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Lovesliescrushing
6,278 Followers
• 2 Upcoming Shows
2 Upcoming Shows
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About Lovesliescrushing
Formed in East Lansing, Michigan in 1991, the duo of Lovesliescrushing consists of Scott Cortez (guitars) and Melissa Arpin-Duimstra (vocals). They are an ambient/noise group that uses the shoegaze/dream pop sound as a starting point, but drop conventional song structures, and focus on highly textured and otherworldly soundscapes. Guitarist Scott Cortez's use of his guitar in conjunction with loop devices, e-bow, paint scrapers, forks, knives, vibrators, violin bows, etc. to create lush, swirling tones dissociated with guitar has caused critics/reviewers to mistake them for using keyboards. Their sound is typified by a signature lack of drums, glossolalia, dense billowing chordal clusters, massive sheets of whitenoise, delicate looped backwound figures implying abstract rhythms and ambient freeform instrumentals.
They have released five full-lengths to date, all recorded with a simple 4-track recorder, including their latest release, Chorus, which was done completely in acapella.
.
They have released five full-lengths to date, all recorded with a simple 4-track recorder, including their latest release, Chorus, which was done completely in acapella.
.
Show More
No upcoming shows in your city
Send a request to Lovesliescrushing to play in your city
Request a Show
concerts and tour dates
Upcoming
Past
all concerts & live streams
Lovesliescrushing's tour
About Lovesliescrushing
Formed in East Lansing, Michigan in 1991, the duo of Lovesliescrushing consists of Scott Cortez (guitars) and Melissa Arpin-Duimstra (vocals). They are an ambient/noise group that uses the shoegaze/dream pop sound as a starting point, but drop conventional song structures, and focus on highly textured and otherworldly soundscapes. Guitarist Scott Cortez's use of his guitar in conjunction with loop devices, e-bow, paint scrapers, forks, knives, vibrators, violin bows, etc. to create lush, swirling tones dissociated with guitar has caused critics/reviewers to mistake them for using keyboards. Their sound is typified by a signature lack of drums, glossolalia, dense billowing chordal clusters, massive sheets of whitenoise, delicate looped backwound figures implying abstract rhythms and ambient freeform instrumentals.
They have released five full-lengths to date, all recorded with a simple 4-track recorder, including their latest release, Chorus, which was done completely in acapella.
.
They have released five full-lengths to date, all recorded with a simple 4-track recorder, including their latest release, Chorus, which was done completely in acapella.
.
Show More
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