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Eddie Palmieri
25.890 Follower
• 2 Demnächst stattfindende Shows
2 Demnächst stattfindende Shows
Never miss another Eddie Palmieri concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Folgen
Keine demnächst stattfindenden Shows in deiner Stadt
Schicke eine Anfrage an Eddie Palmieri, in deiner Stadt aufzutreten
Um eine Show bitten
concerts and tour dates
Demnächst
Vergangene
Alle Ereignisse & Live-Übertragungen
Merch (ad)
Listen Here!
$10.98
Palmas
$3.95
Vamonos Pa'l Monte
$15.17
Ritmo Caliente
$19.56
La Perfecta II
$10.98
El Rumbero Del Piano
$3.88
Arete
$20.73
Obra Maestra (Masterpiece)
$17.58
Sabiduria (Cd)
$27.11
Mr. Ep - Tribute To Eddie Palmieri
$13.17
Tour von Eddie Palmieri
Live-Fotos von Eddie Palmieri
Alle Fotos anzeigen
Fan-Bewertungen
Michael
19. September 2022
The performances were awesome however the sound was painfully off at times.
The Bronx, NY@Lehman Center for the Performing Arts
Lulu
6. Juni 2022
El maestro played 3 songs and the sky opened and it poured. It was crowded and as usually Eddie did not disappoint. Concert was short but sweet.
New York City, NY@Lincoln Center for the Performing Arts
Mehr Fan-Bewertungen anzeigen
Außerdem folgen die Fans
Willie Colón
52K Follower
Folgen
Oscar D'León
38K Follower
Folgen
Los Van Van
20K Follower
Folgen
Tito Nieves
24K Follower
Folgen
Über Eddie Palmieri
Palmieri’s parents emigrated from Ponce, Puerto Rico to New York City in 1926. Born in Spanish Harlem and raised in the Bronx, Palmieri learned to play the piano at an early age, and at 13, he joined his uncle’s orchestra, playing timbales.
Palmieri’s professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui’s, and the popular Tito Rodriguez Orchestra. In 1961, Palmieri formed his own band, La Perfecta, which featured an unconventional front line of trombones rather than the trumpets customary in Latin orchestras. This created an innovative sound that mixed American jazz into Afro-Caribbean rhythms, surprising critics and fans alike. Palmieri disbanded La Perfecta in 1968 to pursue different musical endeavors, though he would return to the band’s music in the 2000s.
Palmieri perfected his arranging skills in the 1970’s releasing several impressive recordings that reflected his unorthodox approach to music. His unconventional style would once again surprise critics and fans with the 1970 release entitled “Harlem River Drive.” This recording was the first to merge what were categorized as “Black” and “Latin” music into a free-form sound that encompassed elements of salsa, funk, soul and jazz. In 1975, Palmieri won the first-ever Grammy for Best Latin Recording for The Sun of Latin Music (he’s won nine Grammys altogether to date), including two for his influential recording with Tito Puente, Obra Maestra/Masterpiece.
Recognizing Palmieri as an American icon, the Smithsonian’s National Museum of American History in Washington, DC, recorded two of Palmieri’s performances for its archives in 1988. Because of Palmieri’s proclivity for creating music in funk Latin style, Little Louie Vega invited him to record on Nuyorican Soul (1997), a release that became very popular in the house and underground music scenes.
In addition to the Grammys, Palmieri has received numerous honors: Eubie Blake Award (1991); Most Exciting Latin Performance, presented by the BBC in London (2002); Yale University’s Chubb Fellowship, usually reserved for international heads of state, but given to Palmieri in recognition of his work building communities through music (2002); Harlem Renaissance Award (2005); Jay McShann Lifetime Achievement Award (2008), induction into the Oklahoma Jazz Hall of Fame (2008). A year later, the Library of Congress added Palmieri’s composition “Azucar Pa’ Ti” to the National Recording Registry, which at the time only included 300 compositions documenting the history of all of recorded music history in the U.S. With his widely popular eight-and-a-half minute “Azucar Pa’ Ti” Palmieri changed the format of the recording industry, breaking the three-and-a-half minute barrier imposed by the recording industry.
In 2012, Palmieri continued to innovate, celebrating 75 years with new music included in the original score for a documentary co-directed by Bobbito Garcia called “Doin it in the Park” that explores the cultural influence of playground basketball on sports and music.
Palmieri’s music recorded for the documentary is the basis of his
newest recording to be released later this year. This will be Eddie’s first time recording his own new music since winning back-to-back Grammys in 2005 and 2006.
In 2013, Eddie Palmieri was awarded the coveted Jazz Master award by the National Endowment of the Arts (NEA). The NEA Jazz Master award is the highest honor an American Jazz artist can receive. For more about the NEA recognition, please visit: http://www.nea.gov/honors/jazz/index.html.
Palmieri’s professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui’s, and the popular Tito Rodriguez Orchestra. In 1961, Palmieri formed his own band, La Perfecta, which featured an unconventional front line of trombones rather than the trumpets customary in Latin orchestras. This created an innovative sound that mixed American jazz into Afro-Caribbean rhythms, surprising critics and fans alike. Palmieri disbanded La Perfecta in 1968 to pursue different musical endeavors, though he would return to the band’s music in the 2000s.
