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Caroline Rose
The Warehouse at FTC
70 Sanford St
Fairfield, CT 06824
6. Apr. 2024
19:00 GMT-4
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The Art of Forgetting
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Lily
15. April 2024
Best concert I’ve been to. A religious experience 🙏
Cleveland, OH@Beachland Ballroom
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About the venue
The Warehouse at FTC is a 640 capacity, flexible seating venue conveniently located in the heart of Fairfield. Designed by Michael Smith Architects in order to accommodat...
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Caroline Rose Biography
"Sometimes you've got to express yourself because if you don't you'll explode," says songwriter/producer Caroline Rose of their latest album, The Art of Forgetting. "...and I felt like I was going to explode.”
After a series of heartbreaking events, Rose had no desire to make a statement, let alone make a new album. It was a time of contemplation and transformation, a time to slow down. What transpired was what the artist considers a gradual union of reconnection and growth. Memory runs like a current throughout The Art of Forgetting. Prompted by a difficult breakup, Rose began a deep-dive inward, unknowingly digging up long-buried experiences from their childhood.
It's a pivotal release for Rose teeming with raw, intense emotion and confessional honesty we’ve only caught glimpses of in Rose’s previous work. Layers of vocal arrangements from Balkan-influenced yawps to Gregorian autotune choirs, acoustic instrumentation chopped and mangled like a glitching memory, and dreamlike synths push and pull to create a hugely dynamic soundscape.
Mehr lesenAfter a series of heartbreaking events, Rose had no desire to make a statement, let alone make a new album. It was a time of contemplation and transformation, a time to slow down. What transpired was what the artist considers a gradual union of reconnection and growth. Memory runs like a current throughout The Art of Forgetting. Prompted by a difficult breakup, Rose began a deep-dive inward, unknowingly digging up long-buried experiences from their childhood.
It's a pivotal release for Rose teeming with raw, intense emotion and confessional honesty we’ve only caught glimpses of in Rose’s previous work. Layers of vocal arrangements from Balkan-influenced yawps to Gregorian autotune choirs, acoustic instrumentation chopped and mangled like a glitching memory, and dreamlike synths push and pull to create a hugely dynamic soundscape.
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