Mishka Adams

Mishka Adams’s aesthetic roots include the literary, visual and musical arts. The daughter of Filipina visual artist, Agnes Arellano and British writer, Michael Adams, was born on May 19th 1984 in Manila. At her tender age she was already associated with the Philippine literary scene, when her dad was publishing the Caracoa literary journal along with the Philippine Literary Arts Council. Mishka does her share of writing as well, of poems that later turn into songs. “A lot of my songs starts out as poetry. My dad was a big influence on me” – she enthuses.

Mishka became interested in jazz at the age of 3 and her very first initiations into music were old songs, including those of Joni Mitchell, which she listened to as a child. She then began saxophone lessons at the age of 10 and by 14 she was singing jazz standards.

Whilst taking her A levels at King’s School in Canterbury she joined the school jazz band where she was associated with some of the rising young talents of the school. Having just hurdled her A levels in Canterbury, Mishka flew back to Manila after nine years of boarding school to continue her studies at the University of the Philippines – College of music – majoring in saxophone.

She was introduced for the first time on stage where she performed with the former first lady Amelita Ramos’ Executive Jazz Band at the ‘Coming Home’ Show, a benefit show for the Museum Foundation in Manila. Henceforth, she performed in many jazz venues & music festivals in Manila.

Mishka was invited as guest artist at a major event organized by the British Council (Manila) – a music spectacular ‘Jazz in Time’ featuring the UK jazz legend Courtney Pine and Cameron Pierre, one of Candid’s artists. Her impeccable rendition of Billie Holiday’s signature song ‘God Bless the Child’, earned this young talent the immediate admiration of the audience. A representative from CANDID Philippines office asked her for a demo which was immediately sent to Alan Bates in London for approval. In barely two weeks, she was signed up and given a budget for a new recording.

Mishka’s new album highlights her individual approach to standards, incorporating world music and African-reggae inspired beats into her originals. Mishka’s charismatic innocence is put to good use in her repertoire ranging from classics like Change Partners and Autumn Leaves to her originals Where do we Begin? and War of the Skies.