Finde Tourdaten und Livemusik-Veranstaltungen für deine Lieblingsbands und -künstler in deiner Stadt. Hol dir mit Bandsintown Konzertkarten, erfahre Neuigkeiten und gib RSVPs zu Konzerten ab.
get app
Registrieren
Anmelden
Evan Parker
1.447 Follower
Never miss another Evan Parker concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Folgen
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Evan Parker, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Live-Fotos von Evan Parker
Alle Fotos anzeigen
concerts and tour dates
Vergangene
MÄRZ
15
2024
Milan, Italy
Teatro Arsenale
Ich war da
FEB.
18
2024
Gravesend, United Kingdom
Fourth Portal
Ich war da
SEP.
20
2023
London, United Kingdom
The Old Church Stoke Newington
Ich war da
JAN.
27
2021
Ivry-sur-Seine, France
Auditorium Jean-Pierre Miquel De Vincennes
Ich war da
JAN.
23
2021
Ivry-sur-Seine, France
Theatre Jacques Carat - Cachan
Ich war da
FEB.
20
2020
London, United Kingdom
Vortex
Ich war da
Weitere Ereignisse anzeigen
Über Evan Parker
Evan Parker (born 5 April 1944 in Bristol) is a British free-improvising saxophone player.
His original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on Time Will Tell (ECM, 1993) and Chicago Solo (Okkadisk, 1997).
However, Parker is probably better known for his 1960s work, which rapidly assimilated the American avantgarde — John Coltrane, Pharoah Sanders, Albert Ayler and others — and forged his own, instantly identifiable style. His music of the 1960s and 1970s is harsh, raw and unsettling, involving fluttering, swirling lines that have shape rather than tangible melodic content; sometimes he makes use of pure sound in a manner that recalls Steve Lacy's more radical 1970s recordings or the work of some AACM members. He began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
Parker is one of the few saxophone players for whom unaccompanied solo performance is a major part of his work. One critic has written that Parker's solo performances "reveal also the mechanical possibilities for the instrument that weren't even considered before he came along — things like playing in all three registers of the instrument at the same time."
His original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on Time Will Tell (ECM, 1993) and Chicago Solo (Okkadisk, 1997).
However, Parker is probably better known for his 1960s work, which rapidly assimilated the American avantgarde — John Coltrane, Pharoah Sanders, Albert Ayler and others — and forged his own, instantly identifiable style. His music of the 1960s and 1970s is harsh, raw and unsettling, involving fluttering, swirling lines that have shape rather than tangible melodic content; sometimes he makes use of pure sound in a manner that recalls Steve Lacy's more radical 1970s recordings or the work of some AACM members. He began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
Parker is one of the few saxophone players for whom unaccompanied solo performance is a major part of his work. One critic has written that Parker's solo performances "reveal also the mechanical possibilities for the instrument that weren't even considered before he came along — things like playing in all three registers of the instrument at the same time."
Mehr anzeigen
Genres:
Free Jazz, Jazz
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Evan Parker, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
Live-Fotos von Evan Parker
Alle Fotos anzeigen
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Vergangene
MÄRZ
15
2024
Milan, Italy
Teatro Arsenale
Ich war da
FEB.
18
2024
Gravesend, United Kingdom
Fourth Portal
Ich war da
SEP.
20
2023
London, United Kingdom
The Old Church Stoke Newington
Ich war da
JAN.
27
2021
Ivry-sur-Seine, France
Auditorium Jean-Pierre Miquel De Vincennes
Ich war da
JAN.
23
2021
Ivry-sur-Seine, France
Theatre Jacques Carat - Cachan
Ich war da
FEB.
20
2020
London, United Kingdom
Vortex
Ich war da
Weitere Ereignisse anzeigen
Über Evan Parker
Evan Parker (born 5 April 1944 in Bristol) is a British free-improvising saxophone player.
His original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on Time Will Tell (ECM, 1993) and Chicago Solo (Okkadisk, 1997).
However, Parker is probably better known for his 1960s work, which rapidly assimilated the American avantgarde — John Coltrane, Pharoah Sanders, Albert Ayler and others — and forged his own, instantly identifiable style. His music of the 1960s and 1970s is harsh, raw and unsettling, involving fluttering, swirling lines that have shape rather than tangible melodic content; sometimes he makes use of pure sound in a manner that recalls Steve Lacy's more radical 1970s recordings or the work of some AACM members. He began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
Parker is one of the few saxophone players for whom unaccompanied solo performance is a major part of his work. One critic has written that Parker's solo performances "reveal also the mechanical possibilities for the instrument that weren't even considered before he came along — things like playing in all three registers of the instrument at the same time."
His original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on Time Will Tell (ECM, 1993) and Chicago Solo (Okkadisk, 1997).
However, Parker is probably better known for his 1960s work, which rapidly assimilated the American avantgarde — John Coltrane, Pharoah Sanders, Albert Ayler and others — and forged his own, instantly identifiable style. His music of the 1960s and 1970s is harsh, raw and unsettling, involving fluttering, swirling lines that have shape rather than tangible melodic content; sometimes he makes use of pure sound in a manner that recalls Steve Lacy's more radical 1970s recordings or the work of some AACM members. He began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
Parker is one of the few saxophone players for whom unaccompanied solo performance is a major part of his work. One critic has written that Parker's solo performances "reveal also the mechanical possibilities for the instrument that weren't even considered before he came along — things like playing in all three registers of the instrument at the same time."
Mehr anzeigen
Genres:
Free Jazz, Jazz
Genieße mit der App Bandsintown das ganze Erlebnis.