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Mich Gerber
L'heure bleue - Mich Gerber bespielt die blaue Stunde auf der Aare
L'heure bleue - Mich Gerber bespielt die blaue Stunde auf der Aare
Fähre Bodenacker, Bodenackerweg, Muri b. Bern
Aug 23, 2018
7:00 PM UTC
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About this concert
Mich Gerber bespielt den Himmel nach Sonnenuntergang. Die legendären Konzerte auf der Aare finden auch dieses Jahr statt. Mich Gerber bespielt mit seinem Kontrabass solo den Abendhimmel zur blauen Stunde. Nur bei trockenem Wetter. Vor und nach dem Konzert ist eine Überfahrt möglich. Anreise: mit dem Bus Nr. 19 bis Elfenau Endstation,
10 min zu Fuss zum Restaurant Fähribeizli oder von
Bern «dr grüene Aare nah» . Kollekte (Richtpreis 15 CHF).
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Mich Gerber Biography
Mich Gerber - contemporary double bass player
Mich Gerber is an eclectic, innovative, and exceptional double bass player who defined a never heared before musical art form. Some people call him a Space Bass Orchestra. He changed the double-bass's role and moved the instrument from its place in the back of the stage up front playing it as a lead instrument.
His talent spans from the craft of composing pieces to elaborate live instrumental improvisations, building on a unique instrumental voice with its double bass. Mich Gerber went through classical training and unusual avantgarde crazy music projects in his past. Independent, engaged, and following consequently his path, he blurs the boundaries between jazz, classical and traditional folk song, between orient und occident, between ancient music and electronica.
Read MoreMich Gerber is an eclectic, innovative, and exceptional double bass player who defined a never heared before musical art form. Some people call him a Space Bass Orchestra. He changed the double-bass's role and moved the instrument from its place in the back of the stage up front playing it as a lead instrument.
His talent spans from the craft of composing pieces to elaborate live instrumental improvisations, building on a unique instrumental voice with its double bass. Mich Gerber went through classical training and unusual avantgarde crazy music projects in his past. Independent, engaged, and following consequently his path, he blurs the boundaries between jazz, classical and traditional folk song, between orient und occident, between ancient music and electronica.
Instrumental
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