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Manu Louis
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Schicke eine Anfrage an Manu Louis, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
concerts and tour dates
Vergangene
JUNI
12
2024
Bruxelles, Belgium
Le Botanique
Ich war da
NOV.
17
2023
London, United Kingdom
IKLECTIK
Ich war da
NOV.
16
2023
Newcastle upon Tyne, United Kingdom
Cobalt Studios
Ich war da
NOV.
14
2023
Birmingham, United Kingdom
Centrala
Ich war da
OKT.
14
2023
Bruxelles, Belgium
Un Peu
Ich war da
JULI
02
2023
Paris 13 Gobelins, France
Petit Bain
Ich war da
Weitere Ereignisse anzeigen
Über Manu Louis
Manu Louis is a prolific composer and performer of experimental chanson, influenced equally by pop, jazz, electronic and 20th Century classical music. In 2016 alone, he brought his energetic and unpredictable one-man show to over 100 venues and festivals, spanning 22 countries throughout Europe and Asia (including Contra Pop Fest., La Casa Encendida, Berghain Kantine, Worm, Jazz à Liège, Tremor Festival, Mismas Party and Fusion Festival). Following his work for the 30-piece Orchestra Vivo and for string ensemble O.C.L., Manu is now releasing a hyper-eclectic album about the fairground: Kermesse Machine (+) (Igloo rec.).
Building on the momentum of his debut 7” single for Berlin label New Pangea, Manu’s first full-length solo album delivers a warped mix of post-modern pop, where luxurious horns elegantly collide with cheap synths to cradle his lyrical observations, sung in French and English.
Recorded in Berlin, Brussels and Rome, Kermesse Machine combines the exotic glamour of the Anglo pop of Manu’s childhood with the tacky sounds of Belgian popular music that he always did his best to ignore (brass band, Eurodance, industrial trance, wedding performers).
In the artist’s own words, the record is “a mountain of plastic glasses in the streets the morning after, a tropical digital marching band, a guy giving all he’s got at Karaoke because there’s nowhere left to sing, a gypsy virtuoso playing synth with a trumpet sound.”
“Un concept album dont les titres s’enchaînent comme pour raconter une histoire d’amour populaire lors d’une joyeuse et bruyante fête de village.” LIBERATION
“It’s a rowdy, joyous affair full of eminently danceable tunes.” THE UNDERGROUND OF HAPPINESS
“plus coloré qu’une licorne vomissant un arc-en-ciel” GONZAI
« Manu Louis is back to give the world a well needed carnavalesque twist » LOCAL SUICIDE
“Some albums just have to be heard to be believed, and Manu Louis‘ Kermesse Machine is one of those records” MUSICOMH
Building on the momentum of his debut 7” single for Berlin label New Pangea, Manu’s first full-length solo album delivers a warped mix of post-modern pop, where luxurious horns elegantly collide with cheap synths to cradle his lyrical observations, sung in French and English.
Recorded in Berlin, Brussels and Rome, Kermesse Machine combines the exotic glamour of the Anglo pop of Manu’s childhood with the tacky sounds of Belgian popular music that he always did his best to ignore (brass band, Eurodance, industrial trance, wedding performers).
In the artist’s own words, the record is “a mountain of plastic glasses in the streets the morning after, a tropical digital marching band, a guy giving all he’s got at Karaoke because there’s nowhere left to sing, a gypsy virtuoso playing synth with a trumpet sound.”
“Un concept album dont les titres s’enchaînent comme pour raconter une histoire d’amour populaire lors d’une joyeuse et bruyante fête de village.” LIBERATION
“It’s a rowdy, joyous affair full of eminently danceable tunes.” THE UNDERGROUND OF HAPPINESS
“plus coloré qu’une licorne vomissant un arc-en-ciel” GONZAI
« Manu Louis is back to give the world a well needed carnavalesque twist » LOCAL SUICIDE
“Some albums just have to be heard to be believed, and Manu Louis‘ Kermesse Machine is one of those records” MUSICOMH
Mehr anzeigen
Genres:
Electronic, Symphony, Other, Avant Pop, Electronic Orchestral
Heimatort:
Brussels, Belgium
Keine demnächst stattfindenden Shows
Schicke eine Anfrage an Manu Louis, in deiner Stadt aufzutreten
Um eine Show bitten
Ähnliche Künstler auf Tour
concerts and tour dates
Vergangene
JUNI
12
2024
Bruxelles, Belgium
Le Botanique
Ich war da
NOV.
