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Kristine Leschper
25.260 Follower
Never miss another Kristine Leschper concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
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Keine demnächst stattfindenden Shows
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Um eine Show bitten
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Merch (ad)
The Opening Or Closing Of A Door
$22.99
Live-Fotos von Kristine Leschper
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concerts and tour dates
Vergangene
OKT.
22
2023
Ridgewood, NY
Sundown Bar
Ich war da
OKT.
21
2023
Philadelphia, PA
Abyssinia
Ich war da
OKT.
20
2023
Philadelphia, PA
Abyssinia
Ich war da
OKT.
19
2023
Washington, DC
RhizomeDC
Ich war da
APR.
30
2023
Philadelphia, PA
Johnny Brenda's
Ich war da
APR.
29
2023
Brooklyn, NY
Public Records
Ich war da
Weitere Ereignisse anzeigen
Fan-Bewertungen
Jesse
22. Oktober 2023
One of the finest and most intimate shows I have been to. All three artists were phenomenal. Beautiful Beautiful singing, creative arrangements, and stage presence. It was a pure joy from beginning to end.
Philadelphia, PA@Abyssinia
Jimmy
21. April 2023
Complete blast. Anna Kellam was wonderful. Nina Ryser’s set was perfection, nothing could top it. Until she joined Kristine Leschper and her Live Ensemble for the final set, which a fellow awestruck audience member described as divine. Very well worth it.
Savannah, GA@The Sentient Bean
Mehr Fan-Bewertungen anzeigen
Über Kristine Leschper
Kristine Leschper is an interdisciplinary artist working in sound, text, image, and performance. Her work positions itself around the spectacle of the human condition, deeply interested in questions of meaning-making, womanhood, socio-ecological systems, and the wielding of power. Her personal philosophies around music-making approach the sonic landscape as an object with shape, dimension and weight. She has presented over 250 live performances across the US, UK, and Europe.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Mehr anzeigen
Genres:
Alternative, Indie, Indie Folk
Heimatort:
Athens, Georgia
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Kristine Leschper, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
Live-Fotos von Kristine Leschper
Alle Fotos anzeigen
Merch (ad)
The Opening Or Closing Of A Door
$22.99
concerts and tour dates
Vergangene
OKT.
22
2023
Ridgewood, NY
Sundown Bar
Ich war da
OKT.
21
2023
Philadelphia, PA
Abyssinia
Ich war da
OKT.
20
2023
Philadelphia, PA
Abyssinia
Ich war da
OKT.
19
2023
Washington, DC
RhizomeDC
Ich war da
APR.
30
2023
Philadelphia, PA
Johnny Brenda's
Ich war da
APR.
29
2023
Brooklyn, NY
Public Records
Ich war da
Weitere Ereignisse anzeigen
Fan-Bewertungen
Jesse
22. Oktober 2023
One of the finest and most intimate shows I have been to. All three artists were phenomenal. Beautiful Beautiful singing, creative arrangements, and stage presence. It was a pure joy from beginning to end.
Philadelphia, PA@Abyssinia
Jimmy
21. April 2023
Complete blast. Anna Kellam was wonderful. Nina Ryser’s set was perfection, nothing could top it. Until she joined Kristine Leschper and her Live Ensemble for the final set, which a fellow awestruck audience member described as divine. Very well worth it.
Savannah, GA@The Sentient Bean
Mehr Fan-Bewertungen anzeigen
Über Kristine Leschper
Kristine Leschper is an interdisciplinary artist working in sound, text, image, and performance. Her work positions itself around the spectacle of the human condition, deeply interested in questions of meaning-making, womanhood, socio-ecological systems, and the wielding of power. Her personal philosophies around music-making approach the sonic landscape as an object with shape, dimension and weight. She has presented over 250 live performances across the US, UK, and Europe.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Mehr anzeigen
Genres:
Alternative, Indie, Indie Folk
Heimatort:
Athens, Georgia
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