Palmieri perfected his arranging skills in the 1970’s releasing several impressive recordings that reflected his unorthodox approach to music. His unconventional style would once again surprise critics and fans with the 1970 release entitled “Harlem River Drive.” This recording was the first to merge what were categorized as “Black” and “Latin” music into a free-form sound that encompassed elements of salsa, funk, soul and jazz. In 1975, Palmieri won the first-ever Grammy for Best Latin Recording for The Sun of Latin Music (he’s won nine Grammys altogether to date), including two for his influential recording with Tito Puente, Obra Maestra/Masterpiece.
Recognizing Palmieri as an American icon, the Smithsonian’s National Museum of American History in Washington, DC, recorded two of Palmieri’s performances for its archives in 1988. Because of Palmieri’s proclivity for creating music in funk Latin style, Little Louie Vega invited him to record on Nuyorican Soul (1997), a release that became very popular in the house and underground music scenes.
In addition to the Grammys, Palmieri has received numerous honors: Eubie Blake Award (1991); Most Exciting Latin Performance, presented by the BBC in London (2002); Yale University’s Chubb Fellowship, usually reserved for international heads of state, but given to Palmieri in recognition of his work building communities through music (2002); Harlem Renaissance Award (2005); Jay McShann Lifetime Achievement Award (2008), induction into the Oklahoma Jazz Hall of Fame (2008). A year later, the Library of Congress added Palmieri’s composition “Azucar Pa’ Ti” to the National Recording Registry, which at the time only included 300 compositions documenting the history of all of recorded music history in the U.S. With his widely popular eight-and-a-half minute “Azucar Pa’ Ti” Palmieri changed the format of the recording industry, breaking the three-and-a-half minute barrier imposed by the recording industry.
In 2012, Palmieri continued to innovate, celebrating 75 years with new music included in the original score for a documentary co-directed by Bobbito Garcia called “Doin it in the Park” that explores the cultural influence of playground basketball on sports and music.
Palmieri’s music recorded for the documentary is the basis of his
newest recording to be released later this year. This will be Eddie’s first time recording his own new music since winning back-to-back Grammys in 2005 and 2006.
In 2013, Eddie Palmieri was awarded the coveted Jazz Master award by the National Endowment of the Arts (NEA). The NEA Jazz Master award is the highest honor an American Jazz artist can receive. For more about the NEA recognition, please visit: http://www.nea.gov/honors/jazz/index.html.
Mehr anzeigen
Genres:
Latin Jazz Salsa
Heimatort:
New York City, New York
Keine demnächst stattfindenden Shows in deiner Stadt
Schicke eine Anfrage an Eddie Palmieri, in deiner Stadt aufzutreten
Um eine Show bitten
concerts and tour dates
Demnächst
Vergangene
Alle Ereignisse & Live-Übertragungen
Live-Fotos von Eddie Palmieri
Alle Fotos anzeigen
Merch (ad)
Listen Here!
$10.98
Palmas
$3.95
Vamonos Pa'l Monte
$15.17
Ritmo Caliente
$19.56
La Perfecta II
$10.98
El Rumbero Del Piano
$3.88
Arete
$20.73
Obra Maestra (Masterpiece)
$17.58
Sabiduria (Cd)
$27.11
Mr. Ep - Tribute To Eddie Palmieri
$13.17
Tour von Eddie Palmieri
Fan-Bewertungen
Michael
19. September 2022
The performances were awesome however the sound was painfully off at times.
The Bronx, NY@Lehman Center for the Performing Arts
Lulu
6. Juni 2022
El maestro played 3 songs and the sky opened and it poured. It was crowded and as usually Eddie did not disappoint. Concert was short but sweet.
New York City, NY@Lincoln Center for the Performing Arts
Mehr Fan-Bewertungen anzeigen
Über Eddie Palmieri
Palmieri’s parents emigrated from Ponce, Puerto Rico to New York City in 1926. Born in Spanish Harlem and raised in the Bronx, Palmieri learned to play the piano at an early age, and at 13, he joined his uncle’s orchestra, playing timbales.
Palmieri’s professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui’s, and the popular Tito Rodriguez Orchestra. In 1961, Palmieri formed his own band, La Perfecta, which featured an unconventional front line of trombones rather than the trumpets customary in Latin orchestras. This created an innovative sound that mixed American jazz into Afro-Caribbean rhythms, surprising critics and fans alike. Palmieri disbanded La Perfecta in 1968 to pursue different musical endeavors, though he would return to the band’s music in the 2000s.
Palmieri perfected his arranging skills in the 1970’s releasing several impressive recordings that reflected his unorthodox approach to music. His unconventional style would once again surprise critics and fans with the 1970 release entitled “Harlem River Drive.” This recording was the first to merge what were categorized as “Black” and “Latin” music into a free-form sound that encompassed elements of salsa, funk, soul and jazz. In 1975, Palmieri won the first-ever Grammy for Best Latin Recording for The Sun of Latin Music (he’s won nine Grammys altogether to date), including two for his influential recording with Tito Puente, Obra Maestra/Masterpiece.