17
2023
London, United Kingdom
IKLECTIK
Ich war da
NOV.
16
2023
Newcastle upon Tyne, United Kingdom
Cobalt Studios
Ich war da
NOV.
14
2023
Birmingham, United Kingdom
Centrala
Ich war da
OKT.
14
2023
Bruxelles, Belgium
Un Peu
Ich war da
JULI
02
2023
Paris 13 Gobelins, France
Petit Bain
Ich war da
Weitere Ereignisse anzeigen
Über Manu Louis
Manu Louis is a prolific composer and performer of experimental chanson, influenced equally by pop, jazz, electronic and 20th Century classical music. In 2016 alone, he brought his energetic and unpredictable one-man show to over 100 venues and festivals, spanning 22 countries throughout Europe and Asia (including Contra Pop Fest., La Casa Encendida, Berghain Kantine, Worm, Jazz à Liège, Tremor Festival, Mismas Party and Fusion Festival). Following his work for the 30-piece Orchestra Vivo and for string ensemble O.C.L., Manu is now releasing a hyper-eclectic album about the fairground: Kermesse Machine (+) (Igloo rec.).
Building on the momentum of his debut 7” single for Berlin label New Pangea, Manu’s first full-length solo album delivers a warped mix of post-modern pop, where luxurious horns elegantly collide with cheap synths to cradle his lyrical observations, sung in French and English.
Recorded in Berlin, Brussels and Rome, Kermesse Machine combines the exotic glamour of the Anglo pop of Manu’s childhood with the tacky sounds of Belgian popular music that he always did his best to ignore (brass band, Eurodance, industrial trance, wedding performers).
In the artist’s own words, the record is “a mountain of plastic glasses in the streets the morning after, a tropical digital marching band, a guy giving all he’s got at Karaoke because there’s nowhere left to sing, a gypsy virtuoso playing synth with a trumpet sound.”
“Un concept album dont les titres s’enchaînent comme pour raconter une histoire d’amour populaire lors d’une joyeuse et bruyante fête de village.” LIBERATION
“It’s a rowdy, joyous affair full of eminently danceable tunes.” THE UNDERGROUND OF HAPPINESS
“plus coloré qu’une licorne vomissant un arc-en-ciel” GONZAI
« Manu Louis is back to give the world a well needed carnavalesque twist » LOCAL SUICIDE
“Some albums just have to be heard to be believed, and Manu Louis‘ Kermesse Machine is one of those records” MUSICOMH
Building on the momentum of his debut 7” single for Berlin label New Pangea, Manu’s first full-length solo album delivers a warped mix of post-modern pop, where luxurious horns elegantly collide with cheap synths to cradle his lyrical observations, sung in French and English.
Recorded in Berlin, Brussels and Rome, Kermesse Machine combines the exotic glamour of the Anglo pop of Manu’s childhood with the tacky sounds of Belgian popular music that he always did his best to ignore (brass band, Eurodance, industrial trance, wedding performers).
In the artist’s own words, the record is “a mountain of plastic glasses in the streets the morning after, a tropical digital marching band, a guy giving all he’s got at Karaoke because there’s nowhere left to sing, a gypsy virtuoso playing synth with a trumpet sound.”
“Un concept album dont les titres s’enchaînent comme pour raconter une histoire d’amour populaire lors d’une joyeuse et bruyante fête de village.” LIBERATION
“It’s a rowdy, joyous affair full of eminently danceable tunes.” THE UNDERGROUND OF HAPPINESS
“plus coloré qu’une licorne vomissant un arc-en-ciel” GONZAI
« Manu Louis is back to give the world a well needed carnavalesque twist » LOCAL SUICIDE
“Some albums just have to be heard to be believed, and Manu Louis‘ Kermesse Machine is one of those records” MUSICOMH
Mehr anzeigen
Genres:
Electronic, Symphony, Other, Avant Pop, Electronic Orchestral
Heimatort:
Brussels, Belgium
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