experiencia diferente dentro de la oferta gastronómica actual: cuenta con una localización privilegiada y potencia los recursos y atractivos asociados al territorio, el producto y los grandes cocineros gallegos conformando una alternativa turística singular de primer nivel. El ShowRocking de PortAmérica, que comisiona el chef Pepe Solla desde su primera edición, es Premio Fest 2015, 2017 y 2018 a la mejor zona gastronómica.
Creado en 2012 por EsmerArte, agencia gallega de promoción artística y gestión cultural con 20 años de experiencia en el sector, el Festival celebró en 2017 su 7ª edición agotando por 1ª vez en su historia las entradas disponibles para las jornadas de viernes y sábado, congregando así en Caldas de Reis a más de 21.000 almas. Todo un hito para una propuesta cultural innovadora que transciende lo musical y un año más tendió puentes a ambos lados del Atlántico, brindando a sus asistentes lo mejor de cada rincón del mundo.
PortAmérica es un ejemplo de dinamización cultural y turística y un revulsivo para la economía de la provincia
Así fue PortAmérica 2018
Política de menores:
Menores de 12 años entrada libre y siempre acompañado de padre, madre, tutor legal o adulto responsable con autorización firmada. Se requerirá DNI.
Menores de 16 años (15 años o menos) acompañados de padre, madre, tutor legal o adulto responsable del mismo. Imprescindible autorización firmada.
Descarga la autorización.
Los menores de edad con 16 o 17 años cumplidos podrán acceder en las mismas condiciones que un adulto con la única excepción de que no se les servirán bebidas alcohólicas.
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Andrés Calamaro Biography
Andres Calamaro is one of the most popular Argentinian pop-rock songwriters. A songs craftsman, as he likes to consider himself.
Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" y "Costumbres Argentinas."
In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.
In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio Y La Zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.
When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.
After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.
Read MoreBorn Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" y "Costumbres Argentinas."
In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.
In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio Y La Zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.
When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.
After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.
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