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About this concert
For any event that is listed as 18 or 21 and over, ANY ticket holder unable to present valid identification indicating that they are of age will not be admitted to this event, and will not be eligible for a refund. Any event listed as All Ages, means 6 years of age or older. ALL tickets are standing room only unless otherwise specified. If you need special accomidation, contact info@cafedunord.com. Support acts are subject to change without refund.Professional Cameras are not allowed without prior approval. Professional Camera defined as detachable lens or of professional grade as determined by the venue staff. When in doubt, just email us ahead of the show! We might be able to get you a Photo Pass depending on Artists approval.
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What fans are saying
Samantha
17. Juni 2024
Such a beautiful and intimate experience.. Marissas' soothing voice and experimental riffs will truly open up your soul. I've been a fan for so long and she did not disappoint. Her music reads like stories..she was a pleasure to meet and such a beautiful genuine down to earth human ..hoping she comes back to NJ very soon. Thank you for your beautiful art ❤️ -Samantha
New Brunswick, NJ@Voorhees Hall
Entdecke weitere Künstler, denen du folgen möchtest & synchronisiere deine Musik
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About the venue
Iconic San Francisco Music Venue Supporting Indie Artists. Est. 1907
Below Swedish American Hall.
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Marissa Nadler Biography
"...hers is the kind of voice one imagines coming to Leonard Cohen in a fever dream.” - The New Yorker
"This Boston-based mood musician excels at crafting Americana gothic — lyrical, spectral songs, sparsely arranged, that frame stories told in extreme close-up. On her eighth album, Nadler, with assistance from pals like Angel Olsen and Kristin Kontrol, spins tales of love and loss into gold. Her feathery soprano is the album’s floating center, transforming the post-heartbreak lament “I Can’t Listen to Gene Clark Anymore” into a stirringly relatable romantic eulogy and turning the lush “Blue Vapor” into a slow-burning fever dream."- Maura Johnston for Rolling Stone
"While For My Crimes contains her unmistakable signature in both songwriting and sound, as a whole it point to an open door for new possibilities to emerge in the future. It's sophisticated and emotionally arresting, it's among the finest offerings in her catalog." - All Music Guide
“Her melodies are captivating and her craft comes through strongly…For My Crimes is steady and unwavering.”
The WIRE
"For My Crimes subverts expectations by focusing on the music and its execution, not merely just the lyrics. Eight albums strong, Nadler knows precisely how to paint a picture with her music, and her latest shows exactly how complex that picture can be."- Pop Matters
“The Boston singer–songwriter is at her most powerful yet… With a new strength to her songs, Nadler’s force has never seemed greater.” Q Magazine – 4 Stars ****
“Brooding, intimate songs about long nights of the soul, but with a thoughtfulness and lightness of touch that makes the album a calm, reassuring listen.” The Times – 4 Stars ****
“Beautifully eerie… She’s caught the openness of spirit of her early albums and added a gorgeously gothic undertow – there’s a stately beauty to songs like I Can’t Listen To Gene Clark Anymore, or the devastating intimacy of Interlocking, that’s hard–won.” Uncut
“A record that glimmers in all it’s tenebrous ambience… A master–class in Southern Gothic.” Record Collector – 4 Stars ****
“ For My Crimes’ brooding, melancholic songs burn with tangible ardour.” MOJO
“Her best album yet… The ability to detail the minutiae of relationships with detached but recognisable emotion has distinguished the Boston–based musician over her 15–year career.”
Rock’n’Reel – 5 Stars *****
“Spellbinding… For My Crimes feels inherently like a chronicle of fading love, but it’s also a potent expression of femininity.” Long Live Vinyl
Mehr lesen"This Boston-based mood musician excels at crafting Americana gothic — lyrical, spectral songs, sparsely arranged, that frame stories told in extreme close-up. On her eighth album, Nadler, with assistance from pals like Angel Olsen and Kristin Kontrol, spins tales of love and loss into gold. Her feathery soprano is the album’s floating center, transforming the post-heartbreak lament “I Can’t Listen to Gene Clark Anymore” into a stirringly relatable romantic eulogy and turning the lush “Blue Vapor” into a slow-burning fever dream."- Maura Johnston for Rolling Stone
"While For My Crimes contains her unmistakable signature in both songwriting and sound, as a whole it point to an open door for new possibilities to emerge in the future. It's sophisticated and emotionally arresting, it's among the finest offerings in her catalog." - All Music Guide
“Her melodies are captivating and her craft comes through strongly…For My Crimes is steady and unwavering.”
The WIRE
"For My Crimes subverts expectations by focusing on the music and its execution, not merely just the lyrics. Eight albums strong, Nadler knows precisely how to paint a picture with her music, and her latest shows exactly how complex that picture can be."- Pop Matters
“The Boston singer–songwriter is at her most powerful yet… With a new strength to her songs, Nadler’s force has never seemed greater.” Q Magazine – 4 Stars ****
“Brooding, intimate songs about long nights of the soul, but with a thoughtfulness and lightness of touch that makes the album a calm, reassuring listen.” The Times – 4 Stars ****
“Beautifully eerie… She’s caught the openness of spirit of her early albums and added a gorgeously gothic undertow – there’s a stately beauty to songs like I Can’t Listen To Gene Clark Anymore, or the devastating intimacy of Interlocking, that’s hard–won.” Uncut
“A record that glimmers in all it’s tenebrous ambience… A master–class in Southern Gothic.” Record Collector – 4 Stars ****
“ For My Crimes’ brooding, melancholic songs burn with tangible ardour.” MOJO
“Her best album yet… The ability to detail the minutiae of relationships with detached but recognisable emotion has distinguished the Boston–based musician over her 15–year career.”
Rock’n’Reel – 5 Stars *****
“Spellbinding… For My Crimes feels inherently like a chronicle of fading love, but it’s also a potent expression of femininity.” Long Live Vinyl
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