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Александр Николаевич Скрябин
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Vergangene
NOV.
27
2017
Paradise Place, United Kingdom
Birmingham Conservatoire
Ich war da
MAI
11
2017
Oslo, Norway
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Ich war da
SEP.
19
2015
Chicago, IL
Copernicus Center
Ich war da
AUG.
07
2015
Chicago, IL
Copernicus Center
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FEB.
27
2015
Napoli, Italy
Largo S. Marcellino, 10
Ich war da
AUG.
23
2014
Chicago, IL
Park West
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Weitere Ereignisse anzeigen
Über Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Mehr anzeigen
Genres:
Classical
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Александр Николаевич Скрябин, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
concerts and tour dates
Vergangene
NOV.
27
2017
Paradise Place, United Kingdom
Birmingham Conservatoire
Ich war da
MAI
11
2017
Oslo, Norway
Oslo-Filharmonien
Ich war da
SEP.
19
2015
Chicago, IL
Copernicus Center
Ich war da
AUG.
07
2015
Chicago, IL
Copernicus Center
Ich war da
FEB.
27
2015
Napoli, Italy
Largo S. Marcellino, 10
Ich war da
AUG.
23
2014
Chicago, IL
Park West
Ich war da
Weitere Ereignisse anzeigen
Über Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Mehr anzeigen
Genres:
Classical
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