Recognizing Palmieri as an American icon, the Smithsonian’s National Museum of American History in Washington, DC, recorded two of Palmieri’s performances for its archives in 1988. Because of Palmieri’s proclivity for creating music in funk Latin style, Little Louie Vega invited him to record on Nuyorican Soul (1997), a release that became very popular in the house and underground music scenes.
In addition to the Grammys, Palmieri has received numerous honors: Eubie Blake Award (1991); Most Exciting Latin Performance, presented by the BBC in London (2002); Yale University’s Chubb Fellowship, usually reserved for international heads of state, but given to Palmieri in recognition of his work building communities through music (2002); Harlem Renaissance Award (2005); Jay McShann Lifetime Achievement Award (2008), induction into the Oklahoma Jazz Hall of Fame (2008). A year later, the Library of Congress added Palmieri’s composition “Azucar Pa’ Ti” to the National Recording Registry, which at the time only included 300 compositions documenting the history of all of recorded music history in the U.S. With his widely popular eight-and-a-half minute “Azucar Pa’ Ti” Palmieri changed the format of the recording industry, breaking the three-and-a-half minute barrier imposed by the recording industry.
In 2012, Palmieri continued to innovate, celebrating 75 years with new music included in the original score for a documentary co-directed by Bobbito Garcia called “Doin it in the Park” that explores the cultural influence of playground basketball on sports and music.
Palmieri’s music recorded for the documentary is the basis of his
newest recording to be released later this year. This will be Eddie’s first time recording his own new music since winning back-to-back Grammys in 2005 and 2006.
In 2013, Eddie Palmieri was awarded the coveted Jazz Master award by the National Endowment of the Arts (NEA). The NEA Jazz Master award is the highest honor an American Jazz artist can receive. For more about the NEA recognition, please visit: http://www.nea.gov/honors/jazz/index.html.
Palmieri’s professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui’s, and the popular Tito Rodriguez Orchestra. In 1961, Palmieri formed his own band, La Perfecta, which featured an unconventional front line of trombones rather than the trumpets customary in Latin orchestras. This created an innovative sound that mixed American jazz into Afro-Caribbean rhythms, surprising critics and fans alike. Palmieri disbanded La Perfecta in 1968 to pursue different musical endeavors, though he would return to the band’s music in the 2000s.
Palmieri perfected his arranging skills in the 1970’s releasing several impressive recordings that reflected his unorthodox approach to music. His unconventional style would once again surprise critics and fans with the 1970 release entitled “Harlem River Drive.” This recording was the first to merge what were categorized as “Black” and “Latin” music into a free-form sound that encompassed elements of salsa, funk, soul and jazz. In 1975, Palmieri won the first-ever Grammy for Best Latin Recording for The Sun of Latin Music (he’s won nine Grammys altogether to date), including two for his influential recording with Tito Puente, Obra Maestra/Masterpiece.
Recognizing Palmieri as an American icon, the Smithsonian’s National Museum of American History in Washington, DC, recorded two of Palmieri’s performances for its archives in 1988. Because of Palmieri’s proclivity for creating music in funk Latin style, Little Louie Vega invited him to record on Nuyorican Soul (1997), a release that became very popular in the house and underground music scenes.
In addition to the Grammys, Palmieri has received numerous honors: Eubie Blake Award (1991); Most Exciting Latin Performance, presented by the BBC in London (2002); Yale University’s Chubb Fellowship, usually reserved for international heads of state, but given to Palmieri in recognition of his work building communities through music (2002); Harlem Renaissance Award (2005); Jay McShann Lifetime Achievement Award (2008), induction into the Oklahoma Jazz Hall of Fame (2008). A year later, the Library of Congress added Palmieri’s composition “Azucar Pa’ Ti” to the National Recording Registry, which at the time only included 300 compositions documenting the history of all of recorded music history in the U.S. With his widely popular eight-and-a-half minute “Azucar Pa’ Ti” Palmieri changed the format of the recording industry, breaking the three-and-a-half minute barrier imposed by the recording industry.
In 2012, Palmieri continued to innovate, celebrating 75 years with new music included in the original score for a documentary co-directed by Bobbito Garcia called “Doin it in the Park” that explores the cultural influence of playground basketball on sports and music.
Palmieri’s music recorded for the documentary is the basis of his
newest recording to be released later this year. This will be Eddie’s first time recording his own new music since winning back-to-back Grammys in 2005 and 2006.
In 2013, Eddie Palmieri was awarded the coveted Jazz Master award by the National Endowment of the Arts (NEA). The NEA Jazz Master award is the highest honor an American Jazz artist can receive. For more about the NEA recognition, please visit: http://www.nea.gov/honors/jazz/index.html.
Mehr anzeigen
Genres:
Latin Jazz Salsa
Heimatort:
New York City, New York
Außerdem folgen die Fans
Willie Colón
52K Follower
Folgen
Oscar D'León
38K Follower
Folgen
Los Van Van
20K Follower
Folgen
Tito Nieves
24K Follower
Folgen
Genieße mit der App Bandsintown das ganze Erlebnis.