'A Tincture of Junkyard Folk and Steampunk Jazz'. Professor Gall seeks to uncover the contradictions of an ambiguous and native-less society, 'dreaming the existentialists' dream', while at the same time pleading for individualism, peace, and more fun at funerals. The Portland, Oregon conglomerate consists of Drew Norman on vocals, guitar, and banjo, who brings his theatrical experience to the musical stage and is responsible for the initial musical and lyrical embellishments. Drew’s recent side roles include the ‘Husband’ in the stage and movie version of Sally Tomato’s TOY ROOM(Severe Enterprises), a rock opera that won awards from The Heart of England Film Festival, among others. He is also commissioned by other musical luminaries on stage and in the studio from Chris Robley’s Fear of Heights Orchestra (Cutthroat Pop Records) to Jeff Hanson (Kill Rock Stars Records). Chad Youngman, a long time musical cohort of Norman’s, provides stand-up bass, polytheistic vision, and conceptual lyrics, while Scott Johnston heads up the first chair position for the horn section, arranging charts and providing his saxophone alchemy. Rounding out the ensemble is Monte Skillings on trombone, Russell Gores on drums, and Andrew Clarinet on the.…ahem…clarinet. Critical acclaim for their first full length CD ‘Intravenous Delusion’ has enabled Professor Gall to become a regional favorite, sharing the stage with semi-national/national acts like The Devil Makes Three, Eric McFadden Trio, Slim Cessna's Auto Club, Billy Nayer Show, Vagabond Opera and Sleepytime Gorilla Museum at venues thought the West Coast as well as festivals like the Folklife Festival in Seattle, WA. The band released in March of 2010 their sophomore release entitled ‘The Psychology of Booze and Guilt’ to rave reviews. Junkyard Folk and Steampunk Jazz