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Latimore Tickets, Tour Dates and %{concertOrShowText}
Latimore Tickets, Tour Dates and %{concertOrShowText}

Latimore

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About Latimore

Deep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. Initially billed as Benny Latimore, the Tennessean began recording for Miami mogul Henry Stone in 1965, and his late-'60s Dade singles are solid deep-soul. Dropping his first name on Glades, Latimore finally found stardom in 1973 with a jazzy reading of T-Bone Walker's "Stormy Monday." He topped the soul lists in 1974 with the anguished "Let's Straighten It Out," a simmering soul/blues hybrid, and encored with the incendiary "Keep the Home Fires Burnin'" the next year. Most of Latimore's Glades sides were produced in Miami by Steve "Every Day I Have to Cry" Alaimo, and when he wasn't cutting his own hits, Latimore acted as a house pianist for parent TK Records. Latimore moved to Malaco during the '80s, his appeal undiminished.
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Genres:
R&b, Soul, Rnb-soul, R&b/soul

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About Latimore

Deep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. Initially billed as Benny Latimore, the Tennessean began recording for Miami mogul Henry Stone in 1965, and his late-'60s Dade singles are solid deep-soul. Dropping his first name on Glades, Latimore finally found stardom in 1973 with a jazzy reading of T-Bone Walker's "Stormy Monday." He topped the soul lists in 1974 with the anguished "Let's Straighten It Out," a simmering soul/blues hybrid, and encored with the incendiary "Keep the Home Fires Burnin'" the next year. Most of Latimore's Glades sides were produced in Miami by Steve "Every Day I Have to Cry" Alaimo, and when he wasn't cutting his own hits, Latimore acted as a house pianist for parent TK Records. Latimore moved to Malaco during the '80s, his appeal undiminished.
Show More
Genres:
R&b, Soul, Rnb-soul, R&b/soul

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