Hailed by The Washington Post as “one of Nashville's finest song interpreters,”
Kathy Mattea has enjoyed the kind of success many artists only dream of: two
GRAMMY wins, four CMA Awards, four #1 country singles, and five gold albums
(plus a platinum collection of her greatest hits). The dream almost ended,
though, when Mattea entered her 50s and began to find her voice changing.
What followed was a three year journey through life challenges and vocal
glitches that she describes as her “dark night of the soul,” a trying time of
personal anguish and professional uncertainty that threatened to silence her
permanently.
“The hardest thing was facing the question of whether I would still be able to
sing well enough to enjoy it. That was the acid test for me, and I had to be
willing to walk through a process that bumped me up against the very real
possibility that, in the end, the answer might be “No.”
Instead, Mattea dug in with a vocal coach, re-committed to her music, and
emerged with the most poignant album of her career, “Pretty Bird.” Working
with her old friend, music roots wizard Tim O’Brien, producing, “Pretty Bird” is
a chronicle of her journey, song by song, back to singing for the sheer joy of it.
It’s an emotional, moving collection, one that draws its strength not only from
Mattea’s touching performances, but also from her uncanny ability to weave
seemingly disparate material into a cohesive whole. From a playful take on
Oliver Wood’s “Chocolate On My Tongue” to a tender rendition of Mary
Gauthier’s “Mercy Now,” from a British traditional to a Bobbie Gentry classic,
these are the songs that helped Mattea reclaim her voice, and she inhabits
each as fully as if it were her own.
Exquisitely arranged and delivered with the kind of subtlety and nuance that
can only come from a lifetime of heartbreak and triumph, ‘Pretty Bird’ is a
title Kathy Mattea inhabits quite literally, and it’s a welcome reintroduction to
one of country and Americana music’s most enduring and beloved figures