Nancy Sinatra & Lee Hazlewood
8,926 Followers
Never miss another Nancy Sinatra & Lee Hazlewood concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Follow
No upcoming shows
Send a request to Nancy Sinatra & Lee Hazlewood to play in your city
Request a Show
Similar Artists On Tour
About Nancy Sinatra & Lee Hazlewood
The young daughter of Frank Sinatra, Nancy Sinatra was an aspiring diva with a string of disappointments even her father’s usually indomitable influence couldn’t make into hits. Thus she was delivered to Hazlewood by fellow producer and Reprise bigwig Jimmy Bowen. The result, to almost everyone’s satisfaction, was wall to wall hits for the next 5 years. Described by detractors as a tuneless drone, Nancy’s voice was more importantly a tough and life-wisened instrument, and certainly not lacking in a canny sexuality which, inadvertently or not, anticipated liberated, strong female singing from Nico and Pat Benatar to Kim Gordon and Joan Jett. Hazlewood, naturally, saw these elements for the strengths that they were, and knew exactly how to highlight them sonically. He sculpted, again with the help of his now famous session men, a countryfied pop brew to bathe tunes which, though not without their novelty aspects, were more novel in the literary sense — concisely constructed layers of sophisticated artifice operating on several levels of meaning, depending on how deep you were willing to go.
The first string of hits, “These Boots Are Made For Walking”, “Sugar Town”, “How Does That Grab You Darlin’?”, made Nancy Sinatra a worldwide star, and is perhaps what gave her the confidence to begin sharing the mic with Lee. The duet hits that followed include the hardcore C&W rollick of “Jackson”, and the sublime “Some Velvet Morning”, perhaps Lee’s finest moment as a lyricist. It’s important to note that Lee was stalking the very top of the pops with vaguely cloaked S&M and drug references, amid other implications of miscellaneous naughtiness, yet ironically, because of the context in which he worked, was the epitome of unhip. By contrast, Lou Reed was addressing similar subjects in his eventually more celebrated style, but within the hermetic confines of Warhol’s Factory, an association which inevitably made his “vanguard” work infinitely less assailable from a critical standpoint.
Lee’s other Hollywood (mis)adventures included producing Frank and Nancy’s hit duet “Somethin’ Stupid”, writing and producing the Dean Martin hit “Houston”, and an album called The Cowboy And The Lady — a hilarious duet LP with the actress and singer Ann-Margret. He also contributed music to the films Tony Rome and Sweet Ride, and even acted in the latter, and alongside Richard Widmark in The Moonshine War.
The first string of hits, “These Boots Are Made For Walking”, “Sugar Town”, “How Does That Grab You Darlin’?”, made Nancy Sinatra a worldwide star, and is perhaps what gave her the confidence to begin sharing the mic with Lee. The duet hits that followed include the hardcore C&W rollick of “Jackson”, and the sublime “Some Velvet Morning”, perhaps Lee’s finest moment as a lyricist. It’s important to note that Lee was stalking the very top of the pops with vaguely cloaked S&M and drug references, amid other implications of miscellaneous naughtiness, yet ironically, because of the context in which he worked, was the epitome of unhip. By contrast, Lou Reed was addressing similar subjects in his eventually more celebrated style, but within the hermetic confines of Warhol’s Factory, an association which inevitably made his “vanguard” work infinitely less assailable from a critical standpoint.
Lee’s other Hollywood (mis)adventures included producing Frank and Nancy’s hit duet “Somethin’ Stupid”, writing and producing the Dean Martin hit “Houston”, and an album called The Cowboy And The Lady — a hilarious duet LP with the actress and singer Ann-Margret. He also contributed music to the films Tony Rome and Sweet Ride, and even acted in the latter, and alongside Richard Widmark in The Moonshine War.
Show More
No upcoming shows
Send a request to Nancy Sinatra & Lee Hazlewood to play in your city
Request a Show
Similar Artists On Tour
About Nancy Sinatra & Lee Hazlewood
The young daughter of Frank Sinatra, Nancy Sinatra was an aspiring diva with a string of disappointments even her father’s usually indomitable influence couldn’t make into hits. Thus she was delivered to Hazlewood by fellow producer and Reprise bigwig Jimmy Bowen. The result, to almost everyone’s satisfaction, was wall to wall hits for the next 5 years. Described by detractors as a tuneless drone, Nancy’s voice was more importantly a tough and life-wisened instrument, and certainly not lacking in a canny sexuality which, inadvertently or not, anticipated liberated, strong female singing from Nico and Pat Benatar to Kim Gordon and Joan Jett. Hazlewood, naturally, saw these elements for the strengths that they were, and knew exactly how to highlight them sonically. He sculpted, again with the help of his now famous session men, a countryfied pop brew to bathe tunes which, though not without their novelty aspects, were more novel in the literary sense — concisely constructed layers of sophisticated artifice operating on several levels of meaning, depending on how deep you were willing to go.
The first string of hits, “These Boots Are Made For Walking”, “Sugar Town”, “How Does That Grab You Darlin’?”, made Nancy Sinatra a worldwide star, and is perhaps what gave her the confidence to begin sharing the mic with Lee. The duet hits that followed include the hardcore C&W rollick of “Jackson”, and the sublime “Some Velvet Morning”, perhaps Lee’s finest moment as a lyricist. It’s important to note that Lee was stalking the very top of the pops with vaguely cloaked S&M and drug references, amid other implications of miscellaneous naughtiness, yet ironically, because of the context in which he worked, was the epitome of unhip. By contrast, Lou Reed was addressing similar subjects in his eventually more celebrated style, but within the hermetic confines of Warhol’s Factory, an association which inevitably made his “vanguard” work infinitely less assailable from a critical standpoint.
Lee’s other Hollywood (mis)adventures included producing Frank and Nancy’s hit duet “Somethin’ Stupid”, writing and producing the Dean Martin hit “Houston”, and an album called The Cowboy And The Lady — a hilarious duet LP with the actress and singer Ann-Margret. He also contributed music to the films Tony Rome and Sweet Ride, and even acted in the latter, and alongside Richard Widmark in The Moonshine War.
The first string of hits, “These Boots Are Made For Walking”, “Sugar Town”, “How Does That Grab You Darlin’?”, made Nancy Sinatra a worldwide star, and is perhaps what gave her the confidence to begin sharing the mic with Lee. The duet hits that followed include the hardcore C&W rollick of “Jackson”, and the sublime “Some Velvet Morning”, perhaps Lee’s finest moment as a lyricist. It’s important to note that Lee was stalking the very top of the pops with vaguely cloaked S&M and drug references, amid other implications of miscellaneous naughtiness, yet ironically, because of the context in which he worked, was the epitome of unhip. By contrast, Lou Reed was addressing similar subjects in his eventually more celebrated style, but within the hermetic confines of Warhol’s Factory, an association which inevitably made his “vanguard” work infinitely less assailable from a critical standpoint.
Lee’s other Hollywood (mis)adventures included producing Frank and Nancy’s hit duet “Somethin’ Stupid”, writing and producing the Dean Martin hit “Houston”, and an album called The Cowboy And The Lady — a hilarious duet LP with the actress and singer Ann-Margret. He also contributed music to the films Tony Rome and Sweet Ride, and even acted in the latter, and alongside Richard Widmark in The Moonshine War.
Show More
Get the full experience with the Bandsintown app.
