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Oum
11.919 Follower
• 7 Demnächst stattfindende Shows
7 Demnächst stattfindende Shows
Never miss another Oum concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
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Keine demnächst stattfindenden Shows in deiner Stadt
Schicke eine Anfrage an Oum, in deiner Stadt aufzutreten
Um eine Show bitten
concerts and tour dates
Demnächst
Vergangene
Alle Ereignisse & Live-Übertragungen
Weitere Ereignisse anzeigen (7)
Tour von Oum
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Live-Fotos von Oum
Alle Fotos anzeigen
Fan-Bewertungen
Jhane
1. Dezember 2022
Fabuleux. Oum est unique sur scène. Son énergie positive déborde et nous emporte dans son monde de poésie, d amour et de " zenitude". Je suis ultra fan de son monde musical. Elle chante sur scène, aussi pure, que sur ses enregistrements.
Paris, France@FGO-Barbara
Patrick
29. Oktober 2019
Eine unvergesslicher Abend. OUM hat einfach eine excelente Stimme. Die Musiker sind auch mega.
Bienne-Biel, Switzerland@Le Singe
Mehr Fan-Bewertungen anzeigen
Außerdem folgen die Fans
Souad Massi
24K Follower
Folgen
Tinariwen
95K Follower
Folgen
Maher Zain
72K Follower
Folgen
Labess
9K Follower
Folgen
Douzi
7K Follower
Folgen
Zaho
37K Follower
Folgen
DiZZy DROS
2K Follower
Folgen
Über Oum
Originally from Casablanca, Oum El Ghaït Ben Essahraoui seemed destined to become an architect but then decided to embrace a career in music. She quickly drew the attention of the media, who identified her with the Nayda, a movement of young Moroccans attracted by more urban sounds. The albums Lik’Oum (2009) and Sweerty (2012), which were only released in Morocco, made her a star in her own country. Then she had a crucial brainwave. She began to write in darija, the everyday dialect of Moroccan Arabic. This offered her the possibility of exploiting a new musicality in her lyrics, as well as new combinations of meaning – an entire poetry of assonances. In 2013, she surrounded herself with musical luminaries to release her first international album, Soul of Morocco. European audiences discovered an artist full of generosity who offered a new kind of fusion combined with great authenticity. Concerts followed each other in quick succession, allowing her well-honed group to achieve even greater cohesion. Two years later, Zarabi, recorded at the gates of the Sahara, deepened the aesthetic direction that Oum has chosen to pursue, whilst offering a discourse on the need to preserve nature and traditional micro-societies.
With Daba, her third album, released in 2019, Oum reached a new milestone. Entrusting the artistic direction to the Palestinian poetess, singer and oud player Kamilya Jubran, she went to Berlin with her musicians to make a record that was both atmospheric and danceable. For Oum, this dual aim reflects a sort of state of emergency, one that she describes as positive: to be together, share good times, dance and hold each and every one in a warm embrace, all of which seem to her to be necessities all the more urgent now that the means of communication and transport tend to radically reshape one’s experience of the world and of the other. Expressed in a poetry that is economical with its words and devoid of all artifice, the themes on the album are in accord with the general preoccupations of its creator, her humanism, her feminism, her spirituality and the importance she gives to reconnecting with nature’s mysteries.
Daba means ‘Now’ in Moroccan Arabic. Giving this title to her third album is, for Oum, all about linking yesterday’s experience to the one determined by the present moment. In this ‘now’, the singer, having achieved a certain artistic maturity, is able to mix traditional Arab and Sahraoui elements with discreet borrowings from more contemporary aesthetics - soul, jazz and electronic trance. Thus, her music thrives, as does her thought process as a woman anchored in secular spirituality and open to today’s world.
Oum positions herself as a Moroccan, an African and a woman of the world who is convinced that cultural barriers are less weighty than that which brings us together. And with that she touches on the spiritual. After all, isn’t Abad, the ‘eternal’ the opposite of Daba, the ‘moment’? On Daba, Oum pursues her quest for music that is universal, a reflection of a troubled world and, at the same time, a balm intended to soothe that world and impart to it an infallible hope.
With Daba, her third album, released in 2019, Oum reached a new milestone. Entrusting the artistic direction to the Palestinian poetess, singer and oud player Kamilya Jubran, she went to Berlin with her musicians to make a record that was both atmospheric and danceable. For Oum, this dual aim reflects a sort of state of emergency, one that she describes as positive: to be together, share good times, dance and hold each and every one in a warm embrace, all of which seem to her to be necessities all the more urgent now that the means of communication and transport tend to radically reshape one’s experience of the world and of the other. Expressed in a poetry that is economical with its words and devoid of all artifice, the themes on the album are in accord with the general preoccupations of its creator, her humanism, her feminism, her spirituality and the importance she gives to reconnecting with nature’s mysteries.
Daba means ‘Now’ in Moroccan Arabic. Giving this title to her third album is, for Oum, all about linking yesterday’s experience to the one determined by the present moment. In this ‘now’, the singer, having achieved a certain artistic maturity, is able to mix traditional Arab and Sahraoui elements with discreet borrowings from more contemporary aesthetics - soul, jazz and electronic trance. Thus, her music thrives, as does her thought process as a woman anchored in secular spirituality and open to today’s world.
Oum positions herself as a Moroccan, an African and a woman of the world who is convinced that cultural barriers are less weighty than that which brings us together. And with that she touches on the spiritual. After all, isn’t Abad, the ‘eternal’ the opposite of Daba, the ‘moment’? On Daba, Oum pursues her quest for music that is universal, a reflection of a troubled world and, at the same time, a balm intended to soothe that world and impart to it an infallible hope.
