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Adiemus
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Ähnliche Künstler auf Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Vergangene
JAN.
06
2019
Reykjavik, Iceland
Hamrar
Ich war da
APR.
07
2018
Biebergemünd, Germany
Bürgerhaus
Ich war da
NOV.
24
2017
Jonquière, Canada
Salle le 4 Barils
Ich war da
MÄRZ
10
2017
Örebro, Sweden
Strand
Ich war da
MÄRZ
09
2017
Örebro, Sweden
Strand
Ich war da
MÄRZ
08
2017
Stockholm, Sweden
Eric Ericsonhallen
Ich war da
Weitere Ereignisse anzeigen
Über Adiemus
Adiemus consists of composer Karl Jenkins and his Finnish "Adiemus Singers".
The session singer Miriam Stockley performed the vocal parts on the first four albums. Additional vocals were provided by Mary Carewe on all but Dances of Time, which saw the introduction of the Finnish Adiemus Singers (who would later reappear on Vocalise). Extra vocals and the chorus effects were created by overdubbing multitracked recordings of the singers (in some cases up to forty times) and varying the speed of the tape. Stockley was described by Jenkins as central to the Adiemus project due to her range and intonation, however for reasons that remain unclear she was not re-engaged for Vocalise.
The Songs of Sanctuary orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as bells, a recorder and a quena. Mike Ratledge, with whom Jenkins had played in Soft Machine, contributed to the first album as well. Jenkins added brass and woodwind for Cantata Mundi, and continued to add more diverse instruments such as acoustic guitar on later albums. From Songs of Sanctuary to Dances of Time, the London Philharmonic Orchestra was used; Jenkins later formed his own Adiemus Orchestra to perform on The Eternal Knot recordings, returning to the LPO for Vocalise.
The session singer Miriam Stockley performed the vocal parts on the first four albums. Additional vocals were provided by Mary Carewe on all but Dances of Time, which saw the introduction of the Finnish Adiemus Singers (who would later reappear on Vocalise). Extra vocals and the chorus effects were created by overdubbing multitracked recordings of the singers (in some cases up to forty times) and varying the speed of the tape. Stockley was described by Jenkins as central to the Adiemus project due to her range and intonation, however for reasons that remain unclear she was not re-engaged for Vocalise.
The Songs of Sanctuary orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as bells, a recorder and a quena. Mike Ratledge, with whom Jenkins had played in Soft Machine, contributed to the first album as well. Jenkins added brass and woodwind for Cantata Mundi, and continued to add more diverse instruments such as acoustic guitar on later albums. From Songs of Sanctuary to Dances of Time, the London Philharmonic Orchestra was used; Jenkins later formed his own Adiemus Orchestra to perform on The Eternal Knot recordings, returning to the LPO for Vocalise.
Mehr anzeigen
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Adiemus, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Vergangene
JAN.
06
2019
Reykjavik, Iceland
Hamrar
Ich war da
APR.
07
2018
Biebergemünd, Germany
Bürgerhaus
Ich war da
NOV.
24
2017
Jonquière, Canada
Salle le 4 Barils
Ich war da
MÄRZ
10
2017
Örebro, Sweden
Strand
Ich war da
MÄRZ
09
2017
Örebro, Sweden
Strand
Ich war da
MÄRZ
08
2017
Stockholm, Sweden
Eric Ericsonhallen
Ich war da
Weitere Ereignisse anzeigen
Über Adiemus
Adiemus consists of composer Karl Jenkins and his Finnish "Adiemus Singers".
The session singer Miriam Stockley performed the vocal parts on the first four albums. Additional vocals were provided by Mary Carewe on all but Dances of Time, which saw the introduction of the Finnish Adiemus Singers (who would later reappear on Vocalise). Extra vocals and the chorus effects were created by overdubbing multitracked recordings of the singers (in some cases up to forty times) and varying the speed of the tape. Stockley was described by Jenkins as central to the Adiemus project due to her range and intonation, however for reasons that remain unclear she was not re-engaged for Vocalise.
The Songs of Sanctuary orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as bells, a recorder and a quena. Mike Ratledge, with whom Jenkins had played in Soft Machine, contributed to the first album as well. Jenkins added brass and woodwind for Cantata Mundi, and continued to add more diverse instruments such as acoustic guitar on later albums. From Songs of Sanctuary to Dances of Time, the London Philharmonic Orchestra was used; Jenkins later formed his own Adiemus Orchestra to perform on The Eternal Knot recordings, returning to the LPO for Vocalise.
The session singer Miriam Stockley performed the vocal parts on the first four albums. Additional vocals were provided by Mary Carewe on all but Dances of Time, which saw the introduction of the Finnish Adiemus Singers (who would later reappear on Vocalise). Extra vocals and the chorus effects were created by overdubbing multitracked recordings of the singers (in some cases up to forty times) and varying the speed of the tape. Stockley was described by Jenkins as central to the Adiemus project due to her range and intonation, however for reasons that remain unclear she was not re-engaged for Vocalise.
The Songs of Sanctuary orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as bells, a recorder and a quena. Mike Ratledge, with whom Jenkins had played in Soft Machine, contributed to the first album as well. Jenkins added brass and woodwind for Cantata Mundi, and continued to add more diverse instruments such as acoustic guitar on later albums. From Songs of Sanctuary to Dances of Time, the London Philharmonic Orchestra was used; Jenkins later formed his own Adiemus Orchestra to perform on The Eternal Knot recordings, returning to the LPO for Vocalise.
Mehr anzeigen
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