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The Twilight Sad Tickets, Tour Dates and Concerts

The Twilight Sad

26. Aug. 2022

19:00 GMT+1
Ich war da
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The Twilight Sad Tickets, Tour Dates and Concerts
About this concert
No persons under 5 permitted. Persons aged between 5-15 years old must be accompanied by an adult 21 or over (1 adult minimum per 4 persons aged between 5-15 years old). A challenge 25 policy will be in operation at the gates ensuring guardians are 21 and over. Proof of age may be requested. Please bring acceptable photographic ID. We encourage you to complete a guardianship form if you are attending with someone aged between 12-15 years old. Those who have opted in will be provided with a guardianship wrist band to allow the Event Team to contact the guardian if need be. A challenge 25 policy will be in operation at the bars ensuring access is restricted to persons 18 and over. Proof of age may be required. Please bring acceptable photographic ID Details on https://connectmusicfestival.com/ (copy to browser)
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Merch (ad)

Nobody Wants To Be Here & Nobody Want...
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It Won't Be Like This All The Time
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No One Can Ever Know
$19.99
Forget the Night Ahead
$13.00
Fourteen Autumns & Fifteen Winters
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No One Can Ever Know: The Remixes
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Live Photos

The Twilight Sad at Los Angeles, CA in Hollywood Bowl 2023
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What fans are saying

Sean
9. Juli 2023
Really good live and I dug the songs/sound of the band. Kinda of like mixing Interpol, mogwai, and we were promised Jetpacks together. I know they are one of Robert Smith’s favorite bands so I had to show up early and check them out.
Tampa, FL@
Amalie Arena
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About the venue

With over 18,000m² covered indoor space, 110-acres of parkland, a main arena, outdoor track area, and parking for 15,000 vehicles, the Royal Highland Centre offers plenty...
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The Twilight Sad Biography

Based outside Kilsyth, United Kingdom, The Twilight Sad formed in late 2003. The band played a couple of gigs at the 13th Note in Glasgow, creating half hour-long pieces of music using guitars, bass, drums, theremin, tape loops from films and old folk/country songs, effects pedals, toy keyboards, thumb pianos, saws, computer games, and a lot of noise, in an attempt to try and discover a sound they could call their own and continue to develop. After these two shows, they rejected many gig offers, and became a more reclusive unit, spending any spare time they had in the studio focused on writing and sculpting away at new material.

In September 2005, they wrote four songs they thought gave a relatively good perspective of the band, and went into a local studio to record them, producing it themselves. Staying in the studio for many nights, they used a 24-track desk to build layer upon layer of sound, trying to get the best representation as possible. Thinking that the CD they came out with showed little more than some kind of raw potential, they posted it down to FatCat as a demo. After receiving a positive response and a request for more tracks, the band continued to expand on their song writing and kept regularly in contact with the label. Instead of paying for more studio time they began to make lo-fi recordings in bedrooms, bathrooms and their own rehearsal space, developing a more folk/experimental/noise sound. In mid-May the band came down to Brighton to meet the label and played on the bill of a FatCat night on the pier alongside The Mutts, Charlottefield, The Rank Deluxe, and fellow Glasgow band, Frightened Rabbit.

Where the band’s recorded sound is layered with many melodies, their live sound is a more intense experience which replaces the intricacies of the recordings with a more visceral wall of noise.
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