Mehr anzeigen
Heimatort:
Paris, France
Keine demnächst stattfindenden Shows in deiner Stadt
Schicke eine Anfrage an Oum, in deiner Stadt aufzutreten
Um eine Show bitten
concerts and tour dates
Demnächst
Vergangene
Alle Ereignisse & Live-Übertragungen
Weitere Ereignisse anzeigen (7)
Live-Fotos von Oum
Alle Fotos anzeigen
Tour von Oum
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Fan-Bewertungen
Jhane
1. Dezember 2022
Fabuleux. Oum est unique sur scène. Son énergie positive déborde et nous emporte dans son monde de poésie, d amour et de " zenitude". Je suis ultra fan de son monde musical. Elle chante sur scène, aussi pure, que sur ses enregistrements.
Paris, France@FGO-Barbara
Patrick
29. Oktober 2019
Eine unvergesslicher Abend. OUM hat einfach eine excelente Stimme. Die Musiker sind auch mega.
Bienne-Biel, Switzerland@Le Singe
Mehr Fan-Bewertungen anzeigen
Über Oum
Originally from Casablanca, Oum El Ghaït Ben Essahraoui seemed destined to become an architect but then decided to embrace a career in music. She quickly drew the attention of the media, who identified her with the Nayda, a movement of young Moroccans attracted by more urban sounds. The albums Lik’Oum (2009) and Sweerty (2012), which were only released in Morocco, made her a star in her own country. Then she had a crucial brainwave. She began to write in darija, the everyday dialect of Moroccan Arabic. This offered her the possibility of exploiting a new musicality in her lyrics, as well as new combinations of meaning – an entire poetry of assonances. In 2013, she surrounded herself with musical luminaries to release her first international album, Soul of Morocco. European audiences discovered an artist full of generosity who offered a new kind of fusion combined with great authenticity. Concerts followed each other in quick succession, allowing her well-honed group to achieve even greater cohesion. Two years later, Zarabi, recorded at the gates of the Sahara, deepened the aesthetic direction that Oum has chosen to pursue, whilst offering a discourse on the need to preserve nature and traditional micro-societies.
With Daba, her third album, released in 2019, Oum reached a new milestone. Entrusting the artistic direction to the Palestinian poetess, singer and oud player Kamilya Jubran, she went to Berlin with her musicians to make a record that was both atmospheric and danceable. For Oum, this dual aim reflects a sort of state of emergency, one that she describes as positive: to be together, share good times, dance and hold each and every one in a warm embrace, all of which seem to her to be necessities all the more urgent now that the means of communication and transport tend to radically reshape one’s experience of the world and of the other. Expressed in a poetry that is economical with its words and devoid of all artifice, the themes on the album are in accord with the general preoccupations of its creator, her humanism, her feminism, her spirituality and the importance she gives to reconnecting with nature’s mysteries.
Daba means ‘Now’ in Moroccan Arabic. Giving this title to her third album is, for Oum, all about linking yesterday’s experience to the one determined by the present moment. In this ‘now’, the singer, having achieved a certain artistic maturity, is able to mix traditional Arab and Sahraoui elements with discreet borrowings from more contemporary aesthetics - soul, jazz and electronic trance. Thus, her music thrives, as does her thought process as a woman anchored in secular spirituality and open to today’s world.
Oum positions herself as a Moroccan, an African and a woman of the world who is convinced that cultural barriers are less weighty than that which brings us together. And with that she touches on the spiritual. After all, isn’t Abad, the ‘eternal’ the opposite of Daba, the ‘moment’? On Daba, Oum pursues her quest for music that is universal, a reflection of a troubled world and, at the same time, a balm intended to soothe that world and impart to it an infallible hope.
With Daba, her third album, released in 2019, Oum reached a new milestone. Entrusting the artistic direction to the Palestinian poetess, singer and oud player Kamilya Jubran, she went to Berlin with her musicians to make a record that was both atmospheric and danceable. For Oum, this dual aim reflects a sort of state of emergency, one that she describes as positive: to be together, share good times, dance and hold each and every one in a warm embrace, all of which seem to her to be necessities all the more urgent now that the means of communication and transport tend to radically reshape one’s experience of the world and of the other. Expressed in a poetry that is economical with its words and devoid of all artifice, the themes on the album are in accord with the general preoccupations of its creator, her humanism, her feminism, her spirituality and the importance she gives to reconnecting with nature’s mysteries.
Daba means ‘Now’ in Moroccan Arabic. Giving this title to her third album is, for Oum, all about linking yesterday’s experience to the one determined by the present moment. In this ‘now’, the singer, having achieved a certain artistic maturity, is able to mix traditional Arab and Sahraoui elements with discreet borrowings from more contemporary aesthetics - soul, jazz and electronic trance. Thus, her music thrives, as does her thought process as a woman anchored in secular spirituality and open to today’s world.
Oum positions herself as a Moroccan, an African and a woman of the world who is convinced that cultural barriers are less weighty than that which brings us together. And with that she touches on the spiritual. After all, isn’t Abad, the ‘eternal’ the opposite of Daba, the ‘moment’? On Daba, Oum pursues her quest for music that is universal, a reflection of a troubled world and, at the same time, a balm intended to soothe that world and impart to it an infallible hope.
Mehr anzeigen
Heimatort:
Paris, France
Außerdem folgen die Fans
Souad Massi
24K Follower
Folgen
Tinariwen
95K Follower
Folgen
Maher Zain
72K Follower
Folgen
Labess
9K Follower
Folgen
Douzi
7K Follower
Folgen
Zaho
37K Follower
Folgen
DiZZy DROS
2K Follower
Folgen
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